Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

By Sebastian Lee (1805-1887). Edited by Walter Schulz. For 2 cellos. Delights for Strings. Easy/moderate. Published by Friedrich Hofmeister Musikverlag

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108119

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Jesus schlaft, was soll ich hoffen. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1724. BWV 81. Duration 19 minutes. Carus Verlag #CV 31.081/19. Published by Carus Verlag (CA.3108119).

ISBN 9790007136345. Key: E minor. Language: German/English.

Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and parts available separately - see item CA.3108100.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108149

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1724. BWV 81. 20 pages. Duration 19 minutes. Carus Verlag #CV 31.081/49. Published by Carus Verlag (CA.3108149).

ISBN 9790007206864. Key: E minor. Text language: German/English.

Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and part available separately - see item CA.3108100.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108111

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Jesus schlaft. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1724. BWV 81. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.081/11. Published by Carus Verlag (CA.3108111).

ISBN 9790007045463. Key: E minor. Language: German/English.

Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and part available separately - see item CA.3108100.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108109

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.081/21 recorder 1, 1x 31.081/22 recorder 2, 1x 31.081/23 oboe d'amore 1, 1x 31.081/24 oboe d'amore 2. German title: Jesus schlaft 4. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1724. BWV 81. 12 pages. Duration 19 minutes. Carus Verlag #CV 31.081/09. Published by Carus Verlag (CA.3108109).

ISBN 9790007045456. Key: E minor. Language: German/English.

Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and parts available separately - see item CA.3108100.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108100

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Jesus schlaft, was soll ich hoffen. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1724. BWV 81. 52 pages. Duration 19 minutes. Carus Verlag #CV 31.081/00. Published by Carus Verlag (CA.3108100).

ISBN 9790007045418. Key: E minor. Language: German/English.

Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies].

SKU: HL.48186495

Composed by Sebastien Lee. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL3311. Published by Alphonse Leduc (HL.48186495).

UPC: 888680871130. 9.5x12.5 inches.

“German cellist, Sebastian Lée (1805-1887) was prominent as a performer and pedagogue in both Germany and France. His methods have been published many times in various countries and continue to be used to this day, The First Step of the Young Cellist being no exception. Lée enjoyed a successful career as a soloist with the Paris Opéra and as a Cello teacher at the Paris Conservatoire. His teaching styles displayed a variety of German and French influences. The First Step of the Young Cellist contains fifty short, easy and progressive pieces with the accompaniment of a second Cello (the teacher). Beginning with semibreve studies, Lée's study book progresses to triplet exercises. The First Step of the Young Cellist is essential to the progression of all aspiring beginners of the instrument.&rdquo.

By Sebastian Lee (1805-1887). Edited by Jeffrey Solow. For 2 cellos. Playing score. 20 pages. Published by International Music Company

For Cello. Composed by Sebastian Lee (1805-1887). String. Softcover. 54 pages. Schott Music #ED21491. Published by Schott Music

Cello

SKU: BT.PWM6145060

Composed by Sebastian Lee. Classical. Book Only. Polskie Wydawnictwo Muzyczne #PWM6145060. Published by Polskie Wydawnictwo Muzyczne (BT.PWM6145060).

By Johann Sebastian Bach (1685-1750). Arranged by Julie Wheeler. For Unison choir (optional 2-part). Standard notation. Duration 2:17. Published by BriLee Music

Composed by Johann Sebastian Bach (1685-1750). Arranged by John Caponegro. For standard string orchestra (88555) with opt. 3rd Violin/Viola T.C. (3). Concert String Orchestra. Grade 3. Score and parts. Duration 1 minute, 50 seconds. Published by Kendor Music Inc