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Kreutzer Conradin - Grand Septet Op. 62 - Mixed Septett
Musica Rara
Composer : Kreutzer, Conradin Instrumentation : gem.Septett Edition : Score an p...
(+)
Composer : Kreutzer, Conradin Instrumentation : gem.Septett Edition : Score an parts
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Beethoven Ludwig Van - Septett Op. 20 - Septett
Breitkopf & Härtel
Composer : Beethoven, Ludwig van Instrumentation : gem.Septett
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Spohr Louis - Septett Op. 147 - Mixed Septett
Musica Rara
Composer : Spohr, Louis Instrumentation : gem.Septett
88.60 EUR - Sold by Woodbrass
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Mikhail Glinka: Septett: Ensemble: Score & Parts
Forberg
Septett
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Anthony Gilbert: Hope's Place: Ensemble: Score
[Sheet music]
University Of York Music Press
Hope's Place by Anthony Gilbert. 18'18'; for septet of 4 Wind and String trio.Ch...
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Hope's Place by Anthony Gilbert. 18'18'; for septet of 4 Wind and String trio.Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet in Bb & Clarinet in A or Basset Clarinet in A with extension to low written C; Bassoon; Violin; Viola; Cello.Commissioned for Clark Rundell and Ensemble 10/10.First performance by Ensemble 10/10 dir. Clark Rundell at The Cornerstone Liverpool Hope University on 16th October 2013.
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Ludwig van Beethoven: Trio In C Op.87 - Parts: String Trio: Parts
Violin, Viola (duet)
[Sheet music]
G. Henle
Around 1800 Beethoven seems to have completely distanced himself from chamber mu...
(+)
Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore he did not write any new works for wind ensembles.By contrast he ennobled his Trio op. 87 originally for two oboes and cor anglais by making an additional version for two violins and viola. This charming work ispublished following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.
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Leonard Bernstein: The Lark: Mixed Choir: Vocal Score
Français
Soli, Mixted choir and accompaniment
Boosey and Hawkes
French Choruses-In 1955 while in the midst of working on a musical version of V...
(+)
French Choruses-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein?s music was deliberately evocative of that Saint?s medieval era. For unaccompanied mixed choir or septet of solo voices (SSMezTTBB) and percussion ad libitum. French.
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Vandevenne Thomas : Ratchénitsa
Percussions
[Sheet music]
Dhalmann
Partition pour marimba solo. La ratchénitsa est une danse traditionnelle bulgar...
(+)
Partition pour marimba solo. La ratchénitsa est une danse traditionnelle bulgare, pratiquée lors des mariages. En Bulgarie, il est de tradition que les deux familles s'offrent mutuellement des cadeaux lors de cette cérémonie. La ratchénista consacre ce moment particulier : il faut danser pour pouvoir offrir et recevoir les cadeaux. Une version à deux baguettes existe dans la méthode 'Le clavier bien à temps pour se repérer' Vol 2, avec une voix d'accompagnement à écrire en fonction des accords.Thomas Vandevenne est né à Strasbourg le 10 juin 1963. Il étudie la percussion au conservatoire de Poitiers puis intègre la classe de Jean Batigne au Conservatoire National de Région de Strasbourg où il étudie également l'improvisation , l'harmonie et l'arrangement au sein de la classe de jazz.Après avoir obtenu les diplômes d'Etat de Percussion et de Jazz, il commence à enseigner tout en approfondissant son travail de batteur avec Georges Paczynski à l'Ecole Nationale de Musique de Cergy Pontoise.Fondateur du groupe 'Madame Thomas' avec lequel il enregistre, il a travaillé avec de nombreux musiciens de jazz, en particulier avec le septet du pianiste Loris Binot , ce qui lui a permis de jouer avec Steve Lacy, Jef Sicard....Actuellement professeur de percussion au CNR de Strasbourg, il partage son activité entre l'enseignement, la composition et les concerts . / Marimba Solo
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Leonard Bernstein: The Lark: Mixed Choir: Vocal Score
English
Choral TTBB
Boosey and Hawkes
French and Latin Choruses-In 1955 while in the midst of working on a musical ve...
(+)
French and Latin Choruses-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein?s music was deliberately evocative of that Saint?s medieval era. For unaccompanied mixed choir or septet of solo voices (SSMezTTBB) and percussion ad libitum. French and Latin.
15.50 GBP - Sold by Musicroom UK
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Franz Schubert: Trout Quintet Amaj D667 Parts: Piano Quintet: Score and Parts
BARENREITER
for Piano Violin Viola Violoncello and Double Bass-Piano Quintet in A major O...
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for Piano Violin Viola Violoncello and Double Bass-Piano Quintet in A major Op.post.114 D 667 (Trout Quintet)for Piano Violin Viola Violoncello and Double BassDuring the summer months of the years 1819 1823 and 1825 Schubert spent several weeks with his friend and interpreter of his lieder Johann Michael Vogl in Vogl?s home town of Steyr in Upper Austria. Vogl made Schubert acquainted with the musical circles of the town particularly with the home and circle of Sylvester Paumgartner the musical patron of Steyr at that time. Schubert?s relations with Steyr and with Paumgartner in particular were vividly recounted by Schubert?s friend Albert Stadler who also came from Steyr in his memorandums addressed toFerdinand Luib in 1858. Stadler?s report is the only source concerning the origin of the Quintet.?You are probably familiar with Schubert?s Quintet for pianoforte violin viola violoncello and double bass with the variations on his ?Trout?. He wrote it at the express wish of my friend Sylvester Paumgartner who was utterly enchanted with the delightful little song. He wanted the piece to have the form and scoring of Hummel?s Quintet recte Septet still new at that time. Schubert finished the piece quickly and kept the score himself . . .?.This account shows that the piece was written upon Paumgartner?s suggestion but gives no information about the time and place of composition. However one can assume that Schubert composed it in 1819 for Steyr.Urtext of the New Schubert EditionPiano score & set of parts (BA5608) available for sale
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Ludwig van Beethoven: Complete Music For Wind Ensembles: Wind Ensemble: Score
[Sheet music]
Dover Publications
A master of music in all forms Beethoven brought his genius to works as mighty ...
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A master of music in all forms Beethoven brought his genius to works as mighty as the great 'Choral' Symphony and as intimate as the charming 'Spring' Sonata. Less well known but no less ingenious are his delightful works scored for small Wind Ensembles. Intimate melodious and full of rhythmic life this charming music brings a breath of fresh air to the world of fine chamber music.Scored for various combinations of Winds (three works also include solo Strings) the music in this compilation includes the Three Duos WoO 27; the Trio Op. 87; two Sextets Opp. 71 and 81b; the Septet Op. 20; and the Octet Op. 103. Beethoven's Serenade Op. 25 andRondino WoO 25 round out this collection of the master's complete music for Wind ensembles.Reproduced from authoritative early scores Ludwig Van Beethoven: Complete Music For Wind Ensembles offers an inexpensive yet comprehensive volume to all lovers of chamber music.
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Ludwig van Beethoven: Trio In C Op.87 - Study Score: String Trio: Study Score
Violin, Viola (duet)
[Study Score / Miniature]
-
Intermediate
G. Henle
Around 1800 Beethoven seems to have completely distanced himself from chamber mu...
(+)
Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore he did not write any new works for wind ensembles.By contrast he ennobled his Trio op. 87 originally for two oboes and cor anglais by making an additional version for two violins and viola. This charming work ispublished following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.
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Franz Schubert: Octet In F major D 803 - Ensemble Parts: Chamber Ensemble: Parts
Orchestra
G. Henle
Octet in F major D 803-Franz Schubert's Octet In F major D 803 for Clarinet (B f...
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Octet in F major D 803-Franz Schubert's Octet In F major D 803 for Clarinet (B flat/C) Bassoon Horn (F/C) 2 Violins Viola Violoncello and Double Bass.This composition was modelled on Beethoven?s Septet op. 20 whose Divertimento character and six-part layout were adopted by Schubert although he merely expanded the instrumentation by adding a second Violin.In a letter he numbered his octet amongst the chamber music workswith which he desired to blaze a ?path to the great symphony?. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer who had a musical salon in Vienna and played the Clarinet. We onlyknow that Schubert composed the work at the beginning of 1824 taking only a few weeks to do so and that it was performed at Troyer?s shortly afterwards. Today it is one of the most popular larger chamber music works.
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Vandevenne Thomas : La Mauresque (VANDEVENNE THOMAS)
Vibraphone Solo
[Sheet music]
-
Intermediate
Dhalmann
Par VANDEVENNE THOMAS. Vibraphone solo. Il existe une version à deux baguettes ...
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Par VANDEVENNE THOMAS. Vibraphone solo. Il existe une version à deux baguettes un peu différentes dans la méthode 'Le clavier bien à temps pour se repérer, volume 2'. On trouvera ici une adaptation à quatre baguettes, afin que ceux qui connaissent ce travail puissent aussi le redécouvrir et le développer en ayant connaissance de la mélodie. Thomas Vandevenne est né à Strasbourg le 10 juin 1963. Il étudie la percussion au conservatoire de Poitiers puis intègre la classe de Jean Batigne au Conservatoire National de Région de Strasbourg où il étudie également l'improvisation , l'harmonie et l'arrangement au sein de la classe de jazz. Après avoir obtenu les diplômes d'Etat de Percussion et de Jazz, il commence à enseigner tout en approfondissant son travail de batteur avec Georges Paczynski à l'Ecole Nationale de Musique de Cergy Pontoise. Fondateur du groupe 'Madame Thomas' avec lequel il enregistre, il a travaillé avec de nombreux musiciens de jazz, en particulier avec le septet du pianiste Loris Binot , ce qui lui a permis de jouer avec Steve Lacy, Jef Sicard.... Actuellement professeur de percussion au CNR de Strasbourg, il partage son activité entre l'enseignement, la composition et les concerts . / Niveau : Intermédiaire / Répertoire / Vibraphone Solo
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Le Clavier Bien A Temps Pour Se Repérer. Vol.2
Français
Xylophone or Marimba or Vibraphone
Dhalmann
Cet ouvrage s'inscrit dans la continuité du volume 1. Les deux volumes ont étÃ...
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Cet ouvrage s'inscrit dans la continuité du volume 1. Les deux volumes ont été conçus ensemble, dans une même logique pédagogique, visant à parcourir le travail à deux baguettes sur tous les claviers à percussion. Ce volume 2 concerne les élèves de fin de premier cycle et les élèves de deuxième cycle. Son contenu et la progression pédagogique conviennent à toutes personnes désireuses de travailler sérieusement les claviers à deux baguettes. Appliqué depuis plusieurs années au Conservatoire National de Région de Strasbourg où enseigne Thomas Vandevenne, ce travail est le fruit de la pratique, des expériences et des réflexions pédagogiques de l'auteur. Un accent particulier est mis sur les axes pédagogiques suivants : -la créativité, l'initiative et l'autonomie -la pédagogie de groupe -le travail des dissociations et la préparation aux 4 baguettes en particulier avec les exercices d'indépendance -la découverte d'un répertoire musical large -le travail des ornements 104 pages, format 31x23 cm, couverture couleur, reliure spirale, nombreuses illustrations. Inclus : Répertoire solos : La Petrona (trad. Mexicain), Prélude No1 en do Majeur du clavecin bien tempéré (J.S. Bach), Danse de Kalamata (trad. Grec). Répertoire d'ensembles : Le Rossignol (quatuor, C. Janequin), Camille (duo, T. Vandevenne), Dzigbodi (duo, trad.du Ghana), Backgroove (duo/trio, T. Vandevenne), City-Zen (quatuor, T. Vandevenne), Fugue à quatre voix (quatuor, J.S. Bach), Extrait du 4eme mouvement du trio en Mib Majeur Opus 100 (quatuor, F. Schubert) Thomas Vandevenne est né à Strasbourg le 10 juin 1963. Il étudie la percussion au conservatoire de Poitiers puis intègre la classe de Jean Batigne au Conservatoire National de Région de Strasbourg où il étudie également l'improvisation , l'harmonie et l'arrangement au sein de la classe de jazz. Après avoir obtenu les diplômes d'Etat de Percussion et de Jazz, il commence à enseigner tout en approfondissant son travail de batteur avec Georges Paczynski à l'Ecole Nationale de Musique de Cergy Pontoise. Fondateur du groupe 'Madame Thomas' avec lequel il enregistre, il a travaillé avec de nombreux musiciens de jazz, en particulier avec le septet du pianiste Loris Binot , ce qui lui a permis de jouer avec Steve Lacy, Jef Sicard.... Actuellement professeur de percussion au CNR de Strasbourg, il partage son activité entre l'enseignement, la composition et les concerts . / Percussions Et Méthode / niveau : Facile/Intermédiaire
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Strauss Richard - Metamorphosen - Conducteur Poche
Pocket, Study conductor
Boosey and Hawkes
Realisation for String Septet
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Igor Stravinsky: Igor Stravinsky - L'histoire du Soldat: Clarinet Solo:
Clarinet
[Sheet music + CD]
Music Minus One
Music Minus One Clarinet-Stravinsky wrote this septet one of the twentieth cent...
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Music Minus One Clarinet-Stravinsky wrote this septet one of the twentieth century's groundbreaking musical compositions in 1917. As always he led the composing world with innovation and excitement. A work that is still widely performed in our time. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Robert Yamins clarinet Accompaniment: Alice Poulson violin Glenn Rubin bass Harry Searing bassoon Gerald Kocher trumpet Sean Mahoney trombone James Preiss percussion
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Runagate Runagate for Chamber Orchestra: Chamber Ensemble: Score
Lauren Keiser Music Publishing
This piece for tenor voice uses text from Robert Hayden to whose memory it is w...
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This piece for tenor voice uses text from Robert Hayden to whose memory it is written. Versions for tenor voice and chamber orchestra and tenor voice and instrumental septet are available from the publisher.
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Howard Skempton: Eternity's Sunrise: Parts
Oxford University Press
Sharing its scoring with Ravel's Introduction and Allegro this work makes full ...
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Sharing its scoring with Ravel's Introduction and Allegro this work makes full use of the wealth of instrumental combinations available within the septet. The haunting yet quirky theme around which the entire piece is based is likely to linger in the memory long after the music has finished.
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Tim Gordon: Swing with a Band: Alto Saxophone: Instrumental Album
Alto Saxophone
[Sheet music + CD]
Music Minus One
Here are 11 great standards performed by a septet of jazz all-stars-all legends ...
(+)
Here are 11 great standards performed by a septet of jazz all-stars-all legends in their own time-and YOU! The newly engraved music book contains the solo part for each piece and the CD contains complete performances of each piece with a soloist plus a second version of each song minus the soloist. Tunes include: Don't Be That Way - I Got It Bad - I'm in the Mood for Love - One O'Clock Jump - Rose Room - Stompin' at the Savoy - and more!
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Jim Odrich: Swing with a Band: Piano: Instrumental Album
Piano solo
[Sheet music + CD]
Music Minus One
Here are 11 great standards performed by a septet of jazz all-stars-all legends ...
(+)
Here are 11 great standards performed by a septet of jazz all-stars-all legends in their own time-and YOU! The newly engraved music book contains the solo part for each piece and the CD contains complete performances of each piece with a soloist plus a second version of each song minus the soloist. Tunes include: Don't Be That Way - I Got It Bad - I'm in the Mood for Love - One O'Clock Jump - Rose Room - Stompin' at the Savoy - and more!
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Impressions (GERNOT WOLFGANG)
Chamber Orchestra
Doblinger
For Septet. Par GERNOT WOLFGANG. Klar Fg Hr Vl Va Vc Kb/ Répertoire / Musique d...
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For Septet. Par GERNOT WOLFGANG. Klar Fg Hr Vl Va Vc Kb/ Répertoire / Musique de Chambre
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Septet In E Flat Major Op. 20
Klarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass
[Study Score / Miniature]
G. Henle
/ Clarinette, Basson, Cor Et Cordes
18.50 EUR - Sold by LMI-partitions
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Clifford Brown: Joy Spring: Jazz Ensemble: Score
Jazz Ensemble
Second Floor Music
Septet
3.50 GBP - Sold by Musicroom UK
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Roy Agee: Swing with a Band: Trombone Solo: Instrumental Album
Trombone
[Sheet music + CD]
Music Minus One
Here are 11 great standards performed by a septet of jazz all-stars-all legends ...
(+)
Here are 11 great standards performed by a septet of jazz all-stars-all legends in their own time-and YOU! The newly engraved music book contains the solo part for each piece and the CD contains complete performances of each piece with a soloist plus a second version of each song minus the soloist. Tunes include: Don't Be That Way - I Got It Bad - I'm in the Mood for Love - One O'Clock Jump - Rose Room - Stompin' at the Savoy - and more!
15.99 GBP - Sold by Musicroom UK
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Leonard Bernstein: Benedictus From 'The Lark': Mixed Choir: Vocal Score
Choeur Mixte Ou 7 Solistes (SSACTTBB) A Cappella Et Percussions Ad Libitum
Boosey and Hawkes
Benedictus-For mixed choir or septet of soloists (SSATTBB) a cappella with perc...
(+)
Benedictus-For mixed choir or septet of soloists (SSATTBB) a cappella with percussion ad libitum. Latin.In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era.
2.75 GBP - Sold by Musicroom UK
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Clifford Brown: Joy Spring: Jazz Ensemble: Score & Parts
Jazz Ensemble
[Score and Parts]
Second Floor Music
Septet-4 Horns plus Rhythm (Grade 4-5) (Brown/arr. Montrose)
27.99 GBP - Sold by Musicroom UK
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Vandevenne Thomas : Arcolé (VANDEVENNE THOMAS)
Marimba Solo
[Sheet music]
Dhalmann
Par VANDEVENNE THOMAS. Une pièce enlevée et très contrastée, aux rythmes et ...
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Par VANDEVENNE THOMAS. Une pièce enlevée et très contrastée, aux rythmes et couleurs de l'Andalousie.3 - 5 mn Thomas Vandevenne est né à Strasbourg le 10 juin 1963. Il étudie la percussion au conservatoire de Poitiers puis intègre la classe de Jean Batigne au Conservatoire National de Région de Strasbourg où il étudie également l'improvisation , l'harmonie et l'arrangement au sein de la classe de jazz. Après avoir obtenu les diplômes d'Etat de Percussion et de Jazz, il commence à enseigner tout en approfondissant son travail de batteur avec Georges Paczynski à l'Ecole Nationale de Musique de Cergy Pontoise. Fondateur du groupe 'Madame Thomas' avec lequel il enregistre, il a travaillé avec de nombreux musiciens de jazz, en particulier avec le septet du pianiste Loris Binot , ce qui lui a permis de jouer avec Steve Lacy, Jef Sicard.... Actuellement professeur de percussion au CNR de Strasbourg, il partage son activité entre l'enseignement, la composition et les concerts . / Niveau : Intermédiaire à Difficile / Répertoire / Marimba Solo
16.10 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Leonard Bernstein: Prelude SSATTBB: Mixed Choir: Vocal Score
Choeur Mixte Ou 7 Solistes (SSMezCTTBB) A Cappella
Boosey and Hawkes
Prelude-For mixed choir or septet of soloists (SSATTBB) a cappella. Latin.In 195...
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Prelude-For mixed choir or septet of soloists (SSATTBB) a cappella. Latin.In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era.
2.75 GBP - Sold by Musicroom UK
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