The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Do

Apprendre à jouer de quatre-vingts chansons classiques depuis les années 60 et 70. Complet avec paroles complètes, boîtes de corde de guitare et guide de jeu. Chansons notamment American Pie, I Will, Light My Fire, Massachusetts, les rues de Londres et plus encore. / Chant Et Guitare / 192 pages / Partition

Description Hit Session 6 Hit Session 6 is the latest sequel of the Bosworth Hit Session series. Contains many up to date chart hits. Spiral binding. Each songs is noted twice - as melody line, lyrics and chords, and as lyrics and chords. Songlist A Thousand Years Aka...What A Life! Altes Fieber Anti Hero Born And Raised Born To Die Bridge Of Light Brighter Than The Sun Burn It Down Call Me Maybe Called Out In The Dark Can’t Stand The Silence Candy Castle Of Glass Chicago Decode Django Domino Don’t Gimme That Drive By Eiserner Steg Euphoria Every You Every Me Everybody’s Changing Everything At Once Feeling Good Foolin’ Für Keine Kohle Dieser Welt Geronimo Gonna Fly Now Halo Hang On Sloopy Hangover Heart Skips A Beat Hey There Delilah Himmel Auf I Don’t Want To Miss A Thing I Follow Rivers I Will Wait I Won’t Let You Go I’ll Be There For You Ich Geh In Flammen Auf Ich Laufe If I Had A Gun In The Air Tonight Jar Of Hearts Je veux Leave Out All The Rest Lichter der Stadt Lied von den Vergessenen Little Numbers Little Talks Locked Out Of Heaven Meine Sache Moon River Move In The Right Direction Moves Like Jagger New Age No Light, No Light Nordpol / Südpol Not Fair Nur in meinem Kopf One Day / Reckoning Song One More Night Out Of Reach Over The Rainbow Paradise Part Of Me Payphone People Help The People Read All About It Rumour Has It Secrets Set Fire To The Rain Shake It Out She’s Always A Woman Skyfall So This Is Goodbye Songs Für Liam Spinner Stardust Stay Summertime Sadness Supermassive Black Hole Tage Wie Diese The A Team Too Close Too Lost In You Torn Up Video Games Waitress We are the people What A Man Wie Soll Ein Mensch Das Ertragen Will You Still Love Me Tomorrow Wonderful Wovon Sollen Wir Träumen Wunder Yeah Right

Une sélection de chansons populaires et classiques de lumière spécialement arrangées pour trombone, basson, violoncelle et tous les instruments clé de fa. / Instrument En Clé De Fa / Partition

Session frapper 6 est la dernière suite de la série de sessions de Hit Bosworth. Contient de nombreuses mises à jour Chart Hits. Reliure spirale. Chaque chanson est noté deux fois - comme une ligne mélodique, les paroles et les accords, et que les paroles et les accords. / Mélodie/Vocal/Guitare (MVG)

Livre de poche qui regroupe tous les plus grands tubes des années 60 de `Good Vibrations` des Beach Boys en passant par `Respect` d'Aretha Franklin et `Hit the Road Jack` de Ray Charles. Partitions pour guitare (symboles et grilles d'accords) avec les paroles complètes. / Variétés Internationales / Partition /

Instrumental Play-Along-This volume in the Hal Leonard Instrumental Play-Along series features 12 of the most popular songs by the iconic British songstress Adele arranged for the Tenor Saxophone.The price of this book includes access to online audio demonstration and backing tracks that allow instrumentalists to slow down the audio without changing pitch loop for challenging parts and more.Songs include: All I Ask Chasing Pavements Make You Feel My Love Hello Million Years Ago Remedy Rolling in the Deep Set Fire To The Rain Rumour Has It Skyfall Someone like You and When We Were Young.

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano