Set of parts for Hilda Paredes' Hacia Una Bitácora Capilar. Hacia una bitácora capilar was written in 2013-14 to celebrate the fortieth anniversary of the Arditti Quartet with funds provided by the PRS for Music Foundation.

Mixed Bag No. 12-This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three or four mainparts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are also included for beginners. These have very simple rhythms andnotes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folktunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.

Mixed Bag No. 31-This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three or four mainparts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are also included for beginners. These have very simple rhythms andnotes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folktunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.

Jazz Play-Along Vol.40-The selection of songs makes it obvious why this is one of our favourite Play-A-Long Volumes. If you own one classic jazz recording there is a good chance it contains at least one of these songs. This set offers a good variety of song types from the beautiful haunting â??Round Midnight to the exciting and often played Love For Sale. Complimenting those favourites are some of the best work of composers such as George Shearing Johnny Mandel and Henry Mancinni. Vocalists will particularly enjoy the oftâ?? played standard September In The Rain.Melodies chords and lyrics (sheet music style). Transposed parts for all instrumentalists and vocalists.

John Rutter's What Sweeter Music for SSA or SSS and Organ or Strings.Originally published in a version for mixed voices this much-loved Rutter carol has been adapted by the composer for performance by upper-voice choirs. Full scores and Sets of Parts specially composed for the upper-voice version are available on sale and on hire/rental. The Set of Parts contains the following String parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db.

Gates is the second section from the ballet MAA scored for Chamber group tape and live electronics. Written in 1991 commissioned by the Finnish National Opera this work beautifully demonstrates the poeticism of Saariaho's music with a sensuous calm that permeates throughout. MAA translates from Finnish into world earth or country. It is a complimentary title as the ballet does not have a plot as such rather it is built around thematic archetypes such as doors gates stepping into new worlds journeys and the crossing of waters. Gates can be played either as an acoustic or often preferably an amplified version. The acousticversion is suitable for small and resonant halls or in a context of e.g. an early music program in which case the piece can also be played on original instruments. This is the Full set of parts for one of Kaija Saariaho's most major works to date. Score is avilable: KP00326.

John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and String Orchestra. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful Cello solo the Vocal lines are rich and flowing and the Organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children. The Cello part is published separately and an accompaniment for strings is available on sale and on hire/rental. This set of parts includes the following string parts: 4 x vln I 4 x vln II 3 xvla 2 x vc 1 x db.

for Piano Violin Viola Violoncello and Double Bass-Piano Quintet in A major Op.post.114 D 667 (Trout Quintet)for Piano Violin Viola Violoncello and Double BassDuring the summer months of the years 1819 1823 and 1825 Schubert spent several weeks with his friend and interpreter of his lieder Johann Michael Vogl in Vogl?s home town of Steyr in Upper Austria. Vogl made Schubert acquainted with the musical circles of the town particularly with the home and circle of Sylvester Paumgartner the musical patron of Steyr at that time. Schubert?s relations with Steyr and with Paumgartner in particular were vividly recounted by Schubert?s friend Albert Stadler who also came from Steyr in his memorandums addressed toFerdinand Luib in 1858. Stadler?s report is the only source concerning the origin of the Quintet.?You are probably familiar with Schubert?s Quintet for pianoforte violin viola violoncello and double bass with the variations on his ?Trout?. He wrote it at the express wish of my friend Sylvester Paumgartner who was utterly enchanted with the delightful little song. He wanted the piece to have the form and scoring of Hummel?s Quintet recte Septet still new at that time. Schubert finished the piece quickly and kept the score himself . . .?.This account shows that the piece was written upon Paumgartner?s suggestion but gives no information about the time and place of composition. However one can assume that Schubert composed it in 1819 for Steyr.Urtext of the New Schubert EditionPiano score & set of parts (BA5608) available for sale

In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)