Otakar Sevcik: Violin Studies-Since 1901 Otakar Sevcik's works have formed the basis of many schools of string playing around the world. Thousands of players continue to find Sevcik an invaluable aid to technical development. In practising Sevcik as in playing scales etudes or pieces there are always four main headings to consider: purity of intonation evenness of tone exactness of rhythm and physical freedom and ease. Opus 1 Part 1 focuses on exercises in the first position.

The Essential Sevcik is a compendium of the finest most time-saving learning material by Otakar Sevcik ever assembled in a single volume. It is indispensable for building a thorough virtuoso technique and an important part ofthe daily practice regimen for the accomplished artist. These exercises are to be practiced with total concentration and attention to the smallest detail. The clear and straight forward organization of this volume will facilitatefinding the most suitable practice material for every violinist.

with exercises by Otakar Sevcik-Tchaikovsky Violin Concerto In D Major Op35 (Sevcik Otakar) Vln/Pf Bk

Within Sevcik's School of Violin Technique the OP.7 Series focuses on studies preparatory to the shake and development in double-stopping for the slightly advanced pupil. Includes 28 Exercises in the 2nd 3rd 4th 5th and 6th Positions

Otakar Sevcik's Violin Studies Op. 9 is a comprehensive collection of preparatory exercises in Double Stopping on the Violin. 58 exercises have been assembled to give you the best and most versatile approach to playing chords harmonies and pedals in your Violin playing. The book includes extensive guidance and performance notes in Italian French German and English. An excellent source of technical challenges that will expand your musical vocabulary and focus your skills.

Otakar Sevcik-Contains exercises in: changing position without jerks scales over three octaves arpeggios on one string intonation changing positions with discreet portamento double stopping intervals and harmonics.

for Solo Violin-This edition features instructions for studying master pieces by Sevcik regarding substance and course of motion and reaching a genuine and reliable technique in relatively short time. By Professor A. Mingotti. For violin

Sevcik Viola Studies-A collection of over fifty of Sevcic's preparatory studies in double-stopping arranged by Alan Arnold. Each study can be transposed and played in any of the twelve keys giving the violist ample material to improve the double-stop technique.

Otakar Sevcik: Violin Studies-Otakar Sevicik’s Violin Studies form a method that is world renowned and that has succeeded for countless Violinists for more than a century. This series of books have been adapted for Strings in most forms but are in there original form here for the Violin student and is designed to improve all areas of their technique both right- and left-hand. Each book contains a generous number of exercises and melodies with which to practice and hone skills. This is the Third part of Opus 1 Focuses on exercises in the change of position as well as containing further exercises in strength dexterity accuracy and Scales and Arpeggios over three octaves.

The Original Sevcik Violin Studies-An excellent set of bowing exercises that will help all violinists to develop their bowing styles speed control and rhythms.

A remarkable set of 40 variations derived from a single melody by Otaker Sevcik. Arranged for the Viola with Piano accompaniment the variations become progressively more complex and difficult throughout the work making this set ideal as a set of challenging exercises for the Viola student. As well as presenting a huge variety of technical goals much can be learned from this work about the nature of composition melody-building and the potential versatility of a single melodic idea. A superb and satisfyingly musical teaching aid.

Schule der Bogentechnik - École du mécanisme de l'archet-Sevcik Cello Studies are a superb collection of exercises to help develop bowing style accuracy rhythms and wrist speed/strength. Part 1 of Op.2 of this excellent series covers: How to hold the bow Movements of the bow Dividing the bow-length Staccato and Legato Detached and hopping styles of bowing Dynamic changes spiccato and arpeggios.