SKU: GI.G-10098

Composed by Deke Sharon, J.D. Frizzell, and Marc Silverberg. Teaching Music Through Performance. Music Education. 342 pages. GIA Publications #10098. Published by GIA Publications (GI.G-10098).

ISBN 9781622774876.

Teaching Music through Performance in Contemporary A cappella is the essential book for a cappella repertoire and rehearsal techniques, compiled and edited by educators and leaders committed to demystifying the genre and providing teachers with access to the best repertoire and pedagogy possible. Built on the model of the best-selling Teaching Music through Performance series, this volume includes chapters on the most important issues in teaching and learning contemporary a cappella, and analysis and insights for 82 works across genres: Barbershop, Contemporary A cappella, Doo-wop, Folk/Classical, Vocal Jazz. The list of composers and arrangers is diverse, the repertoire includes both arrangements and original compositions. Each selection is representative of a major a cappella trend or historical event, such as repertoire from The Sing-Off, Pitch Perfect, The Real Group, Sweet Adelines, or Pentatonix. Of course, every selection—regardless of musical style—is performed a cappella. The authors also develop a five-point difficulty scale for evaluating literature, and each guide contains detailed information about the arrangement or composition, including where the arrangement was first performed, the history of the original song, and the styles it represents. In creating the Teacher Resource Guides, the authors enlist the help of a cappella educators, arrangers, engineers, performers, and well-established experts. Each Guide also includes a new section called “Educational Extensions,” which provides suggestions on how to utilize the repertoire for extended classroom lessons, both as part of the rehearsal and part of a general music classroom. Chapter topics include “A Cappella: An Overview” by Marc Silverberg, “Emotional Expression in Group Singing” by Deke Sharon and J.D. Frizzell, “Teaching Singers to Sing in All Styles: The Spectrum Method” by Erin Hackel, and “Lessons You Can Learn from Competing,” by Ben Spalding. There is simply no better way to find and prepare the best contemporary a cappella literature available for achieving excellence in music education at all levels. Teaching Music through Performance in Contempory A cappella is a groundbreaking volume destined to make a significant contribution. Deke Sharon is heralded as “The Father of Contemporary A cappella.” He produced The Sing-Off on NBC and served as arranger, on-site music director, and vocal producer for Universal’s Pitch Perfect 1, 2, and 3, starring Anna Kendrick and Rebel Wilson. J.D. Frizzell is a composer, conductor, and baritone. He serves as Director of Fine Arts and Director of Vocal Music at Briarcrest Christian School in Memphis, TN. Marc Silverberg is Director of Vocal Music at Five Towns College (NY) and one of the leaders in contemporary a cappella education today. Erin Hackel is Assistant Professor at the University of Colorado-Denver. Her award-winning a cappella groups, MIX and Lark, have competed and performed throughout the United States and Europe. Ben Spalding is head Choral Director at Centerville High School (OH). His a cappella group, Forte, is an ICHSA champion.

Violin - Grade 1

SKU: BT.EMBZ5235

By Laszlo Denes. By Imre Mezö, Margit Lanyi. EMB Music Lesson - Methods. Method. Book Only. Composed 1966. 68 pages. Editio Musica Budapest #EMBZ5235. Published by Editio Musica Budapest (BT.EMBZ5235).

German-Hungarian.

László Dénes work as a violin teacher and music pedagogue has been well-known for decades both within Hungary and around the world. Violin teachers have used both his scores and pedagogical insights for generations. As a result of Dénes expert instruction, many of his pupils have gone on to pursue their own successful careers as performers and educators.In 1966, this Violin Tutor was first published as a result of László Dénes work and cooperation with 3 of his exceptional colleagues. To mark the occasion of the 50th anniversary of its publication, a renewed edition was created and printed.

Grade 3

SKU: CL.032-0343-00

Composed by Niehaus. Jazz Ensemble. Score and set of parts. Composed 1986. C.L. Barnhouse #032-0343-00. Published by C.L. Barnhouse (CL.032-0343-00).

This romping jazz waltz is a gas. ``Fours’’ between saxes and brass, solos for piano, tenor and drums, and an ``outa sight’’ shout chorus make this a true ensemble showcase.

Composed by David N Isaacs. Saddle-stitched. Classical. Book. 48 pages. Mel Bay Publications, Inc #30865. Published by Mel Bay Publications, Inc

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1155619-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2015. De Haske Publications #DHP 1155619-010. Published by De Haske Publications (BT.DHP-1155619-010).

English-German-French-Dutch.

Images of Bellac is based on a series of images of the beautiful village of Bellac in Limousin, France. The work depicts different scenes and sights of the village using wonderful themes as well as energetic rhythmical sequences symbolising the positive and dynamic attitude of the inhabitants. Well suited for any concert or a contest.

Images of Bellac is gebaseerd op een reeks sfeerbeelden van het mooie dorp Bellac in de streek Limousin in Frankrijk. Het werk schetst verschillende scènes en bezienswaardigheden van het fraaie plaatsje. Prachtige thema's als ook energieke, ritmische sequenties staan symbool voor de positieve en dynamische houding van de inwoners. Echt een aanrader voor een concert of wedstrijd!

Images of Bellac (Bilder aus Bellac“) basiert auf einer Serie von Bildern des schönen Dorfes Bellac in der Region Limousin (Frankreich). Das Werk stellt verschiedene Schauplätze und Sehenswürdigkeiten des Dorfes mittels wunderbarer Themen sowie schwungvoller rhythmischer Sequenzen dar, welche die positive und dynamische Einstellung der Einwohner symbolisieren. Es eignet sich gut für jedes Konzert oder auch für Wettbewerbe.

Images of Bellac se repose sur une série d’images du village pittoresque de Bellac dans le Limousin en France. L’œuvre représente plusieurs scènes et vues du village par des thèmes merveilleux ainsi que des séquences rythmiques qui symbolisent la disposition positive et dynamique des habitants. Ce morceau se prête des concerts ou des concours.

Images of Bellac (Immagini di Bellac) è basato su una serie di immagini del bel villaggio di Bellac nel Limosino in Francia. Il lavoro descrive differenti scene e vedute del villaggio utilizzando sia meravigliosi temi sia energiche sequenze ritmiche che mostrano l’attitudine positiva e dinamica degli abitanti. Adatto per qualsiasi concerto o concorso.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1155619-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Score Only. Composed 2015. De Haske Publications #DHP 1155619-140. Published by De Haske Publications (BT.DHP-1155619-140).

English-German-French-Dutch.

Images of Bellac is based on a series of images of the beautiful village of Bellac in Limousin, France. The work depicts different scenes and sights of the village using wonderful themes as well as energetic rhythmical sequences symbolising the positive and dynamic attitude of the inhabitants. Well suited for any concert or a contest.

Images of Bellac is gebaseerd op een reeks sfeerbeelden van het mooie dorp Bellac in de streek Limousin in Frankrijk. Het werk schetst verschillende scènes en bezienswaardigheden van het fraaie plaatsje. Prachtige thema's als ook energieke, ritmische sequenties staan symbool voor de positieve en dynamische houding van de inwoners. Echt een aanrader voor een concert of wedstrijd!

Images of Bellac (Bilder aus Bellac“) basiert auf einer Serie von Bildern des schönen Dorfes Bellac in der Region Limousin (Frankreich). Das Werk stellt verschiedene Schauplätze und Sehenswürdigkeiten des Dorfes mittels wunderbarer Themen sowie schwungvoller rhythmischer Sequenzen dar, welche die positive und dynamische Einstellung der Einwohner symbolisieren. Es eignet sich gut für jedes Konzert oder auch für Wettbewerbe.

Images of Bellac se repose sur une série d’images du village pittoresque de Bellac dans le Limousin en France. L’œuvre représente plusieurs scènes et vues du village par des thèmes merveilleux ainsi que des séquences rythmiques qui symbolisent la disposition positive et dynamique des habitants. Ce morceau se prête des concerts ou des concours.

Images of Bellac (Immagini di Bellac) è basato su una serie di immagini del bel villaggio di Bellac nel Limosino in Francia. Il lavoro descrive differenti scene e vedute del villaggio utilizzando sia meravigliosi temi sia energiche sequenze ritmiche che mostrano l’attitudine positiva e dinamica degli abitanti. Adatto per qualsiasi concerto o concorso.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527819

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music. Set of Orchestra Parts. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/19. Published by Carus Verlag (CA.5527819).

ISBN 9790007249632. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527812

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Violin 2. Innovative practice aids, Sacred vocal music. Single Part, Violin 2. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/12. Published by Carus Verlag (CA.5527812).

ISBN 9790007249601. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527813

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Viola. Innovative practice aids, Sacred vocal music. Single Part, Viola. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/13. Published by Carus Verlag (CA.5527813).

ISBN 9790007249618. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527803

Composed by George Frideric Handel. Edited by Felix Loy. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music. Vocal score. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/03. Published by Carus Verlag (CA.5527803).

ISBN 9790007188528. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527809

Composed by George Frideric Handel. Edited by Felix Loy. 1x 55.278/21 flute, 1x 55.278/22 oboe 1, 1x 55.278/23 oboe 2, 1x 55.278/24 bassoon, 2x 55.278/31 trumpets 1 and 2. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music. Set of Orchestra Parts. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/09. Published by Carus Verlag (CA.5527809).

ISBN 9790007249588. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

By Cheryl Lavender. (Game/Cd Pak). Expressive Art (Choral). Book and CD Package. Size 8.5x11 inches. Published by Hal Leonard.

Cello Trio - Grade 3.5

SKU: AP.36-52732056

Composed by Lynne Latham. Cello Trio; Performance Music Ensemble. Ludwig Masters. Score and Part(s). Latham Music Enterprises #36-52732056. Published by Latham Music Enterprises (AP.36-52732056).

ISBN 9781628762167. UPC: 660355104381. English.

Good sight-reading practice. Cello I requires tenor clef.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Grade 2

SKU: CL.011-3637-01

Composed by Robert W. Smith. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR351). Extra full score. Composed 2007. Duration 5 minutes, 15 seconds. C.L. Barnhouse #011-3637-01. Published by C.L. Barnhouse (CL.011-3637-01).

Spirit of the Winds, a concert/festival work for the developing band, was inspired by the beautiful Temecula Valley of California. Each year, the sky over the valley is filled with hot air balloons creating a visual sight that is not soon forgotten. Of course, balloons are unable to steer and must fly with the gentle breezes of the air current. As a result, those subject to the spirit of the winds can find themselves over festival grounds or floating above the beautiful Temecula Valley vineyards. Beginning with a bold, yet mysterious statement, the introduction gives way to a soaring melody as our flight begins. Cascading figures in the woodwinds create the effect of wind currents followed by a beautiful secondary melodic statement. The original theme returns leading to a very energetic conclusion. Accessible to a wide range of concert bands, Spirit of the Winds provides multiple teaching opportunities and will be enjoyed by both performer and audience.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.