SKU: HL.4004106

UPC: 888680034399. 9x12 inches.

Commissioned by the Richardson (Texas) Community Band, Silver Celebration commemorates 25 years of service by their conductor, George Jones. The work combines elements of traditional march style and also the bravura of epic film scores, resulting in a piece that is both festive and celebratory in nature. The opening is a rousing 6/8 march featuring various sections of the band and exciting cross rhythms, and then contrasted with a beautifully flowing lyric statement. A brief percussion feature leads to the final section, recapping the opening themes with a flourish and dramatic appeal. Duration: 5:00.

SKU: GI.G-9833

ISBN 9781622773541.

A poem is a powerful thing—it can touch the heart in ways that mere words cannot. But a lyric poem has the benefit of a custom soundtrack, so listeners get to experience the words with the added emotional power of music. The choral art is a magical synergy: the poet's heart, borne aloft by the genius of the composer's music, expertly interpreted by the director, internalized and brought to life by the singers, and then carried as a gift into the spirit of the listener. When it all works like it's supposed to, it is wondrous. — Charles Anthony Silvestri, from the Preface A Silver Thread is a comprehensive collection of Silvestri's lyric poetry, written between 2001–2018, including texts commissioned by choral composers and ensembles, as well as many new and unset poems available here all together for the first time. Lyricist, poet, clinician, artist, and educator, CHARLES ANTHONY SILVESTRI is a lecturer in Ancient and Medieval History at Washburn University. He currently lives with his family in Lawrence, Kansas. For more, visit: www.charlesanthonysilvestri.com.

SKU: GH.CG-4666

Key: Bb dur / bb major. Text: Arne Alm (Swedish text).

Pianoarr med sangtext och ackordanalys.

SKU: PR.114419850

ISBN 9781491135808. UPC: 680160681044. 9 x 12 inches.

Both a spectacular concerto for saxophone, and a dramatic tone poem on Roman mythology, QUICKSILVER is a 23-minute concerto for Alto Saxophone and Wind Ensemble by one of the sax literature’s most commissioned and admired composers.Through worded captions as well as gorgeously expressive tone painting, Movement 1 depicts the birth and childhood pranks of Mercury, Movement 2 shows him escorting souls to the gates of the Underworld, and Movement 3 is a phantasmagoric finale portraying Mercury as messenger amid the conflicts of other mythological figures. There are many YouTube performances available, both in the original version with Wind Ensemble, and with Piano.
In addition to being another name for the element mercury, “quicksilver” is used to describe something that changes quickly or is difficult to contain. My concerto of the same name was inspired by the Roman god Mercury, as well as the mercurial nature of the saxophone: unpredictable, very lively, and volatile. Mercury (known as Hermes in Greek mythology) is best known for his winged shoes, which allowed him to fly swiftly as the messenger of his fellow Olympians. Mercury had other duties too, including serving as the god of merchants, travelers, and tricksters; he also ushered souls of the departed to the Underworld.Quicksilver tells three tales of the Roman god. The first movement (Antics of a Newborn God) opens with the birth of Mercury; after he takes his first steps, he toddles around, gleefully looking for mischief. He stumbles across a herd of cows that belong to his brother Apollo; Mercury slyly lets the cows out of their pen before toddling onward with his mischief-making.In the second movement (Guiding Souls to the Underworld), Pluto, god of the Underworld, bids Mercury to bring him fresh souls. The movement begins with death-knells tolling for humans who are about to die; Mercury picks up these souls and leads them down to the gates of the Underworld.The third and final movement (Messenger of Olympus) depicts Mercury as he is busily running errands for various gods and goddesses. We first encounter him mid-flight as he dashes to earth to find Aeneas, a Trojan lieutenant who had been run out of Troy by the invading Greeks. Aeneas is on a quest to find land on which to establish a new city that would eventually become Rome. While traveling, he is distracted from his quest when he meets the beautiful queen Dido. They live together for many years before Mercury intervenes; he chastises Aeneas for giving up on his quest and persuades him to pick it up again. As Aeneas mournfully resumes his journey, we hear Dido perish of a broken heart. Mercury then takes to the skies to seek out Perseus, who is preparing to kill Medusa, the hideous gorgon who has snakes for hair and a gaze that turns those who catch her glance into stone. Mercury advises Perseus on how to slay Medusa and lends Perseus his sword to do the deed. We hear Perseus victorious in the beheading of Medusa, after which Mercury takes to the skies once more to fly home to Olympus.

SKU: NR.46367

Text: Armand Silvestre.

Silvestre, Armand, text.

SKU: TM.03536SC

Sc pg 136-170. Includes: E fra quest'ansie (Silvio's Aria) and E allor perche.

SKU: PR.114423770

UPC: 680160688579.

When RoseWind Duo’s Clifford Leaman and Scott Herring commissioned me for Silver Linings, we could not have anticipated that we would be in the middle of the COVID-19 pandemic when I composed the piece. In the early summer of 2020, when the three of us met virtually to discuss possible topics, we had all been in lockdown for several months; the causes and effects of the lockdown were at the forefront of our discussion. In themidst of daily tragedies, I had been seeing news stories using the words “silver lining” to describe unexpectedly positive situations arising from our global situation, ranging from small effects (i.e. people having time to work on projects they never could get around to doing) to global ramifications (resurging animal populations in areas where they’re no longer challenged for space with humanity).Silver Linings consists of two movements. Groundhog Day, the first movement, is slow and brooding. It embodies the strong feeling of déjà vu that so many of us experienced early on into lockdown, as we seemed to live the same day repeatedly with minor variances to our schedules. There are two main musical gestures: the first opens the piece as a slow, ascending minor chord which is a representation of uncertainty, and the secondis a falling minor scale. These gestures depict how our lives were reduced to the basic building blocks of life – wake up, eat, work, eat, sleep – as our daily activities and livelihoods were suddenly knocked down. These same two gestures are utilized in the energetic second movement, Making Lemonade, except that they are spun around to reveal their silver linings: the minor chord falls to sound centered and decisive, and the minor scale rises as it bubbles with activity. Among the seeds of despair are also foundseeds of hope, and the saxophone and marimba explore this hopefulness with great vigor and excitement.