SKU: MB.31002
ISBN 9781513474588. 8.75x11.77 inches.
This volume focuses on the medieval period from approximately the sixth to fifteenth centuries. The music of this era was traditionally performed as plainchant (sacred) or monophony (secular), that is, as a vocal melody, here reserved for the soprano recorder. Seeking to emulate medieval performance practice, the 20 tunes in this collection are accompanied by a single, drone-like power or 5-chord to be played on a modern-day stringed instrument such as guitar, mandolin or banjo. These simple troubadour songs are ideal for beginners and experienced players alike, who want to be transported back in time, immersed in a bygone era of music. .
SKU: XC.FCB2405
Take a fun and engaging trip with Santa as he enjoys his spring vacation! This creative piece is a treasure of musical concepts wrapped up in one accessible package! Spring from The Four Seasons is cleverly woven amongst a medley of popular holiday songs. Creative orchestration puts the music in a variety of settings from festive to march-like to Middle Eastern. Beginning players will reinforce a wide variety of musical concepts, and young trombonists will work on developing first to sixth position. A guaranteed holiday favorite!
SKU: HL.14023265
ISBN 9788759810866. Danish.
From the preface:
The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark, Norway, Sweden, Finland and theFaroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressivepossibilities of the piano, and being good representatives of the rich and atmospheric Nordic musical heritage.When one practises sight-reading on one’s own it is tempting to stop as onegoes along, because the desire to playthe correct notes is often given priority at the expense of the rhythm and expression.Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure, and thestream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing,where the teacher supports the pulse and rhythm.In many other publications of four-handed duets the secundo part is written in two bass clefs, and the primo part in twotreble clefs. Reading this untrained combination of clefs, along with the stressful fact that the music has never beenseen nor heard before, can confuse the pupil.In volumes 1 and 2 the secundo part, which is intended for the pupil, is therefore notated in a treble clef and bassclef, as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied, but in mostof the pieces improvisation is an interposed element in the primo part, being therefore a good challenge for the pupil.In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point, but here too thepupil is encouraged to experiment with, for example, the shift between major and minor thirds, and between the high andlow sixth and seventh.
SKU: HL.48185643
Part of the Treatise on rhythm, colour and ornithology written in French by Olivier Messiaen, this volume is the sixth of the 7 tomes. It focuses on Claude Debussy's pieces and features an analysis of 'The afternoon of a Faun', some Prelude and Images and parts of 'The Sea' and 'Paleas and Melisandre'. This treatise depicts the full theory behind Messiaen?s compositions and how he composed the music, including his conception of rhythms, his incorporation of bird songs and his relation to sound and colours. While most of the composers struggle to explain their composition, Messiaen has managed to write a Treatise in 7 volumes to explain all the important aspects of his work. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composer of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes..
SKU: XC.FCB2405FS
SKU: GI.G-1063
The beauty of traditional Irish music has and continues to capture the hearts and imaginations of people around the globe, including those of Ian, Kate, and Eileen. The sixteen airs included in this collection struck an emotional chord in particular.   Ian recorded Kate Cuddy (piano) and Eileen Bird (flute) in his own home and transcribed the improvisations to bring us this unique edition. These airs and the improvisations on them tug on the heartstrings – often they are songs of unrequited or missed love. They are steeped in a rich and deep beauty that is bound to fill your soul with the calm and beauty of Ireland.
SKU: MB.98339M
ISBN 9780786690022. 8.75 x 11.75 inches.
This user-friendly book, with access to online audio, shows how to transform standard three-chord blues changes into harmonically sophisticated jazz-blues progressions.The book covers chord substitution, twelve-bar blues, minor blues, eight-bar blues, and sixteen-bar blues. Chord frames are supplied for guitarists. Blank treble and bass staves are included for writing songs, licks, and solos. An absolute goldmine for all musicians, students, blues songwriters, recording studios, ad agencies, and anyone who plays blues music. This truly amazing learning/reference work, designed for beginners and pros alike, also contains an appendix featuring a wealth of information about modern blues progressions and how to create them. Online audio download available.
SKU: ST.H449
ISBN 9790220221286.
A well-known teacher and compiler of Stainer & Bell's Opera Gala series, John Norris has created Wedding Gala with an ear to giving church organists a mix of favourites and exciting discoveries to brighten the routine of music for the service of holy matrimony. No album would be complete without the traditional wedding music of Mendelssohn and Wagner, and it can be found here in this collection alongside other classics of the wedding repertoire by Jeremiah Clarke, Bach and Handel. But there's also a thoroughly contemporary leavening, with arrangements of Sydney Carter's One More Step and Lord of the Dance, both firm favourites, plus Musorgsky's Pictures at an Exhibition and Charpentier's Prelude, adding a note of splendour. But the real bonus is for lovers of English music, with Elgar's Chanson de Matin and 'The Call' from the Five Mystical Songs by Ralph Vaughan Williams, seldom found in comparable collections. And there's also a rare new discovery: the ravishing Chosen Tune by Herbert Howells, transcribed from his Three Pieces for violin and piano, Op. 28, and available as an organ piece for the first time. Each piece is comprehensively registered by the arranger, and the collection as a whole will be welcomed by all organists of intermediate standard as a source of new material not only for liturgical use but also for recitals.
SKU: OU.9780193530157
ISBN 9780193530157. 12 x 8 inches.
Featured on pianist William Howard's album Sixteen Contemporary Love Songs, this evocative miniature is simple but rewarding, with a repeating eight-bar chord progression that produces a kaleidoscopic quality.
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