As she wanders through Pantoland in search of her Prince Beauty encounters all sorts of fairy-tale characters - three bears a wolf a fairy and nine frogs! Script available in student book.

1 Piano 4 Hands-12 lower intermediate duets with performance notes and composer biographies. CONTENTS: Cradle Song and Ariette from Miniatures (Godowsky) Three Little Pieces (Bruckner) Cradle Song from Four Little Hands (Smith) Little Lullaby and On the Rocking Horse from The Children's Colorful World (Schlegel) ABC from The Morning (Volkmann) Pavane of the Sleeping Beauty in the Forest from Mother Goose (Ravel) Piano Duet from Twelve Progressive Pieces (André) Immortelle in G Major from Immortellen (Spindler).

from Sleeping Beauty-This unique musical montage represents several of the traditional Mother Goose stories written by Charles Perrault. In his famous ballet Tchaikovsky captures the spirit of these well-known tales in music written for the weddingcelebration of Sleeping Beauty and her Prince.I. Puss In Boots; II. The Princess and the Bluebird; III. Cinderella and Her Prince at the Ball; IV. Little Red Riding Hood; V. Tom Thumb and His Brothers (Grade 3-4)

36 Original Piano Pieces Instrument : piano Nombre de Pages : 72 The music teacher and pianist Monika Twelsiek adds a new selection of piano works around the subject of Night and Dreams to the Piano Classics series. At any time, the night was a theme in literature, art and music. 'Night' and 'Dream' are emotional images which evoke vastly different emotions in different people. The night is a place of peace and security, of longing and love, of secrets, imagination and dreams. But night also means strangeness, loneliness, fear, danger and crime. The collection 'Night and Dreams' with works from the Romantic piano literature to new contemporary sounds tries to capture all of these nightly emotions. Apart from a plethora of folk-song-like lullabies, numerous fantastic dream pieces and descriptions of dangerous night scenes have been added to the collection. An alluring mixture of imagination and reality, for advanced piano pupils and lovers of piano music. Content : P. Zilcher: Lullaby, op. 93/4 - G. Nevada: A Little Dreamy - A. Gretchaninoff: Lullaby, op. 98 - C. Gurlitt: 4 Reverie, op. 210 - R. Volkmann: Night Song, op. 17 - R. Schumann: Lullaby, op. 124 - J. Senfter: Lullaby - F. Burgmüller: Lullaby, op. 109 - P. Tschaikowsky: Sweet Reverie, op. 39 - R. Fuchs: Lullaby, op. 32 - E. Satie: Lullaby - K.-H. Pick: Sleeping Beauty is Sleeping - H. Regner: Phantasmagoria - B. Heller: Evening Flower - G. Nevada: When Paris Dreams - J. Turina: The Village Sleeps - E. Pütz: Sleep Well Blues - J. Kember: Midnight Blue - G. Nevada: Starry Dome - E. Grieg: Lullaby, op. 38 - A. Gretchaninoff: Bed Time, op. 109 - Nightly Event, op. 115 - K. Slavicky: The Evil Dream - B. Martinu: The Cats' Procession in the Solstice Night - R. Schumann: Reverie, op. 15 - Child Falling Asleep, op. 20 - A. Rubinstein: The Night, op. 44/1 - L. He: Lullaby - E. Pütz: Night of Love - J. Field: Nocturne B major, op. 9/2 - Nocturne E major, op. 72/1 - E. Grieg: Notturno, op. 54 - C. Debussy: Reverie - W. Killmayer: Nocturne III - P. Hindemith: Fantastic Duet of Two Trees at the Window, op. 15

Par PAUSET BRICE. 'Sleeping Beauty', one of the most famous of the Grimm Brothers' fairy tales, has been the object of numerous analyses, commentaries, and renditions of all sorts. Its motifs, typical of the genre (pact, numeral symbolism, destiny, curses, enclosed space) abound in the crude and concise text from the 1812 version, the one I chose from among the seven versions spanning 1812 to 1857. The themes of suspended temporality (the entire castle deeply asleep) and fragile beauty are less common, but musically very inspiring. The instrumentation being used (string quartet, double-choir and orchestra) is treated as a composite derived from opera. The principle theme is distilled in the solo string quartet, the double-choir is assigned the narration, while the orchestra is entrusted with numerous descriptive elements designed to transpose the real action: ascending the stairway, spinning, etc. Of course, specific situations will put this lovely construction into peril. In the context of my work on 'critical exegesis' with regards to the stage, this project is an attempt to create music that in itself satisfies a large number of the demands normally present in the operatic setting: characters, action, movement, singing, dramaturgy, scenography, décor, lighting, etc. It is not a question of inventing new metaphors, but rather, of managing to transcribe the phenomena used in the Grimm Brothers' fairly tale with purely musical classifications and objects, rich with associative images: thus a music of situations and phenomena, more than of representation. Two sections of the piece were already composed for double-choir in a preparatory form (Zwei Studien über Dornröschen composed in 2007). The whole, amounting to about 25 minutes, is divided into 9 'scenes' equivalent to the interpretations of transitional moments in the Grimm Brothers' story: 1. '...keine Kinder...' 2. die Feen 3. '...alle Spindeln abschaffen...' 4. '...ein Wunder von Schönheit...' 5. Der alte Turm 6. '...Eine alte Frau... 7. Stich und Schlaf 8. Dornen und Kuss 9. Die hohe Zeit / contemporain / Répertoire / Quatuor à Cordes et Orchestre

Description With the premiere in 1908 of Rapsodie Espagnole , Ravel’s first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite , his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales, among them 'Sleeping Beauty', 'Tom Thumb' and 'Beauty and the Beast', this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane For A Dead Princess for orchestra, now one of his best-known and most frequently performed compositions. These three rich orchestral settings are presented in full score in this authoritative edition. Songlist Mother Goose Suite Pavane For A Dead Princess Rapsodie Espagnole

Each of the solos in this collection has been carefully selected from the most popular of the great orchestral pieces and expertly arranged for the intermediate to advanced cellist with Piano accompaniment. The arranger Geoffrey Pratley has included performance notes for each piece.The 8 pieces in Great Orchestral Solos For Cello - Book One include movements from Carmen Haydn's Symphony No. 95 Beethoven's Die Geschopfe Des Prometheus Tchaikovsky's Sleeping Beauty and others. Pull-out part for Cello.

There are songs for everyone in this collection of over 50 popular hits arranged for piano voice and guitar from Disney movies past and present. It features classics from Cinderella and Peter Pan as well as modern favorites from Coco and Tangled and much more. Also includes songs from the movies: 101 Dalmatians Aladdin Alice in Wonderland The AristoCats Frozen Hercules Lady and the Tramp The Lion King The Little Mermaid Moana Mary Poppins Pocahontas Sleeping Beauty Toy Story and more.

Classic Rags and Cakewalks Book/3-Cd Set-Fiddle Tunes Classic Rags and Cakewalks covers well-known tunes in each style taught by the professional fingerpicking guitarist?Leo Wijinkamp Jr. ?Included with the 28-page book arethree companion CDs featuring 3 full hours of note-by-note phrase-by-phrase instruction. Lesson 1 covers Open G tuning for the songs Buffalo Gals Red Wing and Flop Eared Mule lesson 2 looks at standard tuningwith At A Georgia Camp Meeting and Drop D tuning with Fig Leaf Rag while lesson 3 is guaranteed to give the guitarist some performance-worthy pieces with Ravel???s Pavane For The Sleeping Beauty andDebussy???s Golliwog???s Cakewalk.