SKU: HL.609286

ISBN 9781705167618. UPC: 196288078616. 9.0x12.0x0.595 inches.

In the new Steve Smith Legends, you get a brand new 40-page interview which covers Steve's entire career and virtually every band and recording in which he's played as a sideman or a leader including: Jean-Luc Ponty, Ronnie Montrose, Steps Ahead, Vital Information, Mike Stern, Hiromi, the many editions of the band Electric Miles, the tribute gigs playing The Music of Coltrane and The Music of Ornette Coleman. We discuss what it means to be a professional drummer and musician, the history of jazz and fusion drumming, the music business, and being an eternal student of the drums and music. To help you study how Steve interprets music and creates drum parts, he gave us eight of his own handwritten drum charts from the Journey and Mike Stern gigs. The reader also gets an in-depth step-by-step lesson on Indian rhythms and drumming. LEGENDS also comes with a free download component of Steve's drum solo recording The Fabric of Rhythm (a $200 value) with exclusive in-depth explanations of each solo. For the gear obsessed drummers, Steve gives us a complete rundown of every drum set that he has owned, recorded, and toured with, and hundreds of never-before-seen pictures from his own archive. You will also get over 50 brand new transcriptions. However, LEGENDS transcriptions are not just the notes and rests. LEGENDS also includes Steve's thoughts on what makes the transcribed parts and recordings special and unique. Along with the detailed transcriptions, we discuss WHAT and WHY he played what he did. Plus, you get all six of Steve's past Modern Drummer cover feature interviews. There are a lot of surprises in every LEGENDS book, and there is a mountain of useful information inside the over 248 pages! This is not just another drum book or magazine, it's Modern Drummer LEGENDS.

SKU: CL.CTS-7702-00

A form Smith used frequently. Instead of a fast-slow-fast form, Smith uses slow-fast-slow. Following a stately Chorale, a gentle Allegro introduces the second theme. Chorale and Allegro ends with both the Chorale and the Allegro themes being combined. Plenty of rhythm changes and an enjoyable performance await you with this early piece of Claude T. Smith’s.

SKU: CL.CTS-7708-01

This is the composition that started it all! A classic of the wind band literature for concert and contest alike. It was something completely different, with its appearance in 1964. The band’s literature had not experienced the trademark 7/8 measures, which we all know as a Smith trait. This composition also includes one of his few full band fugatos. Excellent percussion writing and a combination of all themes come together in a direct modulation to C Major. Originally titled Overture for Winds and Percussion, the word Emperata has no meaning; it was just, as Claude put it, an intriguing word! Still Smith’s best-selling work.

SKU: CL.CTS-7701-01

Here is a work that was ahead of its time. If you are looking for a work filled with excitement and adventure, then Acclamation is your piece! Smith gets right into it with an energetic ostinato and a fragment of his original theme. The snare drumâ??s ruff is highlighted as a transition into a slow section in 6/4, with one of Smithâ??s most luscious melodies. English Horn is featured with flute in the slow section as well, but with optional cues for alto saxophone. Acclamation makes its way back to Allegro with the usual percussion section getting us to the original material. Several solos are highlighted. Well constructed and a piece to be used for contest; also one which will be enjoyed by audiences alike.

SKU: CL.CTS-7960-17

Impromptu for Bassoon and Piano is an energetic, lyrical solo, written for Smith's daughter, Pam, and easily accessible for a high school or college bassoonist. Based on a lighthearted melody, the solo has some technical passages based on arpeggios, challenging rhythmic passages in Smith's signature 7/8 and 9/8 bars and a complementary piano accompaniment. Bassoonists will enjoy performing this work which explores the entire range of the instrument, challenging the bassoonist to portray both expressive and spirited styles.