| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Twelve Songs From The Oratorios Piano solo Novello & Co Ltd.
By George Frideric Handel. For Soprano, Piano. Baroque, Sacred. Sheet Music. 78 ...(+)
By George Frideric Handel. For Soprano, Piano. Baroque, Sacred. Sheet Music. 78 pages. Published by Novello and Co Ltd.
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Sacred Collection - High Voice
High voice, Piano [Sheet music] Hal Leonard
The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. ...(+)
The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.
(5)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Sacred Collection - Low Voice
Low voice, Piano Hal Leonard
The Vocal Library. Arranged by Richard Walters. (Low Voice). Vocal Collection. ...(+)
The Vocal Library. Arranged by Richard Walters. (Low Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.
(1)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Zion Concert band Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more. SKU: PR.16500092L For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L). UPC: 680160039531. 11 x 17 inches. Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Zion Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, C...(+)
Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more. SKU: PR.466000470 Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470). UPC: 680160099405. 11 x 17 inches. This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I Love Thee, I Love Thee Choral SATB Hope Publishing Company
Choral SATB choir (SATB choir) SKU: HP.C5367 Arranged by Mark Kellner. Pi...(+)
Choral SATB choir (SATB choir) SKU: HP.C5367 Arranged by Mark Kellner. Piano Accompaniment. Hymntune, Hymn Arrangements, General Worship, Commitment, Devotion, Love, Adoration & Praise, Sacred. Octavo. 8 pages. Hope Publishing Company #C5367. Published by Hope Publishing Company (HP.C5367). UPC: 763628153670. Joshua 22:5, Psalms 18:1, Deuteronomy 11:1,13,22, Deuteronomy 19:9. Tune from Christian Harmony Arranger Mark Kellner looks back to the Sacred Harp tradition with this setting of a tune from Christian Harmony, a compilation of shaped-note songs from 1805. This arrangement approximates the flavor of this unique style, emphasizing that all parts be sung with gusto and a fairly stright tone. The overall effect is a strong, bracing declaration of praise. $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| For the beauty of the earth Choral SATB SATB, Piano [Vocal Score] Oxford University Press
Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 cla...(+)
Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Published by Oxford University Press
$3.65 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the beauty of the earth Choral SATB [Score] - Easy Oxford University Press
Composed by John Rutter (1945-). For choir (SA, SATB, or TTBB) and piano/organ/s...(+)
Composed by John Rutter (1945-). For choir (SA, SATB, or TTBB) and piano/organ/small orchestra (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, glockenspiel, harp, strings). This edition: Paperback. John Rutter Anniversary Edition. Sacred. Level A (very easy). Full score. Duration 3.5 minutes. Published by Oxford University Press
$31.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To a Child Dancing in the Wind [Sheet music] Chester
For Soprano, Flute/Alto Flute, Viola and Harp (Full Score). Composed by J...(+)
For Soprano, Flute/Alto Flute, Viola and Harp (Full Score). Composed by John Tavener (1944-). Music Sales America. Softcover. 28 pages. Chester Music #CH78386. Published by Chester Music (HL.14047868).
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Easter Story - Split-track Accompaniment CD Lorenz Publishing Company
SKU: LO.99-3342L Composed by Thomas Fettke. Choral, cantatas. Eastertide....(+)
SKU: LO.99-3342L Composed by Thomas Fettke. Choral, cantatas. Eastertide. Split-track accompaniment CD. Lorenz Publishing Company #99/3342L. Published by Lorenz Publishing Company (LO.99-3342L). UPC: 000308140743. The Easter Story retells Jesus' suffering, death, resurrection, and exaltation to the right hand of the Father in a simple yet profound story that engages the heart, mind, and imagination. The musical score draws upon folk sources, including The Sacred Harp and The Columbian Harmony, spirituals, carols, and songs from English, Irish, and Hebrew traditions. The choral score is carefully crafted for choirs of all sizes and is enhanced by three solos. Two speakers share Ken Bible's compelling narrative which is beautifully underscored by piano accompaniment or Michael Lawrence's brilliant orchestration. $94.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Easter Story - Bulk Performance CDs (10 pack) Lorenz Publishing Company
SKU: LO.99-3344L Choral, cantatas. Eastertide. Bulk performance CDs. Lore...(+)
SKU: LO.99-3344L Choral, cantatas. Eastertide. Bulk performance CDs. Lorenz Publishing Company #99/3344L. Published by Lorenz Publishing Company (LO.99-3344L). UPC: 000308140767. The Easter Story retells Jesus' suffering, death, resurrection, and exaltation to the right hand of the Father in a simple yet profound story that engages the heart, mind, and imagination. The musical score draws upon folk sources, including The Sacred Harp and The Columbian Harmony, spirituals, carols, and songs from English, Irish, and Hebrew traditions. The choral score is carefully crafted for choirs of all sizes and is enhanced by three solos. Two speakers share Ken Bible's compelling narrative which is beautifully underscored by piano accompaniment or Michael Lawrence's brilliant orchestration. $79.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more. SKU: PR.11641139S Composed by Lowell Liebermann. Full score. Duration 15 minutes. Theodore Presser Company #116-41139S. Published by Theodore Presser Company (PR.11641139S). UPC: 680160682119. Barcarolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100. I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici. My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven. III. Barcarola/Ostinato/Carillon An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut. IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness. $48.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more. SKU: PR.11641139L Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L). UPC: 680160682126. Barcarolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100. I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici. My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven. III. Barcarola/Ostinato/Carillon An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut. IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness. $90.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Miserere: Songs of Mercy and Redemption Boosey and Hawkes
Chamber Ensemble; Choral; Percussion (Vocal Score) SKU: HL.48024826 Vo...(+)
Chamber Ensemble; Choral; Percussion (Vocal Score) SKU: HL.48024826 Vocal Score. Composed by Karl Jenkins. Boosey & Hawkes Sacred Choral. Classical, General Worship, Sacred. Softcover. 120 pages. Boosey & Hawkes #M060136771. Published by Boosey & Hawkes (HL.48024826). ISBN 9781784545673. UPC: 840126902464. 7.25x10.25x0.302 inches. Psalm 51. Miserere: Songs of Mercy and Redemption is a sequence of reflections on the theme of mercy, in response to the recent and ongoing tragic conflicts in the Middle East and other regions. Woven around verses selected from Psalm 51, the inspiration for composers from Allegri to Part, the work features an eclectic range of settings of Rumi, St Thomas Aquinas, Isaac Watts, Carol Barratt and Dylan Thomas. Scored for countertenor (or mezzo-soprano), solo cello, mixed chorus, strings, harp and percussion, Miserere: Songs of Mercy and Redemption is a profound meditation on humanity and atonement, from the composer of The Armed Man: A Mass for Peace, Requiem, The Peacemakers and Stabat Mater. $20.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.
(8)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Gaelic Blessing Choral SATB SATB, Organ [Octavo] Oxford University Press
Composed by John Rutter (1945-). John Rutter Anniversary Edition. Sacred. Octavo...(+)
Composed by John Rutter (1945-). John Rutter Anniversary Edition. Sacred. Octavo. 8 pages. Duration 2'. Published by Oxford University Press (OU.9780193416734).
$3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymns for Harmonica Harmonica - Intermediate Mel Bay
Harmonica (diatonic, cross-harp, or chromatic) - Intermediate SKU: MB.93861(+)
Harmonica (diatonic, cross-harp, or chromatic) - Intermediate SKU: MB.93861 Diatonic - Cross-Harp - Chromatic. Composed by Phil Duncan. Arranged by Phil Duncan. Harmonica: Chromatic, Squareback saddle stitch, Style, Harmonica: Diatonic, Gospel/Sacred, Solos, Christian. Sacred. Instrumental solo book. With standard notation, chord names and introductory text. 111 pages. Mel Bay Publications, Inc #93861. Published by Mel Bay Publications, Inc (MB.93861). ISBN 9780871666918. UPC: 796279004428. 8.75x11.75 inches. 98 favorite hymns, gospel songs, and spirituals arranged in several different keys for diatonic, cross harp, or chromatic harmonica solo. In notation only. The book will give many hours of playing pleasure to the beginner as well as the advanced performer. (5)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Service of Lessons and Carols Celebrating the Life of Christ Chamber Orchestration. Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. CD-ROM. Duration 2400 seconds. Published by Shawnee Press (HL.35029297). UPC: 884088951801. 5.0x5.0x0.19 inches. Chamber Orchestration CD-ROM: Written in a traditional style and inspired by the celebrated lessons and carols format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue * I Will Sing the Wondrous Story * The Story Begins * A Day of Rejoicing and Praise * Hosanna, Loud Hosanna * Banquet of Mercy * Into the Garden * When I Survey the Wondrous Cross * A Day Bright with Joy * I Know that My Redeemer Lives. Instrumentation: (1 Player per Part) Score and parts for flute, oboe clarinet, bassoon (sub. Bass clarinet), trumpet, percussion, harp, piano (play from vocal score), violin 1&2, viola, cello, double bass. Can work with woodwinds only or with strings only. $175.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In the Sight of the Angels - Music Collection GIA Publications
Early intermediate SKU: GI.G-7134 Psalms, Hymns and Spiritual Songs(+)
Early intermediate SKU: GI.G-7134 Psalms, Hymns and Spiritual Songs. Composed by Jan Michael Joncas. Sacred. Collection. GIA Publications #7134. Published by GIA Publications (GI.G-7134). UPC: 785147713432. English, Latin. Containing themes of divine providence, rescue, and sustenance, this collection comes from the heart of Joncas’s own suffering due to a bout with Guillain-Barré syndrome. After his recovery, Joncas experienced a new surge of musical creativity that gave birth to In the Sight of the Angels. The lush sounds of choral singing and the elaborate instrumentation of brass, harp, flute, organ, and other instruments make In the Sight of the Angels a beautiful recording replete with psalm settings, including “Drink in the Richness of God,†“In the Sight of the Angels,†and “Till the End of My Days.†Also present are settings of the three New Testament Lukan infancy canticles—the “Canticle of Zechariah,†the “Canticle of Mary,†and the “Canticle of Simeon.†But, perhaps most appropriate in light of Joncas’s recent experiences are the songs delineating the work of the Holy Spirit, God’s breath (ruach): “All Who Are Led by the Spirit,†“Lord, Send Out Your Spirit,†and “Veni, Sancte Spiritus.†This tranquil recording has a pastoral feel. It is tender and depicts a merciful God who gives us hope in light of suffering. Joncas’s newfound wisdom resonates through this music. It is his sincere wish that those who sing it, play it, and/or hear it will grow closer to God. CONTENTS: Veni, Sancte Spiritus • Till the End of My Days • All Who are Led by the Spirit • At Jesus' Name • Canticle of Mary • Lord, Send Out Your Spirit •  Psalm 34: Drink in the Richness of God • To the Ends of Earth • Canticle of Zechariah • In the Sight of Angels • Canticle of Simeon. $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In the Sight of the Angels GIA Publications
SKU: GI.G-CD-730 Composed by Jan Michael Joncas. Sacred. CD. GIA Publicat...(+)
SKU: GI.G-CD-730 Composed by Jan Michael Joncas. Sacred. CD. GIA Publications #730. Published by GIA Publications (GI.G-CD-730). At long last, GIA proudly releases Michael Joncas’s first collection in over eight years. Containing themes of divine providence, rescue, and sustenance, this recording comes from the heart of Joncas’s own suffering due to a bout with Guillain-Barré syndrome. After his recovery, Joncas experienced a new surge of musical creativity that gave birth to In the Sight of the Angels. The lush sounds of choral singing and the elaborate instrumentation of brass, harp, flute, organ, and other instruments makes In the Sight of the Angels a beautiful recording replete with psalm settings, including “Drink in the Richness of God,†“In the Sight of the Angels,†and “Till the End of My Days.†Also present are settings of the three New Testament Lukan infancy canticles—the “Canticle of Zechariah,†the “Canticle of Mary,†and the “Canticle of Simeon.†But, perhaps most appropriate in light of Joncas’s recent experiences are the songs delineating the work of the Holy Spirit, God’s breath (ruach): “All Who Are Led by the Spirit,†“Lord, Send Out Your Spirit,†and “Veni, Sancte Spiritus.†This tranquil recording has a pastoral feel. It is tender and depicts a merciful God who gives us hope in light of suffering. Joncas’s newfound wisdom resonates through this music. It is his sincere wish that those who sing it, play it, and/or hear it will grow closer to God. $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Twenty Songs from Printed Sources Piano, Voice Stainer and Bell
Voice & Piano SKU: ST.LS19 Composed by Anonymous, Nicholas Lanier, Richar...(+)
Voice & Piano SKU: ST.LS19 Composed by Anonymous, Nicholas Lanier, Richard Alison, Thomas Campion, Thomas Giles, Thomas Lupo, Thomas Morley, Thomas Robinson, and Tobias Hume. Edited by David Greer. Vocal music. To the Lute, Bandora, Cittern and Lyra Viol. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS19. Published by Stainer & Bell Ltd. (ST.LS19). ISBN 9790220215209. CONTENTS ALISON, Richard O Lord, turn not away thy face (AATB or AAT) When we sat in Babylon (AATB or AAT) ANONYMOUS But this, and then no more (C - C) How can the tree but waste (B - B) Sweet are the thoughts that savour of content (D - F) Those eyes that set my fancy on a fire (A - B) CAMPION, Thomas More now with measur'd sound (Duet: D - E and G - A) Now hath Flora robb'd her bow'rs (Duet: D - E and D - G) Woo her and win her (F - E) GILES, Thomas Triumph now with joy and mirth (D - D) HUME, Tobias Cease, leaden slumber, dreaming (F sharp - F) Fain would I change that note (D - G) Soldier's Song: I sing the praise of honour'd wars (G - G) Tobacco! Tobacco! Sing sweetly for tobacco! (D - F) What greater grief (D - F) LANIER, Nicholas Bring away this sacred tree (D - F) LUPO, Thomas Shows and nightly revels (D - E flat) Time that leads the fatal round (D - E) MORLEY, Thomas O grief! e'en on the bud (F - E flat) ROBINSON, Thomas Now, Cupid, look about thee (D - G). $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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