By Charles E. Callahan Jr. (1951-). For french horn (or trombone, or trumpet) and organ. Moderately Easy. Published by MorningStar Music Publishers

Composed by Stanford E. Scriven. For SATB choir divisi (a cappella). American Colleges and Universities Choral Series. Catholic Year C Baptism of Our Lord; Year C Baptism of Our Lord. Baptism of Our Lord, Christmas. Medium. Octavo. Published by MorningStar Music Publishers

Fanfare Band - Grade 3

SKU: BT.DHP-0940583-020

Composed by Peter Riedemann. On Parade! March. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940583-020. Published by De Haske Publications (BT.DHP-0940583-020).

Sonority von Peter Riedemann ist mittlerweile ein Klassiker im Marschrepertoire von De Haske. Der wunderschöne Konzertmarsch im 6/8-Takt glänzt mit einem besonders melodischen Trio.

Cette marche fluide et joyeuse, écrite en 6/8, s’interprète avec légèreté et souplesse. Structurée selon la forme traditionnelle de la marche, Sonority développe un thème mélodieux qui chemine travers le tissu thématique du trio. Après un passage contrastant joué avec panache, le thème du trio est repris une dernière fois.Sonority est une marche simple qui se prête parfaitement une interprétation en salle de concert ou en plein air.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0940583-215

Composed by Peter Riedemann. On Parade! March. Score Only. Composed 1994. De Haske Publications #DHP 0940583-215. Published by De Haske Publications (BT.DHP-0940583-215).

Sonority - zu deutsch ‘Klangfülle’ - hält, was sein Titel verspricht: Peter Riedemanns Komposition ist ein prachtvoller Konzertmarsch im 6/8-Takt mit einem besonders melodischen Trio. Ein absoluter Glanzpunkt in Ihrem nächsten Konzertprogramm!

Cette marche fluide et joyeuse, écrite en 6/8, s’interprète avec légèreté et souplesse. Structurée selon la forme traditionnelle de la marche, Sonority développe un thème mélodieux qui chemine travers le tissu thématique du trio. Après un passage contrastant joué avec panache, le thème du trio est repris une dernière fois.Sonority est une marche simple qui se prête parfaitement une interprétation en salle de concert ou en plein air.

Chamber Music flute, piano

SKU: PO.PE131

Composed by Gareth Farr. This edition: softcover. Sws. Score and parts. Promethean Editions #PE131. Published by Promethean Editions (PO.PE131).

ISBN 9781877564314.

Nga Whetu e Whitu is fantastic for duos looking to enhance their recitals with an expressive contemporary work. It contains tonal colours and harmony that are reminiscent of Olivier Messiaen's music. It also showcases Farr's highly engaging style of writing with beautiful lyrical passages and contrasting faster section that drive forward with propulsive energy and virtuosic intensity. Farr exploits the full range of both instruments to great effect which brings together the extreme sonorities with rhythm as a feature of the work.

Composed by Dennis Alexander. Graded Standard Repertoire; Piano Solo; Solo; Solo Small Ensembles. Signature Series. Sheet. 8 pages. Alfred Music #00-47770. Published by Alfred Music

By Otto Luening. For Flutes [2 to 37]. Flute. Published by E.C. Schirmer Publishing.

(No. 3 from Love Was My Lord and King ). By Gwyneth W. Walker (1947-). For TTBB choir, chamber Orchestra or Piano. Choral, general. Octavo. 12 pages. Published by E.C. Schirmer Publishing

Composed by Gwyneth W. Walker (1947-). 21st Century, Secular, Americana, Creation/Nature. Octavo. Published by E.C. Schirmer Publishing (EC.8517).

(Concert March). By Douglas E. Wagner. Concert Band. Concert Band. Belwin Young Band. Grade 2. Conductor Score and Parts. 232 pages. Duration 2:10. Published by Belwin Music

Music by Douglas E. Wagner, lyrics by Ruth Sawyer Durand. Octavo for SATB choir and piano accompaniment. G Minor. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5

SKU: CF.CAS107

Composed by Alan Lee Silva. SWS FS. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+6+20 pages. Duration 4 minutes, 17 seconds. Carl Fischer Music #CAS107. Published by Carl Fischer Music (CF.CAS107).

ISBN 9781491146675. UPC: 680160904174. 9 x 12 inches. Key: E minor.

Triangle of the Tempest is a fast-moving composition with interesting rhythmic challenges and dynamic color shifts. Starting with syncopated figures over a repeated eight-measure progression, the piece builds in intensity as more sections and layers are added. The second part changes tone and is led by a heroic violin melody with a soaring cello obligato. The themes intertwine and the material develops into a dramatic conclusion with a final explosive ensemble hit. Action-packed and full of rhythmic drive, this piece is a good choice for contest or festival performance.
An up-tempo 3⁄4 piece in E minor, Triangle of the Tempest features inviting rhythmic challenges, provocative melodic variations and dynamic color shifts .The A-section is based on a repeating eight-measure harmonic progression with punctuated open voicings and syncopated figures . Each section builds in intensity as new elements are added in subsequent eight-measure increments . Rhythmically, the pattern in the A-section (mm . 1–36) follows a two-measure form: the first of the two measures has a dotted quarter-eighth syncopated figure, and the rhythms in the second measure fall primarily on the beats . After the main eight-measure pattern is established, the A-melody and its variations are introduced on top of it .A two-measure build (mm . 35–36), highlighted by fast moving ensemble triplet figures, propels the piece as it crescendos into the jubilant B-section (mm . 37–52), changing tone and moving to the relative G major . The violins carry the soaring melody atop sonorous major chords in the mid and low strings . Rhythmically, the alternating syncopated measure/non-syncopated measure form continues through this section .Returning to the dramatic E minor A-section phrases in mm . 53–86, the piece shifts to the original eight-measure harmonic progression with melodic variations in the violins over the top . After reprising the B-section (mm . 87–102), intertwining motifs at m . 103 offer a variation on the A-theme where the melodic entrances happen at one-measure intervals .The tempo slows slightly and the tone changes again in the flowing and magical C-section at m . 123 as the piece moves again to the relative G major . Repeating lyrical legato violin lines create the musical background for a majestic viola melody, featured in mm . 126–146 . A brief fanfare statement with motifs spread throughout the orchestra at m . 153, prepares the return to E minor and the A-theme in mm . 160–193 .Measure 194 introduces an E-pedal point and tension builds, ramping up emotionally to the ending . The ensemble thunders at m . 202 as the violins and violas begin a four-measure syncopated question/answer section with the cellos and basses . The phrases crescendo and build for another four measures at m . 206, setting up the driving unison, tutti figures at m . 211 and a final explosive hit on the downbeat of m . 212 .

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians