Winter soundscapes is a collection of seven evocative sound pictures which conjure up the landscapes and feelings of a traditional hard winter. The pieces contrast one another with relaxed fireside scenes next to relentless snowstorms allowing young players to experiment with a number of styles and techniques. This is a great alternative to carols for December concerts and suitable for working on long after Christmas too. Ideal concert fillers for the Intermediate string quartet with the added flexibility of a violin 3 alternative to viola.

'Brice Catherin a cellist and a composer exploring the notion of the one-man-band concept commissionedthis work; this composition was subsequently the result of our collaboration. My aim has been to create awork where the cellist produces sounds using his full body: his hands (employing a variety of extendedtechniques on the Cello and external objects) his feet his mouth (singing and playing the harmonica andflexible tube) and even his face on one occasion to muffle the strings.There are two central themes in the work: virtuosity and theatre both strong frequent features of mycompositional oeuvre. After several meetings andexperimentation with Brice I chose a setup thatenhances the musical scope without visually cluttering the stage. I am also using a rather unusualscordatura that not only changes the timbre of the instrument itself but also helps create uniquesoundscapes that blend together with the sounds from the spring drums the human voice (whistling groans and other effects) a singing bowl a harmonica and a flexible tube among others.The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony) thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy harmonious distorted etc.) based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C) played and recorded using a variety ofattacks and triggering objects and methods.Emmelia is also the name of my baby daughter who has been my constant inspiration since she was born.' - Evis Sammoutis

John Luther Adams: Ilimaq for four percussionists (or one percussionist with digital delay).   Grammy-winning composer John Luther Adams always speaks with reverence about capturing “the tone within thenoise ” and if any of his recent work can be said to take that mission directly to heart it’s Ilimaq. A true electro-acoustic recording that channels the energy passion and precision of Wilco drummer Glenn Kotche Ilimaq (which loosely translates from the native Alaskan Inupiaq language as “spirit journeys”) maps a vivid phantasmagorical progression through liquid cascades of percussion otherworldly ambient soundscapes harmonic dissonance melodic convergence and almost everything that’s musically—and sonically—possible in between.

This expressive gem will inspire your musicians to higher levels of musicianship. Those who are familiar with composer James L. Hosay’s previous works for this level band will be anxious to explore this rich new offering. Accessible to young bands but artistically worthy of any level group this opulent soundscape belongs in every band’s repertoire. Work with the geography teacher to discover cross-curriculum ideas. Exquisite!

Virga is precipitation that falls from a cloud but evaporates before it reaches the ground. It can produce rather dramatic and beautiful scenes especially during a sunset.Helen Grime'sVirga was ommissioned by the London Symphony Orchestra in partnership with UBS as part of the UBS Soundscapes: Pioneers series. First performed by the London Symphony Orchestra in July 2007 at BarbicanHall London conducted by Yan Pascal Tortelier.Parts are available on hire from the publisher.

Par SHELDON ROBERT. Take a journey on the Silk Road, the ancient trade route that linked the Far East with the Western world in this imaginative piece by Robert Sheldon. Exotic harmonies combine with driving rhythms and colorful percussion to create a soundscape of shifting sands and faraway lands. A solo alto saxophone references the sound of a Turkish sorna to open the piece, leading to the persistent rhythm and modal melodies. Finger cymbals, shakers, and hand drums help to represent the culture of this remote part of the world. (2:19) Correlated to Sound Innovations, Book 2, Level 3. / Date parution : 2022-10-12/ Répertoire / Concert Band

Bags Of Christmas is full of tunes to get you into the festive mood. As well as lots of favourite carols and Christmas songs there are some new 'seasonal soundscapes' picturing snowmen snow angels and a mischievious kitten! Great material to play with friends and at family gatherings and parties from the build-up to Christmas right through to New Year! Each piece is complete in itself so does not need an accompaniment but for fun you could ask a friend to improvise a simple rhythm on drum or percussion to fit with your part. Written and arranged by the UK's leading string pedagogue Mary Cohen creator of a wide range of imaginative teachingpublications including Superstart.

for solo voice and orchestra-An intense reflection on romantic passion and loss Anders Hillborg?s ?lontano in sonno? for Voice (Mezzosoprano/Soprano) and orchestra sets sonnets by Petrarch. Originally written for Anne Sofie von Otter this 15-minute work unfolds slowly the Voice floating over a gleaming unearthly soundscape lit from within by glass Harmonica. ?Hillborg has never shied away from the heavenly and the dazzling and once again has developed a singular musical space... The text (taken from Petrarch?s Sonnets) revolves around the conflict between pleasant memory and the painfulabsence? A blisteringly beautiful work!? - Dagens Nyheter (Martin Nyström) 20 December 2003.

8-9 ans : dans cette cinquième tome de la série, le programme de l'année 4 est structuré de même à celui de l'année 3. Conçu pour consolider et élargir les compétences, de connaissances et de compréhension, une fois de plus il existe un accent particulier sur l'acquisition de compétences. Attentifs à l'expérience de la gamme de programmes nationaux, les caractéristiques particulières de ce livre sont : le développement progressif de vokal et de techniques instrumentales, d'un module en mettant l'accent sur une approche structurée de la lecture et la musique de l'écriture, la connaissance et la compréhension de la musique placé dans un contexte historique, une production musicale. / Divers

Gabriel Prokofiev's Cello Multitracks for solo Cello and Electronics (eight multitracked Cellos). The first performance was given by Peter Gregson on 17th May 2011 at ‘NonclassicalDirections’ curated by Gabriel Prokofiev at LSO St Lukes London [UBS Soundscapes: Eclectica series].It has been recorded and released on the Gabriel Prokofiev + Peter Gregson album: 'Cello Multitracks' onNonclassical Recordings (cat#: NONCLSS012).

Three Pieces. Par KIRCHNER VOLKER DAVID. These three effective pieces become successively more difficult as the composition changes from a meditative to an eruptive approach. The organist familiar with contemporary ‘soundscapes’ will find them a rewarding and interesting challenge./ Répertoire / Orgue

A new take on this beloved Latin text combining more rhythmic passages with sustained chords this work contains lush harmonies with wonderful dynamic contrast and captures both the celebration and the reverence of Mary who is blessed among women. A beautiful soundscape for more advanced choirs!