Standin' In De Need Of Prayer a Negro Spritual arranged for Upper Voices with soloist by Brian Trant.

Play 30 Hymns with Four Easy Chords: G-C-D-Em-A perfect collection for the beginning guitarist. With this book you only need to know four chords to play 30 hymn favourites. Arrangements include melody lines with chord frame diagrams. Songs include: All Creatures of Our God and King Be Thou My Vision Blessed Be the Name Down at the Cross (Glory to His Name) Grace Greater Than Our Sin He Leadeth Me I've Got Peace like a River O for a Thousand Tongues to Sing Standin' in the Need of Prayer Steal Away (Steal Away to Jesus) There Is a Balm in Gilead Were You There? and more.

'Pull out all the stops' with this incredible top-selling medley by Mark Hayes! Fast paced and fun it features 'Old Time Religion ' 'Standin' in the Need of Prayer ' 'Down by the Riverside' and 'Do Lord.' Mark's colorful harmonic writing has tremendous impact yet is balanced by plenty of unison and 2-part writing. The swinging accompaniment is equally suited to performance by piano alone or with instrumental ensemble. For All Saints' Ascension Baptism and general occasions church and school choirs. Suggested scriptures: Deuteronomy 34: 1-12 Psalm 35: 1-14 Matthew 22: 1-14 Philippians 4: 1-9.

The capo is a tool of the trade. This will guide you through an understanding of how it works and how to select the one that is right for you and your guitar. It is a theoretically correct method that relies mainly on anunderstanding of the fingerboard of the guitar; and which can be employed with any notational system. Lots of photos examples charts and exercises are included. The author has created a systematic method that aids yourunderstanding of note relationships offers a practical application of Circle of Fifths and works it all from the orientation of the guitar itself so you also gain valuable knowledge about note relationships and chord shapes allover the fretboard. Since not all capos are created equal a complete gallery of capos is presented to make your selection process that much easier. â?¢

Note-for-note tab transcriptions for 18 classics spanning the career of this supergroup with great staying power. Includes: ABACAB · Afterglow · Dance on a Volcano · Follow You Follow Me · Hold on My Heart · I Can't Dance · Invisible Touch · The Lamb Lies Down on Broadway · Land of Confusion · Misunderstanding · No Reply at All · That's All · Throwing It All Away · Tonight Tonight Tonight · Your Own Special Way · and more. Also includes photos.

One of the signature ballads from renowned horn band Tower of Power this tune includes the famous trumpet solo introduction that is one of those magical moments that trumpet players dream about! The rest of the chart isoutstanding as well. Includes solo for tenor sax. (Cherry Lane)

Christopher Columbus was born in Genoa in 1451. His father was a wool merchant. Originally he seemed destined to follow in his father?s footsteps and thus sailed the oceans to countries as far apart as Iceland and Guinea. In 1476 his ship was sunk during a battle off the coast of Portugal. Columbus saved his own life by swimming to shore. In 1484 he conceived the idea of sailing to the Indies via a westward sea route but it was only in 1492 that he was able to realize this plan. On this first voyage he was in command of three ships: the flag-ship called the Santa Maria the Pinta and the Ni?a. From Spain Columbus sailed via the Canary Islands to the Bahamas whichhe sighted on October 12th 1492. Without being aware of it Columbus discovered the ?New World? ? he thought he had landed in the eastern part of Asia. The motif from Dvoøák?s 9th Symphony ?Aus der neuen Welt? forms a little counterfeit history at this point in the composition. After this first voyage Columbus was to undertake another three long voyages to America. These voyages were certainly not entirely devoid of misfortune. More than once he was faced with shipwreck mutiny and the destruction of settlements he had founded. After Columbus had left for Spain from Rio Belen in 1503 he beached his ships on the coast of Jamaica. The crew were marooned there and it was only after a year that Columbus succeeded in saving his men and sailing back to Spain with them. In the music the misunderstanding about which continent Columbus discovered in his lifetime resounds for does this part in the composition not contain Asiatic motifs? Poor Columbus! In 1506 the famous explorer died in Valladolid.

A very special chance to not only witness the talents of this superb bass guitarist but also to recieve a thirty-minute intimate lesson with the man himself. Joined with co-members of the band Tower Of Power Prestia performs an outjstanding set at the Bass Day event before breaking his style down before your very eyes. Learn his techniques and nuances including ghosting and muting along with a clutch of great basslines. Prestia then discusses the difficult subject of grooves and how to play effectively against a drummer.

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

This a cappella feature for treble or male choirs is an oustanding choice for any time of year. Strong individual voice lines add up to an exciting dynamic and vibrant concert feature. ABA format with a lyrical legato section n the middle.

Einsteigerkurs Rhythmus Gitarre is an easy-to-understand guide for beginners to rhythm Guitar with no previous knowledge. The book presents all the crucial playing techniques leading to an excellent understandingof the theoretical and practical basics of rhythm Guitar. This book also features many famous songs from different musical genres as well as a CD containing the songs and a DVD with each exercise. As a bonus afree poster means you can adorn your walls letting everyone know about your mastery of rhythm Guitar.

Dont Kreutzer Rode: three of the most prominent Violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century Rodolphe Kreutzer and Pierre Rode each composed epochal collections of studies (see HN 1177 and HN 1186); in 1852 as an introduction to these two standard works Jakob Dont wrote his exceptionally helpful 24 Preparatory Exercises op. 37 which even today no student of the Violin can avoid. Their success is also evident from the fact that numerous revised editions were published in the twentieth century by violinists such as Hans Sitt Carl Flesch or Ivan Galamian. Now for the first time G. Henle Publishers’Urtext edition restores access to the unadulterated original with Dont’s authentic fingering and bowing suggestions in an outstandingly legible musical text. The prominent Violin pedagogue Paul Roczak acted as a consultant for this edition and carefully supplemented Dont’s original marking.

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

From the Bon Jovi album The Circle this 2009 single evokes themes of working people “picking themselves up by their bootstraps in hard times.” This uplifting message and full voiced choral arrangement will be anoutstanding choice for graduation or as a concert closer. Available separately: SATB SAB SSA ShowTrax CD. Combo parts (tpt 1-2 tsx tbn gtr b dm) available as a digital download. Duration: ca. 3:20.

Trois Esquisses Symphoniques-New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Following the recent publication of the full score and performance material to Debussy?s La Mer (BA 7880) Bärenreiter now presents the study score edition of this ?impressionistic? masterpiece.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new editionincludes the famous ?fanfare? in Movement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.