Par VAI STEVE. Il s'agit de quatrième album solo du Vai (1993) transcrit pour l'onglet de la guitare, avec des paroles de notation standard et de cordes. Les talents de virtuose de Steve Vai ont été admirés par les guitaristes, amateurs et professionnels, le monde au-dessus. Influencé par tous les grands professionnels avant lui, son professeur que Joe Satriani à Jeff Beck et de Alan Holdworth Vai style et technique se dresse sur les bonnes fondations. Etre inspiré par un autre pro ! / Rép International / Tablatures / Guitare Tablatures

Notre folio pour le remake tant attendu de l'album classique de 2012 de Taylor comprend des arrangements pour piano et voix avec des trames d'accords de guitare. Les chansons comprennent : All Too Well (les deux versions !) - Better Man - Everything Has Changed - Holy Ground - I Knew You Were Trouble - Red - Sad Beautiful Tragic - State of Grace - 22 - We Are Never Ever Getting Back Together - et plus encore.
All Too Well
All Too Well (Ten Minute Version)
Babe
Begin Again
Better Man
Come Back...Be Here
Everything Has Changed
Forever Winter
Girl At Home
Holy Ground
I Almost Do
I Bet You Think About Me
I Knew You Were Trouble
The Last Time
The Lucky One
Message In A Bottle
The Moment I Knew
Nothing New
Red
Ronan
Run
Sad Beautiful Tragic
Starlight
State Of Grace
Stay Stay Stay
Treacherous
22
The Very First Night
We Are Never Ever Getting Back Together
/ Partitions variété - pop - rock / Variété française / Piano voix guitare / HAL LEONARD

Billy Joel's keyboardist and Music Director David Rosenthal has attentively arranged all the tracks from Joel's 1989 album to combine the piano parts and vocal melodies into playable arrangements while maintaining those classic piano parts. The huge hit We Didn't Start the Fire is included along with 9 other classics: And So It Goes - The Downeaster Alexa - I Go to Extremes - Leningrad - Shameless - State of Grace - Storm Front - That's Not Her Style - When in Rome. Includes a foreword by David Rosenthal.

Uses: GeneralScripture: John 15:13Joseph Martin tenderly arranges this incredible Welsh hymn for choirs of any size or level of achievement. Some of hymnody's most profound statements of faith arecontained in these beloved passages. Sensitive orchestrations from the incomparable Brant Adams lift the entire anthem to a new level of expressive detail. Very worshipful! Available separately: SATB iPrint Full Orch CD-ROM StudioTrax CD. Duration: ca. 3:23.

Three characterful lyrical and enjoyable solos written in the salon style of the late 19th-century and allowing the solo double bass to sing throughout the range of the instrument. Tulacek studied composition with Dvorak and his music echoes the Czech nationalist style always melodic tuneful and graceful. Newly typeset in 2009 this edition also includes piano accompaniments for both solo and orchestral tunings. 'This music displays the old-fashioned sentimental romanticism typical of the salon music of the early 20th-century. All three deliciously lyrical pieces are in simple ABA song form.' (ISB) Grade 8 - Trinity-Guildhall /ABRSM Rudolf Tulacek was one of the leading Czech double bassists of his generation and was a respected and influential teacher at the Janacek Academy of Music in Brno. He was born in Jicin Bohemia on 25 August 1885 and began to study the double bass at the age of eleven having already studied flute and violin. So rapid was his progress that he soon became a member of the Jicin Municipal Orchestra and in 1901 entered the Prague Academy of Music to study with Frantisek Cerny one of the Czech capital's leading bassists and teachers. Tulacek graduated in 1907 with the highest commendations from his professors performing the Geissel Concerto at his public graduation concert and in 1909 was offered the post of Solo Bassist in the Zagreb Opera Orchestra. From 1920 he was also a Professor at the Zagreb State Academy of Music and subsequently became Concert-Master of the Zagreb Philharmonic. His many recitals attest to his perfect technique supreme musicality and complete command of the instrument and concerts included music by Cerny Dvorak Geissel Kukla Láska Misek Simandl Stein and Tenaglia alongside his own compositions. In 1937 Tulacek became Professor of Double Bass at the Brno Academy of Music and in 1948 became the first Double Bass Professor at the newly founded

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

Composer Sally Lamb McCune is becoming one of America's leading composers of choral music. This arrangement combining Materna America the Beautiful and Amazing Grace is a tour de force for any outstanding choir. With a quiet opening that states over and over O beautiful exapanding into a powerful divisi statement of grace and then shaping back to O beautiful at the end this will certainly become the standard for any patriotic arrangments to follow.

Uses: General Lent Scripture: Psalm 61:1-4: Isaiah 49:16: John 10:27-29 Like a stately rustic dance this anthem is styled in an early American folk idiom. Based on a beautiful thought from Scripture this message of hope and security reminds us of the merciful nature of God and His sheltering grace in our lives. Try it with the acoustic instruments for a truly unique worship presentation. Engaging! Parts for fiddle and bass available as a digital download.

A bold declaration of purpose for all Christians this inspiring anthem from Joseph Martin poetically states what it is that God's children are called to do. We are one great alleluia. We declare the risen Christ... We must bea hymn of healing... We must share... love's redeeming grace... Triumphant and echoing with confidence “We Are Music of the King” says it all – who we are and why we are.

Par BACH JOHANN SEBASTIAN / GREBER JAKOB / VIVALDI ANT. In the opera and cantata orchestra of the baroque the sound and gentle timbre of the recorder had a special significance. It served pre-eminently to represent the emotional states of love, pain and sorrow. Many arias with obbligato recorder which have survived are still unknown today, despite the diligent efforts of “early music” enthusiasts to uncover these treasures. Through the “Flauto e voce” series this repertoire, for both study and concert use, is experiencing an interesting expansion and enrichment. The present new issue offers three arias from Bach Cantatas BWV 103 and 182 [the latter in two versions], 2 arias from Vivaldi’s operas as well as a graceful Italiancantata from the historically, practically unknown composer Jakob Greber [ca. 1710]. The Greber piece is in a style similar to Vivaldi. In this collection the Soprano, Sopranino and Alto recorders are employed./ Répertoire / Voix, Flûte à Bec et Basse Continue

Red est le premier album de Taylor Swift classé numéro 1 des ventes en Angleterre. Ce recueil comprend les titres We Are Never Ever Getting Back Together, Begin Again et I Knew You Were Trouble. / Variétés / Partition /