Holy City by Stephen Adams arranged for Soprano soloist and mixed voices by Doris Arnold.

John Luther Adams' Four Thousand Holes for Piano Percussion (Vibraphone and Orchestra Bells) and Electronic Aura. Composed in 2010 and dedicated to Stephen Drury. Duration: 32 minutes 30 seconds.'Four Thousand Holes is my own effort to re-appropriate and reclaim for myself something of my own musical past. For the first time since my days as a rocker I've chosen to restrict myself to major and minor triads - thosemost basic elements of Western music (both pop and classical). But I've tried to assimilate them fully into my own musical world. Approaching these simple chords as found objects I've superimposed them in multiple streams oftempo to create darker harmonies and lush fields of sound. In recent years I've been fortunate enough to form a close musical partnership with Stephen Drury. Steve's extraordinary gifts inspired me to exploreexpansive forms and textures (similar to those of my orchestral music) with only one or two performers In essence Four Thousand Holes is a concerto. To begin I composed the score for the electronic tracks. Steve recorded all ofthe individual chords that occur in the score. I took these recordings time-stretched them reversed their envelopes and knit the reversed sounds together with their original decays. The resulting waves of sound I layered intoten independent tracks to create the virtual 'orchestra'. Next I composed the Piano part articulating the peaks of all the electronic tracks simultaneously - a feat of coordination that demands considerable virtuosity from thepianist. Finally I composed another multi-layered part for metallic Percussion sounds that I think of as sparks emanating from the Piano. In Four Thousand Holes strong musical currents fall and rise again andagain as points and lines are juxtaposed with heavy hammered chords. The mix of 'live' and electronic sounds blurs the distinction between musical figure and ground. As in much of my recent music I conceive of the entire piece

The second volume of carols and songs that capture the wonder and magic of Christmas suitable for any confident solo voice with full Piano accompaniment. The pieces include songs by Stephen Adams Peter Warlock and Roger Quilter providing some stirring and heart-warming repertoire for your Yuletide performances.

Description A collection of the most popular and most important sacred songs. Sacred Classics contains twelve essential sacred favourites for classical singers, including Panis Angelicus, Ave Maria and Crucifixus . All arranged for High Voices and Piano with a CD featuring all the songs, with and without piano accompaniment. Songlist Agnus Dei [Bizet, Georges] Ave Maria [Gounod, Charles] Crucifixus [Faure, Jean-Baptiste] Dank Sei Dir, Herr [Ochs, Siegfried] Hear My Prayer, O Lord [Dvorak, Antonin] I Will Sing New Songs [Dvorak, Antonin] O Divine Redeemer [Gounod, Charles] Panis Angelicus [Franck, Cesar] The Holy City [Adams, Stephen] The Palms [Faure, Jean-baptiste]

Description A great selection of chart hits from the 1990s, arranged for easy-play piano by Stephen Duro, complete with chord symbols and lyrics. Includes She's The One (Robbie Williams), Perfect Moment (Martine McCutcheon) and When You Say Nothing At All (Ronan Keating). Suitable for pianists from grade 3. Songlist (Everything I Do) I Do It For You [Adams, Bryan] 2 Become 1 [Spice Girls, The] Love Is All Around [Wet Wet Wet] More Than Words [Extreme] No Matter What [Boyzone] Perfect Moment [Mccutcheon, Martine] Runaway [Corrs, The] She's The One [Williams, Robbie] Stay Another Day [East 17] Think Twice [Dion, Celine] Un-break My Heart [Braxton, Toni] When You Say Nothing At All [Keating, Ronan]

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers