Par RYCHLIK JAN. Durée: 2' 10'', Format: New Edition portrait/ Répertoire / Clarinette

DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.Thefirst thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practicepurposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renownedsoloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 G. Ph. Telemann (1681-1767): Allegro - 'Der getreue Musikmeister (Polonoise')2 L. Mozart (1719-1787): Allegro ('Children`s Symphony')3 M. Moszkowski (1854-1925): 'Spanischer Tanz' op. 124 E. Grieg (1843-1907): 'Anitras Tanz' - Peer Gynt (Suita No 1)

String Quartet-'Hollyhocks is followed by a suitably lively and angular Deadly Nightshade (though alternative names are welcomed one example being Mother-in-law's Tongue) and there is a delightful use of alternating 3/4 and 4/4 time signatures to represent French Marigolds which achieves a suitably continantal flavour. Last is Canterbury Bells a fun and jazzy movement which would also work well on its own...'. Music Teacher Magazine.Grade: 5 - 6

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Flute with a Piano accompanimentsuitable for Grade 2-5 students as well as teachers. With a Piano score separate Flute part and performance hints and tips these fun pieces will hone your skills and develop ensemble playing.Thesepieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classics like Simon & Garfunkel's Bridge Over TroubledWater and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and Katy Perry's Firework. These 10 songs can be played in instrumentallessons in the classroom and of course on stage. The separate booklet with the Flute part features tips by professional musicians with some fingering guidance while the Pianoscore also includes the tips along with chord symbols and helpful fingering suggestions. 

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

This book explains the elements of Music Theory as applied to the Suitar; how sounds are made how they are notated and how they relate to one another. In addition there are detailed discussions of Octaves Sharps Flats Naturals Chromatic Scales the names and locations of all the notes playable on the Guitar Tuning Scales Major Minor and Meventh chords Cycles of Fifths and Chord progressions.

Portraying the poignant end sequence of the movie this production number opens with The Jedi Steps featuring a baritone solo accompanied by keyboard percussion. The tender horn solo can also be played by flugelhorn or alto sax. The Finale features a reprise of the main theme along with a suitably powerful and dramatic ending sequence.

This collection of 21 charming seasonal tunes arranged for the Solo Harp by Stephanie Claussen proves to be an excellent addition to your gig bag. Light so Brilliant promises to keep the holidayspirits high with classics such as;'The Holly and the Ivy''Let All Mortal Flesh Keep Silence''O Come O Come Emmanuel''God Rest Ye Merry Gentlemen'These arrangements contain variationsthe intermediate through to advanced Harpists will find both challenging and satisfying. The entire collection can be performed cover-to-cover in fifty-five minutes. Contains dynamics chords and fingering suggestions. Suitablefor lever Harps with 33 strings or more.

Weihnachtskantate. Par TELEMANN GEORG PHILIPP. Interestingly scored Christmas music from the “Fortsetzung des Harmonischen Gottesdienstes. ” With the solo voice part [d1–f2 or d–f1] Telemann again demonstrates his ability to write “suitably for all throats. ”/ Répertoire / Solo S (Ms ou T ou Bar), Trompette ou Hautbois, Vi

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

This unique collection presents celebrated songs from the Zarzuela Spain's uniquely popular tradition of music theatre which draws on elements of opera popular song dance and spoken drama. This selection contains material from the best Spanish composers and the songs chosen for their suitability for singers first and foremost rather than the actor-singers who are such a distinctive feature of zarzuela in performance.

This book contains 41 of the world's greatest pieces of classical music specially arranged for the pedal-free Harp. Each piece has been carefully selected for its suitability although some of the pieces require retuningthe Harp in the key of E-flat. Biographical information on many of the composers is also featured. The online audio tracks include all of the songs from the book as performed on solo Harp by author SusanPeters.