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Suite II
INSTRUMENTS
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XYLOPHONE
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6 Suites Bwv 1007-1012
Cello
Zen-on
Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ...
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Dans cette édition de Johann Sebastian Bach ' Six Suites pour violoncelle solo ', Maurice Gendron, ayant rédigé ces, met principalement l'accent sur l'utilisation de l'archet comme sur les schémas de doigté. La principale demande qu'il phrases doit être correcte avec les instructions sur l'utilisation de l'archet. Selon sa déclaration c'est comment la 'pureté du style de Bach' continue d'exister. Gendron édité les Suites sur les patrons de doigté pour être jouable pour chaque violoncelliste. Sur ce compte, il tente d'éviter ' extensions de doigt inutiles '.Dans la notation originale, Bach forbeard de donner des instructions sur la dynamique des romantique comme crescendo ou diminuendo. Pour cette raison, Maurice Gendron a seulement ajouté quelques suggestions dynamiques dans les 1 à 5 de Suites. Tout aussi important que l'évitement de la dynamique romantique est, selon sa propre déclaration, d'éviter les ' un vide de sens rubato '. Il est particulièrement important pour lui que les violoncellistes voient l'importance de ' prendre le temps de changer sans heurt ' d'un... / Violoncelle
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Edvard Grieg: Peer Gynt Suites 1 & 2: Piano
Piano solo
Kevin Mayhew
Norwegian composer Edvard Grieg originally wrote Peer Gynt as the incidental mus...
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Norwegian composer Edvard Grieg originally wrote Peer Gynt as the incidental music to Henrik Ibsen's 1867 play of the same name which premiered in 1876. Later in 1888 and 1891 Grieg extracted eightmovements to make two four-movement suites: Suite No. 1 Op. 46 (Morning The death of Ã?se Anitra's dance and In the hall of the mountain king) and Suite No. 2 Op. 55 (The abduction of the bride Arabiandance Peer Gynt's homecoming (stormy evening on the sea) and Solveig's song). Some of these movements have received coverage in popular culture and are thus well-recognised everywhere.This edition of the Peer GyntSuites is arranged for Grade 8 Piano solo.
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Overture (Suite) #2 Bwv 1067
Flute, Basso continuo
Eulenburg
Partir tôt au XVIIe siècle jusqu'à ce que le formulaire a engagé l'intérêt...
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Partir tôt au XVIIe siècle jusqu'à ce que le formulaire a engagé l'intérêt de Johann Sebastian Bach, divers notables compositeurs allemands - y compris Rosenmüller, Fischer, Fasch et Telemann - avait contribué au développement de la suite orchestrale ou ' Ouverture ', / Flûte Traversière, Cordes Et Basse Continue
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Johann Sebastian Bach: Suites For Solo Cello: Bass Trombone: Instrumental Album
Trombone
Leduc, Alphonse
Composed by J. S. Bach Suites was initially for Cello but has been arranged for...
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Composed by J. S. Bach Suites was initially for Cello but has been arranged for Bass Trombone by Jean-Claude Barbez a soloist for the French Republican Guard. It features a total of five suites each one including different parts. Requiring an advanced level these suites could also be played with two players alternating between phrases. Suite I and Suite II are built with the following parts in the same order: - Prelude - Sarabande - Allemande - Courante - Menuetto 1 - Menuetto 2 - Guigue Suite III: - Prelude - Courante - Sarabande - Allemande - Bourrée 1 - Bourrée 2 - Guigue - Sarabande (Suite V) Suite IV: - Prelude - Allemande - Courante - Sarabande - Bourrée - Guigue (Suite V) This book includes comments and annotations in French English and Japanese.
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18Th Century Mandolin Duets
2 Mandolins (duet)
-
Intermediate/advanced
Mel Bay
of Jean-Baptiste Miroglio. Eighteenth century France was the center of mandolin ...
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of Jean-Baptiste Miroglio. Eighteenth century France was the center of mandolin composition in Europe, especially of mandolin music for amateurs. Jean-Baptiste Miroglio's Suites des Amusemens des Dames are typical of mandolin duets of this timeâ'challenging, but not too difficult, while rich in feeling and musicality. Intended for mandolin, violin or pardessus de viol, these pieces provide a delightful introduction to the musical life of the 18th century mandolin. Novice to expert players will find something to enjoy and explore in this collection of 21 pieces for two mandolins.Eighteenth century France was the center of mandolin composition in Europe, especially of mandolin music for amateurs. Jean-Baptiste Miroglio's Suites des Amusemens des Dames are typical of mandolin duets of this time-challenging, but not too difficult, while rich in feeling and musicality. Intended for mandolin, violin or pardessus de viol, these pieces provide a delightful introduction to the musical life of the 18th century mandolin. Novice to expert players will find something to enjoy and explore in this collection of 21 pieces for two mandolins. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines
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Suite For Recorders
Soprano, Alto Et Flûte A Bec Tenor (Ou Alto II)
Schott
/ Soprano, Alto Et Flûte A Bec Tenor (Ou Alto II)
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Blockflötentrios a la carte (BACH JOHANN SEBASTIAN)
3 Flûtes à Bec SAB/STB
Universal Edition
Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach...
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Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB
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Worship Suites: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate
FJH
Incidental Music For Service And Sacrement-This volume was written to meet the n...
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Incidental Music For Service And Sacrement-This volume was written to meet the need for background and transitional music in worship services. Inspired by Kierkegard’s analogy of worship being drama veteran performer and church musician Don Wyrtzen has crafted thematically-congruent suites to serve as incidental music. Each suite contains a number of standard hymns as well as a newly-composed original theme which serves to introduce and tie the arrangement together. There are numerous starting and stopping points written into the arrangements allowing for maximum flexibility in length. The main titles include: Call to Worship Suite (also suitable as a prelude); Communion Suite I: The Bread; Communion Suite II:The Cup; Scripture Reading Suit; Prayer Suite I; Baptism Suite; Baby Dedication Suites I & II; Invitation Suites I & II; and Benediction Suite (also suitable as a postlude).
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Bach Lute Suites For Guitar - Guitar
Guitar
Classical guitar
[Score]
Amsco Wise Publications
Description Bach Lute Suites For Guitar Edited and fingered by Jerry Willard....
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Description Bach Lute Suites For Guitar Edited and fingered by Jerry Willard. The complete works for lute solo by Johann Sebastian Bach, newly transcribed and annotated. Songlist Fuge Prelude Prelude, Fuge And Allegro Suite I Suite II Suite III Suite IV
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Barry Trott: 18th Century Mandolin Duets: Mandolin: Instrumental Album
2 Mandolins (duet)
-
Intermediate/advanced
Mel Bay
of Jean-Baptiste Miroglio-Eighteenth century France was the center of mandolin c...
(+)
of Jean-Baptiste Miroglio-Eighteenth century France was the center of mandolin composition in Europe especially of mandolin music for amateurs. Jean-Baptiste Miroglioâ??s Suites des Amusemens des Dames are typical of mandolin duets of this time challenging but not too difficult while rich in feeling and musicality. Intended for mandolin violin or pardessus de viol these pieces provide a delightful introduction to the musical life of the 18th century mandolin. Novice to expert players will find something to enjoy and explore in this collection of 21 pieces for two mandolins.
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Carmen Suite #2
Orchestra
Eulenburg
Carmen' is one of the most popular and most frequently performed operas across t...
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Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless, the opera very quickly gained acceptance at all major theatres, bringing in its wake countless arrangements of some particularly beautiful music numbers.It was, in all probability, Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings, the second suite with arrangements of the best-known vocal pieces is now available as well. The musical text is based on our new scientific edition of the opera edited by Robert Didion. / Orchestre
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Johann Paul von Westhoff Six Suites (DR)
Violin
[Sheet music]
Mel Bay
Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 b...
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Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost. Along with his suite for solo violin published in 1683 in Le Mercure Galant, these suites for unaccompanied violin are the first in their medium and undoubtedly served as an inspiration for Bach?s Six Sonatas and Partitas for Solo Violin.This edition is a modern transcription of Westhoff?s unique notation and provides editorial fingering and bowing suggestions. A facsimile of the only extant 1696 publication, which is housed in the Somogyi Károly Városi és Megyei Könyvtár in Szeged, Hungary, is included in the back of this edition for reference. This edition was created with the intention of making these suites more accessible, and to be used as a pedagogical tool in preparation for the study of solo Bach. / Date parution : 2022-07-20/ Recueil / Violon
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Grieg E. - Peer Gynt Suite, Holdberg Suite Et Autres Pieces - Piano
Piano solo
Dover Publications
Treasury of piano music by great Norwegian composer, including the perennial fav...
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Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezza II. Non Allegro e molto espressivo III. Mazurka IV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabile III. Con moto IV. Andante con sentimento V. Allegro moderato VI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di Valse II. Tempo di Menuetto ed energico III. Allegretto con grazia IV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderato Andante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderato Adagio Allegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con moto II. Allegretto espressivo III. Vivace IV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg; arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden] II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid; Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. Praeludium II. Sarabande III. Gavotte IV. Air V. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied] II. Little Haakon [Klein Haakon] III. I Love Thee [Ich liebe dich] IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss] V. The Princess [Die Prinzessin] VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung] II. Åse's Death [Åses Tod] III. Anitra's Dance [Anitras Tanz] IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz] II. The First Meeting [Erstes Begegnen] III. The Poet's Heart [Des Dichters Herz] IV. Solvejg's Song [Solvejgs Lied] V. Love [Liebe] VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no I. Norwegian [Norwegisch] II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage] II. Arabian Dance [Arabischer Tanz] III. Peer Gynt's Return Home [Peer Gynts Heimkehr] IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. Resignation II. Scherzo-Impromptu III. Night Ride [Natligtridt] IV. Folksong [Folketone] V. Study [Studie] (Hommage à Chopin) VI. Students' Serenade [Studenternes serenade] VII. The Mountaineer's Song [Lual?t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer] II. Gnomes' Tune [Tusselsl?t] III. The Dance Goes On [Dansen går]
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Spanischer Marsch (RIXNER JOSEF)
Mandoline et Orchestre (Mandoline I, II, III, Mand
[Part]
Schott
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/...
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Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/ Répertoire / Mandoline et Orchestre (Mandoline I, II, III, Mand
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Spanischer Marsch (RIXNER JOSEF)
Mandoline et Orchestre (Mandoline I, II, III, Mand
[Part]
Schott
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1984-10-10/...
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Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1984-10-10/ Répertoire / Mandoline et Orchestre (Mandoline I, II, III, Mand
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Spanischer Marsch (RIXNER JOSEF)
Mandoline et Orchestre (Mandoline I, II, III, Mand
Schott
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/...
(+)
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/ Répertoire / Mandoline et Orchestre (Mandoline I, II, III, Mand
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Spanischer Marsch (RIXNER JOSEF)
Mandoline et Orchestre (Mandoline I, II, III, Mand
[Part]
Schott
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/...
(+)
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/ Répertoire / Mandoline et Orchestre (Mandoline I, II, III, Mand
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Spanischer Marsch (RIXNER JOSEF)
Mandoline et Orchestre (Mandoline I, II, III, Mand
[Part]
Schott
Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/...
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Par RIXNER JOSEF. Aus Der Suite 'Frohes Wochenend' / Date parution : 1976-06-30/ Répertoire / Mandoline et Orchestre (Mandoline I, II, III, Mand
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Johann Sebastian Bach: Three Movements From The 'Solo Cello Suites': Cello:
Bassoon
-
Intermediate
ABRSM Publishing
arranged for bassoon unaccompanied-A selection of three movements from J. S. Bac...
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arranged for bassoon unaccompanied-A selection of three movements from J. S. Bach?s six suites for solo cello arranged for unaccompanied Bassoon. This is really useful recital and study repertoire for students as the arrangements include some suggestions for dynamics and phrasing.
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Flûte En Suite
Flute, Orchestra
Schott
This ?Suite' is not one of my 'epic' instrumental concertos such as the concerto...
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This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre
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Ouverture (Suite) #3 D Major Bwv 1068
Orchestre De Chambre Et Basse Continue
Eulenburg
Partir tôt au XVIIe siècle jusqu'à ce que le formulaire a engagé l'intérêt...
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Partir tôt au XVIIe siècle jusqu'à ce que le formulaire a engagé l'intérêt de Johann Sebastian Bach, divers notables compositeurs allemands - y compris Rosenmüller, Fischer, Fasch et Telemann - avait contribué au développement de la suite orchestrale ou ' Ouverture ', / Orchestre De Chambre Et Basse Continue
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Henry Purcell: Suite III IV And VIII: Recorder Ensemble: Instrumental Album
2 Recorders (duet)
[Sheet music]
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Intermediate
XYZ
These three Suites are taken from Purcell's Suites For Clavecin and have been ar...
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These three Suites are taken from Purcell's Suites For Clavecin and have been arranged for Soprano and Alto Recorder duet by Ernest Leeuwenburgh.
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Georg Friedrich Händel: Selected Keyboard Works Book III: Piano: Instrumental
Piano solo
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Intermediate
ABRSM Publishing
Five Miscellaneous Suites-Five Miscellaneous Suites edited and annotated by Rich...
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Five Miscellaneous Suites-Five Miscellaneous Suites edited and annotated by Richard Jones.
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Georg Friedrich Händel: Water Music Suite II Arranged For Brass Quintet: Brass
Brass Quintet: 2 trumpets, horn, trombone, tuba
Barenreiter
Teil II-Water Music - Suite II: 2 Trumpets Horn Trombone Tuba.Handel's world-...
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Teil II-Water Music - Suite II: 2 Trumpets Horn Trombone Tuba.Handel's world-known Water Music belongs to the most performed pieces by the composer. It is an example of a Baroque composition written for open air concerts in this case for the grandiose music productions at the River Thames.The arrangement of selected compositions from the 1st and 2nd suite of Handel's Water Music for Wind Quintet was done by the professor of Prague Conservatory Antonin Vaigl.Also available Suite I H7647.
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William Walton: Film Suites: Orchestra: Score
Orchestra
[Score]
Oxford University Press
Hardback-This volume presents newly engraved and edited scores of all Walton's p...
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Hardback-This volume presents newly engraved and edited scores of all Walton's popular film scores including the various Shakespeare suites and for the first time on sale his music for the film Battle of Britain.
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HENRIK WIESE - THE PICCOLO AUDITION
Flûte traversière
UNIVERSAL EDITION
Henrik Wiese once again draws on his wealth of experience as a flutist and pedag...
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Henrik Wiese once again draws on his wealth of experience as a flutist and pedagogue: with his book “The Piccolo & Alto Flute Audition“, he has compiled a total of 207 audition excerpts in a carefully edited and clearly arranged compendium. In alphabetical order, it contains standard passages from orchestral works of various genres throughout music history, both common and less frequently requested. This up-to-date collection is a reliable companion and indispensable for optimal preparation for international auditions of all kinds at the opera, with symphony or chamber orchestras.
Easy-to-read, uniform and modern layout make the edition convenient to use. The critical report and chronological list of audition excerpts for quicker stylistic classification make the editor a comprehensive coach for flutists. Numerous other tips and remarks gained by Wiese from his practical experience and exchange with colleagues and students complete the book. International demand is fulfilled by the texts being in three languages (German, French, English), thus making “The Piccolo & Alto Flute Audition“ the equivalent of the already established edition “The Flute Audition“.
Bartók Béla: III. Pe loc aus Rumünische Volkstänze
Bartók Béla: III. Elegia aus Concerto for Orchestra
Bartók Béla: V. Finale aus Concerto for Orchestra
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 5
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 9
Berg Alban: 1. Akt, 4. Szene aus Wozzeck
Berg Alban: 2. Akt, 2. Szene aus Wozzeck
Berlioz Hector: 3. Teil, Szene XII. Meuet des Follets aus La damnation de Faust
Berlioz Hector: V. Songe d'une nuit du Sabbat aus Symphonie fantastique
Bizet Georges: 1. Akt, Nr. 2 Marche et choeur des gamins aus Carmen
Bizet Georges: 3. Akt, Nr. 18 Introduction aus Carmen
Borodin Alexander: Allegro vivo und Presto aus Polowetzer Tänze
Brahms Johannes: Variation V aus Variationen über ein Thema von Haydn
Brahms Johannes: Variation VIII aus Variationen über ein Thema von Haydn
Brahms Johannes: 4. Satz aus Klavierkonzert Nr. 2
Brahms Johannes: 3. Satz aus Symphonie Nr. 4
Britten Benjamin: II. Sunday Morning aus Four Sea Interludes
Britten Benjamin: IV. Storm aus Four Sea Interludes
Britten Benjamin: Variation A aus The Young Person's Guide to the Orchestra
Britten Benjamin: Fugue aus The Young Person's Guide to the Orchestra
Delibes Léo: 2. Akt, Nr. 11 Musique des automates aus Coppélia
Donizetti Gaetano: Sinfonia aus Don Pasquale
Donizetti Gaetano: Nr. 7 Scena e Quartetto aus Don Pasquale
Dukas Paul: Scherzo, Poco animando und Vif aus L'Apprenti sorcier
Dvorák AntonÃn: 3. Satz aus Symphonie Nr. 6
Dvorák AntonÃn: 1. Satz aus Symphonie Nr. 9
Händel Georg Friedrich: 1. Akt, Nr. 11 Aria Augelletti, che cantate (Almirena) aus Rinaldo
Hindemith Paul: II. Marsch und Pastorale aus Nobilissima Visione
Holst Gustav: III. Merkur aus Die Planeten
Holst Gustav: Dance of the spirits of water aus der Ballettmusik The Perfect Fool
Ippolitov-Ivanov Michail: Nr. 4 Procession of the Sardar aus Suite Nr. 1 Caucasian Sketches
Janácek Leoš: 3. Satz The Queen's Monastery, Brno aus Sinfonietta
Kodály Zoltán: Marosszéker Tänze
Kodály Zoltán: Tänze aus Galánta
Ljadow Anatoli: VII. Dancing Song aus Acht russische Volkslieder
Mahler Gustav: III. Von der Jugend aus Das Lied von der Erde
Mahler Gustav: IV. Urlicht aus Symphonie Nr. 2 Auferstehung
Mahler Gustav: V. Der große Appell aus Symphonie Nr. 2 Auferstehung
Mozart Wolfgang Amadeus: 2. Akt, Nr. 13 Aria Alles fühlt der Liebe Freuden (Monostatos) aus Die Zauberflöte
Ponchielli Amilcare: 3. Akt Danza delle Ore, Finale aus La Gioconda
Prokofieff Sergei: I. The Birth of Kijé aus der Suite Leutnant Kishe
Prokofieff Sergei: IV. Troika aus der Suite Leutnant Kishe
Puccini Giacomo: Suor Angelica
Puccini Giacomo: 3. Akt, 1. Szene aus Turandot
Ravel Maurice: II. Malagueña aus Rapsodie espagnole
Ravel Maurice: IV.Feria aus Rapsodie espagnole
Ravel Maurice: II. Petit Poucet aus My mère l'Oye
Ravel Maurice: III. Laideromette, Imperatrice des Pagodes aus My mère l'Oye
Ravel Maurice: Lever du jour aus der Suite Daphnis et Chloé
Ravel Maurice: Pantomime aus der Suite Daphnis et Chloé
Ravel Maurice: Danse générale aus der Suite Daphnis et Chloé
Ravel Maurice: Boléro
Ravel Maurice: 1. Satz aus Klavierkonzert G-Dur
Ravel Maurice: 3. Satz aus Klavierkonzert G-Dur
Rimski-Korsakow Nikolaj: 3. Satz The Young Prince and The Young Princess aus Sheherazade
Rimski-Korsakow Nikolaj: 4. Satz Festiva at Baghdad aus Sheherazade
Rossini Gioachino: Sinfonia aus der Ouverture zu La scala di seta
Rossini Gioachino: Sinfonia aus der Ouverture zu L'Italiana in Algeri
Rossini Gioachino: 1. Akt, Nr. 2 Cavatina Largo al Factotum (Figaro) aus Il barbiere di Siviglia
Rossini Gioachino: 1. Akt, Nr. 8 Finale 1, Stretta aus Il barbiere di Siviglia
Rossini Gioachino: Sinfonia aus der Ouverture zu La gazza ladra
Rossini Gioachino: Sinfonia aus der Ouverture zu Semiramide
Rossini Gioachino: Sinfonia aus der Ouverture zu Wilhelm Tell
Schönberg Arnold: Nr. 18 Der Mondfleck aus Pierrot lunaire
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 7
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 4. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 5. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 15
Sibelius Jean: III. Alla marcia aus der Suite Karelia
Smetana Bedrich: Vivacissimo aus Die verkaufte Braut
Sousa Filipe de: March aus The Stars and Stripes Forever
Strauß Johann (Sohn): Ouverutre aus Die Fledermaus
Strawinsky Igor: Variation de l'oiseau de feu aus der Suite L'Oiseau de Feu
Strawinsky Igor: Ronde des princesses (Khorovode) aus der Suite L'Oiseau de Feu
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 4. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 2. Akt, Nr. 12 Divertissement, c) Le thé (Danse chinoise) aus Der Nussknacker
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 6
Verdi Giuseppe: 2. Akt Ballabile aus der Oper Aida
Verdi Giuseppe: 1. Akt Coro Fuoco di goia aus der Oper Otello
Verdi Giuseppe: 3. Akt Ballettmusik aus der Oper Otello
Verdi Giuseppe: 1. Akt, 2. Teil aus der Oper Falstaff
Verdi Giuseppe: 1. Akt, Nr. 2 Introduzione aus der Oper La traviata
Verdi Giuseppe: 1. Teil, 1. Szene, Nr. 4 Coro di Zingari e Canzone aus der Oper Il trovatore
Verdi Giuseppe: 3. Akt, Nr. 13 Scena, Terzetto e Tempesta aus der Oper Rigoletto
Wagner Richard: 3. Szene aus der Oper Das Rheingold
Wagner Richard: 3. Akt, 2. Szene Feuerzauber aus der Oper Die Walküre
Holst Gustav: V. Saturn, the Bringer of Old Age aus Die Planeten
Holst Gustav: VII. Neptun, the Mystic aus Die Planeten
Ravel Maurice: 1. Teil Danse religieuse aus Daphnis et Chloé
Ravel Maurice: 1. Teil Danse générale aus Daphnis et Chloé
Ravel Maurice: 2. Teil Danse guerrière aus Daphnis et Chloé
Ravel Maurice: 3. Teil Lever du jour aus Daphnis et Chloé
Ravel Maurice: 3. Teil Pantomime aus Daphnis et Chloé
Ravel Maurice: 3. Teil Danse générale aus Daphnis et Chloé
Strawinsky Igor: 1. Teil L'Adoration de la terre aus Le sacre du printemps
Strawinsky Igor: 1. Teil Danses des adolescentes aus Le sacre du printemps
Strawinsky Igor: 1. Teil Rondes printanières aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Introduction aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Cercle mystérieux des adolescentes aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Action rituelle des ancêtres aus Le sacre du printemps / Partitions classique / Bois / Flûte traversière / UNIVERSAL EDITION
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Suite Florentine (WIDOR CHARLES-MARIE)
Flute and Piano
-
Intermediate/advanced
Universal Edition
Par WIDOR CHARLES-MARIE. The Suite Florentine for violin and piano written by Ch...
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Par WIDOR CHARLES-MARIE. The Suite Florentine for violin and piano written by Charles-Marie Widor in 1919, is an arrangement of the Suite for Violin and Piano, op. 76 (1903), itself a collection of stage music from La Sulamite (1903). It was first performed at the Élysée Palace on 20 February 1919 for Queen Hélène of Italy. Widor played the piano on that occasion and dedicated the work to the Queen. Like many of Widor's later works, it has no opus number. The suite highlights Widor's great talent for adopting the harmonic languages of various stylistic periods and his harmony is very eclectic. Johann Sebastian Bach is a great favourite and a clear influence. / Niveau : 6 / Répertoire / Flûte Traversière et Piano
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