Viola

SKU: BR.EOS-1527-19

Composed by William Boyce. Orchestra; stapled. Eulenburg Orchestral Series.

Symphony; Baroque. Part. 28 pages. Breitkopf and Haertel #EOS 1527-19. Published by Breitkopf and Haertel (BR.EOS-1527-19).

ISBN 9790004786505. 8.5 x 11.5 inches.

No. 1 in B major 8
2.2.0.0. 0.0.0.0. str bc(hps)

No. 2 in A major 5
0.2.0.0. 0.0.0.0. str bc(hps)

No. 3 in C major 5
0.2.0.2. 0.0.0.0. str bc(hps)

No. 4 in F major 7
0.2.0.2. 2.0.0.0. str bc(hps)

No. 5 in D major 8
0.2.0.0. 0.2.0.0. timp str bc(hps)

No. 6 in F major 7
0.2.0.0. 0.0.0.0. str bc(hps)

No. 7 in B major 9
2.2.0.0. 0.0.0.0. str bc(hps)

No. 8 in D minor 11
2.2.0.0. 0.0.0.0. str bc(hps)

Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden.

(23 Arrangements of Gems from the Baroque Period). Composed by Various. Arranged by Joel Lish. For 3 Violins, Cello. Quartets. Baroque. Advanced. Part 3 for violin. Published by Middle Fiddle Music

(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. For 2 Violins, Clarinet, Cello. Quartets. Baroque. Advanced. Part 3 for clarinet. Published by Middle Fiddle Music

Orchestra flute and strings

SKU: CF.SC63

Composed by Yevhen Stankovych. Perfect - Å’ Hinge. Full score. With Standard notation. 92 pages. Carl Fischer Music #SC63. Published by Carl Fischer Music (CF.SC63).

ISBN 9780825868238. UPC: 798408068233. 9 X 12 inches.

A notable work from renowned Ukrainian composer Stankovych, whose Chamber Symphony No. 3 was lauded in 1985 by the judges of the UNESCO International Rostrum of Composers. Full score edition with instrumentation for: seven violins, two violas, two violoncellos, and one contrabass. Performance material available from the Rental Library.

Viola (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str)

SKU: BR.OB-5198-19

From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

revised new edition of score and orchestral parts

Symphony; Romantic. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5198-19. Published by Breitkopf and Haertel (BR.OB-5198-19).

ISBN 9790004330494. 10 x 12.5 inches.

Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.

Revised new edition of score and orchestral parts.

Composed by Franz Schubert (1797-1828). Edited by Arnold Feil; Christa Landon. For viola. This edition: Urtext edition. Stapled. Single part. Composed 1815. D 200, No. 3. Duration 26 minutes. Published by Baerenreiter Verlag

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Viola

SKU: BR.EOS-1533-19

Composed by Felix Bartholdy Mendelssohn. Edited by Boris von Haken. Stapled. Eulenburg Orchestral Series. Symphony; Romantic. Part. Duration 8'. Breitkopf and Haertel #EOS 1533-19. Published by Breitkopf and Haertel (BR.EOS-1533-19).

ISBN 9790004786550. 8.5 x 11.5 inches.

Viola

SKU: HL.48189369

Composed by Henri Dumont. Leduc. Softcover. Alphonse Leduc #NT10451Y. Published by Alphonse Leduc (HL.48189369).

UPC: 888680875541. 8.25x12.0x0.79 inches.

Du Mont Bloch Symphonie A 3 Symphonie No.23 Score/Parts.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5

SKU: CF.YAS215F

Arranged by Jeffrey Turner. Carl Fischer Young String Orchestra Series. Full score. 8 pages. Carl Fischer Music #YAS215F. Published by Carl Fischer Music (CF.YAS215F).

ISBN 9781491160756. UPC: 680160919352.

Beethoven's 5th Symphony is one of the best-known musical compositions of the Classical period. Its opening measures are instantly recognizable, even to the non-musician. This arrangement takes a little different approach to this passionate masterpiece. Instead of the bold, dynamic energy of the original score, this arrangement features a softer, delicate interpretation, creating a sense of loneliness, loss, and heartbreak in a gentle setting. While the tempo of this piece is notated as Largo, rubato, the arranger encourages conductors to use rubato liberally for ultimate dramatic effect. Suggested measures for additional ritardando include the end of measure 9 and measures 13 through 15. Holding back the tempo momentarily at the discretion of the director can convey the fullest range of expression and emotion.
Beethoven’s 5th Symphony is one of the best-known musical compositions of the Classical period. Its opening measures are instantly recognizable, even to the non-musician. This arrangement takes a little different approach to this passionate masterpiece. Instead of the bold, dynamic energy of the original score, this arrangement features a softer, delicate interpretation, creating a sense of loneliness, loss, and heartbreak in a gentle setting. While the tempo of this piece is notated as Largo, rubato, the arranger encourages conductors to use rubato liberally for ultimate dramatic effect. Suggested measures for additional ritardando include the end of measure 9 and measures 13 through 15. Holding back the tempo momentarily at the discretion of the director can convey the fullest range of expression and emotion.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

By Roger Nixon (1921-). Orchestra. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet I, Clarinet II, English Horn, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor, Tenor II, Tenor III, Timpani, Tam-Tam, Tam-Tam, Cymbal, Triangle, Tambourine, Whip. First performance: Rolf Persinger, violist, with Josef Krips conducting the San Francisco Symphony Orchestra on April 29, 1970, at the War Memorial Opera House in San Francisco. Classical. Full Score - Study. Standard notation. 127 pages