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Statuette Beethoven
Hal Leonard
Cuissons exquise détaillé qui a le poids et la convivialité de marbre / Statu...
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Cuissons exquise détaillé qui a le poids et la convivialité de marbre / Statuette
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Quatuor (BACEWICZ GRAZYNA)
String Quartet: 2 violins, viola, cello
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers...
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Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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Rossiniane Op. 119 A 121 Vol.1 (GIULIANI)
Guitar
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par GIULIANI. Mauro Giuliani - a leading guitar virtuoso of the first half of th...
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Par GIULIANI. Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century, was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel, Mayseder and others. K. M. von Weber, reffering to his concert in Prague in the autumn of 1816, expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument. Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century, was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel, Mayseder and others. K. M. von Weber, reffering to his concert in Prague in the autumn of 1816, expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument./ Répertoire / Guitare
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
Organ
[Sheet music + CD]
Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
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Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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Psalm 121 (SCARLATTI DOMENICO)
Solistes SA, Choeur SATB et Basse Continue
[Sheet music]
Carus Verlag
Laetatus sum. Par SCARLATTI DOMENICO. Laetatus Sum/ Répertoire / Solistes SA, C...
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Laetatus sum. Par SCARLATTI DOMENICO. Laetatus Sum/ Répertoire / Solistes SA, Choeur SATB et Basse Continue
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Harry Potter Instrumental Solos For Strings - Violoncelle
Cello
Alfred Publishing
This book is part of Alfred's Harry Potter Instrumental Solos series arranged fo...
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This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Violin, Viola, and Cello. All string instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. Each book includes piano accompaniments, a removable string part, and a fully orchestrated accompaniment MP3 CD, which features each song as a live performance demo track followed by a play-along track. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes A Window to the Past (from Harry Potter and the Prisoner of Azkaban) Double Trouble (from Harry Potter and the Prisoner of Azkaban) Family Portrait (from Harry Potter and the Sorcerer's Stone) Farewell to Dobby (from Harry Potter and the Deathly Hallows, Part 1) Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets) Fireworks (from Harry Potter and the Order of the Phoenix) Harry in Winter (from Harry Potter and the Goblet of Fire) Harry's Wondrous World (from Harry Potter and the Sorcerer's Stone) Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) Hogwarts' Hymn (from Harry Potter and the Goblet of Fire) Hogwarts' March (from Harry Potter and the Goblet of Fire) Leaving Hogwarts Lily?s Theme (Main Theme from Harry Potter and the Deathly Hallows, Part 2) Obliviate (from Harry Potter and the Deathly Hallows, Part 1) Statues Wizard Wheezes (from Harry Potter and the Half-Blood Prince)
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Fanfare Mi-Chi-Bi-Ki (YAGISAWA SATOSHI)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par YAGISAWA SATOSHI. Chaque année, la ville de Yokohama célèbre une fête pa...
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Par YAGISAWA SATOSHI. Chaque année, la ville de Yokohama célèbre une fête particulière, le “Yokohama Kaikosai”, la date anniversaire de l’ouverture du port maritime qui permit le développement de la ville. L’Orchestre d’Harmonie de Yokohama (Yokohama Wind Symphony) fut spécialement créé en 2006, pour participer au Concert de Bienfaisance « Autour du Brass Band » organisé par l’Association The Brass Cruise. L’objectif de cette formation ad hoc est d’encourager et de soutenir l’activité culturelle de la population et de promouvoir la musique japonaise pour formations à vent ayant ses racines à Yokohama. Le Yokohama Wind Symphony est devenu un élément essentiel du festival. Il est constitué de plus de200 musiciens tous recrutés publiquement. En 2007, le compositeur Satoshi Yagisawa répondit favorablement à l’invitation de l’orchestre dont il fut le chef invité. À cet effet, le comité de l’Association The Brass Cruise lui commanda une oeuvre de circonstance. Satoshi Yagisawa composa une fanfare brillante qu’il intitula Fanfare Mi-Chi-Bi-Ki (d’après le nom d’une statue en bronze de Yokohama). L’oeuvre fut donnée en création mondiale en ouverture du concert 2007. À l’instar de la statue qui l’a inspirée, la fanfare exprime le désir d’un monde meilleur, un monde de paix. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie
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Légendes Urbaines (MURAIL TRISTAN)
Français
22 Instruments
[Sheet music]
Lemoine, Henry
Par MURAIL TRISTAN. (Prendre les mots 'légendes' et 'urbaines' dans leurs diff...
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Par MURAIL TRISTAN. (Prendre les mots 'légendes' et 'urbaines' dans leurs différents sens et en tester toutes les combinaisons) Légendes urbaines est le résultat d'une commande précise de l'Ensemble intercontemporain, à l'occasion d'un concert 'à thème', lui-même partie d'une saison thématique. Ces thèmes, comme l'on sait, sont: la ville, le voyage, et plus précisément, pour ce concert, New York - New York n'étant évidemment pas une destination de voyage pour moi, sinon celle d'un 'commuting' fréquent depuis ma résidence semi-rurale. Les thèmes littéraires ou visuels en musique ont fait couler beaucoup d'encre et plongent plus d'un dans la perplexité. La musique peut-elle exprimer ou raconter ? Est-il possible de ressusciter le poème symphonique ? D'écrire encore des opéras ? Si oui, est-il légitime de le faire, ou n'est-ce pas définitivement obsolète ? Comme je crois à la méthode expérimentale, j'ai décidé de relever le défi et de m'essayer au thème proposé, non sans garder quelque distance ironique vis-à-vis de l'exercice. Occasion aussi de rechercher quelques modèles et de ne pas se priver de références, plus ou moins transparentes, à quelques-uns de mes prédécesseurs sur le nouveau continent. Le modèle formel est celui des Tableaux d'une exposition, avec sa suite de vignettes sonores entrelacées de promenades - les références musicales, on pourra s'amuser à les deviner. Les allusions visuelles, points de départ ou d'arrivée de la rêverie musicale, ne seront pas l'Empire State Building, la Statue de la Liberté et autres cartes postales formatées pour le tourisme, mais plutôt les images et sensations suscitées par la fréquentation d'une ville à la fois très familière et tout à fait étrangère. Promenade 1 Les 'promenades' de Moussorgski s'effectuaient d'un pas à la fois martial et guilleret... Dans Manhattan, les distances sont grandes, qui inciteront à prendre plutôt le 'Subway', célèbre pour son infernal vacarme métallique. Par prudence pour nos tympans, on l'écoutera d'assez loin, accompagné d'appels de cuivres, le plus souvent sous forme de tierces descendantes - les 5 espèces de tierces permises par l'écriture en quarts de tons. Vacarmes métalliques et appels de cuivres ne se limitent d'ailleurs pas à constituer l'essentiel des 'promenades', mais envahissent les recoins de toute la pièce. Staten Island Ferry Autrefois, la 'skyline' (la ligne des gratte-ciels) de Manhattan surgissait pour le voyageur lentement sur l'horizon, objet de tous les rêves et de tous les espoirs, au terme d'une longue traversée maritime. Le bateau franchissait la rade de New-York, saluait au passage la Statue de la Liberté, et allait s'amarrer directement au pied des 'high-rises'. On se rappelle les vieux films et vues d'archives. New York ne s'aborde plus par la mer et cet aspect du rêve américain a donc disparu, mais on peut revivre l'expérience, dans une certaine mesure, en prenant le ferry de Staten Island. Au retour, on peut s'imaginer, accoudé à la rambarde d'un paquebot, découvrant la ville longtemps espérée... la vue est splendide, et le ferry gratuit - chose rare en ce pays. Central Park at twilight Superposition de musiques émanant de lieux différents, et se mouvant à différentes vitesses. Sensation étrange d'échapper un moment à la réalité de la ville dont les bruits ne parviennent qu'étouffés. Instants ambigus du crépuscule, brefs et éternels, bruissements dans les fourrés déjà obscurs (ce ne sont que les écureuils), les silhouettes des gratte-ciels s'illuminent une à une à travers les frondaisons. Chant harmonique de la 'Swainson's thrush' (grive à dos olive). Les derniers promeneurs se hâtent vers les sorties: de nos jours, il n'est plus très recommandé de rester écouter les sons de 'Central Park in the Dark'. Sunday Joggers Toujours à Central Park: le dimanche, s'installer le long de l'une des routes qui traversent le parc, et qui, fermées à la circulation, sont envahies par une foule ahanante, transpirante et clopinante. 'Joggers' de tous âge, sexe, taille, couleur et embonpoint - toutes vitesses, allures et harnachements. Certain(e)s promènent leur progéniture dans des poussettes de course (3 roues surdimensionnées, profilage aérodynamique), d'autres peinent à suivre leur(s) chien(s). Quelques tricheurs passent à vélo ou sur patins à roulettes. Toute une humanité pantelante défile devant vos yeux, et il faudrait être Daumier pour croquer le spectacle - ici c'est le prétexte d'une modeste étude sur les tempi superposés. Whirlwinds Le plan de Manhattan est intéressant: systématiquement rectangulaire, mais avec quelques grandioses irrégularités, en particulier celles provoquées par Broadway qui, vestige d'un vieux chemin indien, coupe diagonalement rues et avenues, provoquant de ce fait quelques extravagances architecturales et topologiques. Une autre conséquence du plan d'urbanisme - ou d'une absence de celui-ci - est que la circulation atmosphérique se trouve très fortement perturbée. Certains carrefours sont ainsi le siège de redoutables tourbillons venteux, en particulier ces carrefours complexes provoqués par l'intrusion de Broadway dans le damier urbain, ou encore la climatiquement terrifiante intersection entre Riverside et la 122ème rue, où la présence d'un clocher-gratte-ciel néo-pré-raphaélite perturbe fortement les masses d'air qui circulent le long de la rivière Hudson. Promenade 2 Plus agitée que la Promenade 1, et conduisant au triptyque suivant: George Washington Bridge 1 The Frozen River George Washington Bridge 2 'Non seulement les possibilités des harmoniques des sons seront-elles révélées dans toute leur splendeur, mais encore l'usage de certaines interférences créées par les partiels constituera-t-il une contribution appréciable. On pourra s'attendre à l'utilisation, jamais envisagée jusqu'à ce jour, des résultants inférieurs et des sons différentiels et additionnels. Une magie sonore totalement nouvelle !' (Edgar Varèse, extrait d'une conférence donnée à Santa Fe en 1936). George Washington Bridge, c'est notre Grande Porte de Kiev - et l'une des peu nombreuses voies d'accès à l'île de Manhattan (car Manhattan est une île, on l'oublie parfois). Une 'Grande Porte' en ferraille et en réfection permanente, mais qui fut un symbole de modernité en son temps et fascina, dit-on, Edgar Varèse, qui venait en surveiller l'avancement des travaux. C'est aussi l'occasion d'un triptyque intérieur, qui respecte la symétrie de l'ouvrage, ses deux piliers de métal argenté, son double pont d'où l'on peut jouir de vues somptueuses sur la skyline, le tout jeté sur un fleuve parfois gelé en hiver. C'est enfin un hommage à l'intuition prophétique de Varèse, dont la citation ci-dessus décrit très précisément les types d'harmonies développés quarante ans plus tard par les techniques dites 'spectrales' - sans que lui-même n'ait pu mettre ces idées en application. Promenade 3 Au ralenti, et tuilée avec: Hyperlinks Où des connexions s'établissent subitement entre divers moments entendus précédemment - établissement de 'liens' inattendus entre textures les plus opposées. Promenade 4 Rappel de la promenade 1, puis retour à Central Park, qui maintenant s'enfonce dans la nuit - dernier chant de la grive à dos olive... Tristan Murail Programme de l'EIC, Concert à la Cité de la Musique / contemporain / Répertoire / 22 Instruments
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Fanfare Mi-Chi-Bi-Ki (YAGISAWA SATOSHI)
Concert band
[Score]
-
Intermediate/advanced
De Haske Publications
Par YAGISAWA SATOSHI. Chaque année, la ville de Yokohama célèbre une fête pa...
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Par YAGISAWA SATOSHI. Chaque année, la ville de Yokohama célèbre une fête particulière, le “Yokohama Kaikosai”, la date anniversaire de l’ouverture du port maritime qui permit le développement de la ville. L’Orchestre d’Harmonie de Yokohama (Yokohama Wind Symphony) fut spécialement créé en 2006, pour participer au Concert de Bienfaisance « Autour du Brass Band » organisé par l’Association The Brass Cruise. L’objectif de cette formation ad hoc est d’encourager et de soutenir l’activité culturelle de la population et de promouvoir la musique japonaise pour formations à vent ayant ses racines à Yokohama. Le Yokohama Wind Symphony est devenu un élément essentiel du festival. Il est constitué de plus de200 musiciens tous recrutés publiquement. En 2007, le compositeur Satoshi Yagisawa répondit favorablement à l’invitation de l’orchestre dont il fut le chef invité. À cet effet, le comité de l’Association The Brass Cruise lui commanda une oeuvre de circonstance. Satoshi Yagisawa composa une fanfare brillante qu’il intitula Fanfare Mi-Chi-Bi-Ki (d’après le nom d’une statue en bronze de Yokohama). L’oeuvre fut donnée en création mondiale en ouverture du concert 2007. À l’instar de la statue qui l’a inspirée, la fanfare exprime le désir d’un monde meilleur, un monde de paix. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie
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Psalm 121 (SCARLATTI DOMENICO)
Solistes SA, Choeur SATB et Basse Continue
[Sheet music]
Carus Verlag
Laetatus sum. Par SCARLATTI DOMENICO. Laetatus Sum/ Répertoire / Solistes SA, C...
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Laetatus sum. Par SCARLATTI DOMENICO. Laetatus Sum/ Répertoire / Solistes SA, Choeur SATB et Basse Continue
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HARRY POTTER INSTRUMENTAL SOLOS FOR STRINGS - VIOLON
Violin (band part)
[Sheet music + Audio access]
Alfred Publishing
This book is part of Alfred's Harry Potter Instrumental Solos series arranged fo...
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This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Violin, Viola, and Cello. All string instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. Each book includes piano accompaniments, a removable string part, and a fully orchestrated accompaniment recording, which features each song as a live performance demo track followed by a play-along track. Also included is software that allows the player to adjust the tempo of the audio. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes
Due to level considerations regarding keys and instrument ranges, the string instrument arrangements are not compatible with the wind instrument arrangements in this series. This title is available in SmartMusic.
Double Trouble (from Harry Potter and the Prisoner of Azkaban )
John Williams (composer)
Hogwarts' March (from Harry Potter and the Goblet of Fire )
Patrick Doyle (composer)
Harry in Winter (from Harry Potter and the Goblet of Fire )
Patrick Doyle (composer)
Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets )
John Williams (composer)
Hogwarts' Hymn (from Harry Potter and the Goblet of Fire )
Patrick Doyle (composer)
Fireworks (from Harry Potter and the Order of the Phoenix )
Nicholas Hooper (composer)
Wizard Wheezes (from Harry Potter and the Half-Blood Prince )
Nicholas Hooper (composer)
Obliviate (from Harry Potter and the Deathly Hallows, Part 1 )
Alexandre Desplat (composer)
Leaving Hogwarts
John T. Williams (composer)
Statues
Alexandre Desplat (composer)
Lily?s Theme (Main Theme from Harry Potter and the Deathly Hallows, Part 2 )
Alexandre Desplat (composer)
A Window to the Past (from Harry Potter and the Prisoner of Azkaban )
John Williams (composer)
Farewell to Dobby (from Harry Potter and the Deathly Hallows, Part 1 )
Alexandre Desplat (composer)
Harry's Wondrous World (from Harry Potter and the Sorcerer's Stone )
John Williams (composer)
Family Portrait (from Harry Potter and the Sorcerer's Stone )
John Williams (composer)
Hedwig's Theme (from Harry Potter and the Sorcerer's Stone ) / Partitions variété - pop - rock / Musique films - comédies musicales / / ALFRED PUBLISHING
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Klavier
Piano, Voice
Bosworth
To mark the band's 21st anniversary, Rammstein are releasing the luxurious songb...
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To mark the band's 21st anniversary, Rammstein are releasing the luxurious songbook Klavier with 13 arrangements for Piano and Voice, including a CD with 13 Piano recordings - all in an elegant hardcover edition.The music of Rammstein has been described as like listening to the construction of monumental buildings in the desert. If that is the case, such an imposing structure has been worked on over 21 years already. With album and DVD sales in the upper seven figures, Rammstein's output is at once controversial, creative and always exciting. This and their headline shows at the biggest festivals and sold-out arenas throughout the world have put this band at the top of a great pyramid of rock music titans in just two decades. They owe their status as an unmatched performing band to their unique art which is dramatic, emotional and a bleak and spectacular fairytale, always courting controversy. Such a fascinating band means this lavish songbook is fitting. Featuring 80 pages, a hardcover design with open-thread stitching and hot foil stamping of the 'Rammstein XXI' logo, this book is perfect for fans of Rammstein who want to learn the wonderful music for Piano and Voice. / Voix Et Piano
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Bob Marley: Complete Chord Songbook
Lyrics and Chords
[Sheet music]
-
Easy
Amsco Wise Publications
Bob Marley is perhaps the most important voice of Reggae music, crossing-over an...
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Bob Marley is perhaps the most important voice of Reggae music, crossing-over and achieving an iconic status in the mainstream pop industry. His songs of protest, freedom, liberation, love and equality have become some of the best-loved songs of the era, poignantly evoking the struggles, hardships and injustices of a troubled time. This special addition to the Chord Songbook series presents all 124 Bob Marley songs as featured on such albums as African Herbsman and Catch A Fire, right up to Uprising and Confrontation, including extra songs from later compilations. All the songs have been arranged with a full chord guide and complete lyrics.
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Rammstein - Klavier
Piano, Voice
[Sheet music + CD]
Bosworth
To mark the band’s 21st anniversary, Rammstein are releasing the luxurious son...
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To mark the band’s 21st anniversary, Rammstein are releasing the luxurious songbook Klavier with 13 arrangements for Piano and Voice, including a CD with 13 Piano recordings – all in an elegant hardcover edition. The music of Rammstein has been described as like listening to the construction of monumental buildings in the desert. If that is the case, such an imposing structure has been worked on over 21 years already. With album and DVD sales in the upper seven figures, Rammstein's output is at once controversial, creative and always exciting. This and their headline shows at the biggest festivals and sold-out arenas throughout the world have put this band at the top of a great pyramid of rock music titans in just two decades. They owe their status as an unmatched performing band to their unique art which is dramatic, emotional and a bleak and spectacular fairytale, always courting controversy. Such a fascinating band means this lavish songbook is fitting. Featuring 80 pages, a hardcover design with open-thread stitching and hot foil stamping of the 'Rammstein XXI' logo, this book is perfect for fans of Rammstein who want to learn the wonderful music for Piano and Voice. Donaukinder Ein Lied Engel Feuer Und Wasser Frühling In Paris Klavier Mein Herz Brennt Nebel Ohne Dich Roter Sand Seemann Sonne Wilder Wein
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Little Black Songbook 3 Chord Songs
Lyrics and Chords
-
Easy
Amsco Wise Publications
Une sélection de 80 chansons incontournables de la guitare folk et pop/rock de ...
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Une sélection de 80 chansons incontournables de la guitare folk et pop/rock de tous les temps. Toutes réunies dans ce recueil de poche car elles ne comportent que 3 accords différents, simples chacunes. Textes intégraux et diagrammes d'accords guitare. Titres : (Your Love Keeps On Lifting Me) Higher And Higher [Wilson, Jackie] - A Boy Named Sue [Cash, Johnny] - A Girl Like You [Collins, Edwyn] - Achy Breaky Heart [Cyrus, Billy Ray] - Ain't Too Proud To Beg [Temptations, The] - Animal [Snow, Mike] - Atmosphere [Joy Division] - Best Friend [The Drums] - Best Song Ever [One Direction] - Blue Jeans [Del Ray, Lana] - Breathless [Nick Cave and The Bad Seeds] - Brimful Of Asha [Cornershop] - Calling Elvis [Dire Straits] - Cannonball [Breeders, The] - Can't You Hear My Heartbeat [Faithfull, Marianne] - Caroline [Status Quo] - Common People [Pulp] - Coz I Luv You [Slade] - Crash [Primitives, The] - Dancing With Myself [Idol, Billy] - Daydreamer [Adele] - Desire [U2] - Dog Days Are Over [Florence and The Machine] - Feel Good Hit Of Summer[Queens Of The Stone Age] - Geraldine [Glasvegas] - Get It On [T.Rex] - Gloria [Them] - Happy Jack [Who, The] - Here Comes The Night [Bowie, David] - Hot Hot Hot [Arrow] - I Am A Man Of Constant Sorrow [Soggy Bottom Boys] - I Love Rock 'n' Roll [Joan Jett and The Blackhearts] - I Love The Sound Of Breaking Glass [Lowe, Nick] - If I Were A Carpenter [Darin, Bobby] - In The Air Tonight [Collins, Phil] - Jolene [Parton, Dolly] - Just My Imagination [Temptations, The] - LDN [Allen, Lily] - Lily The Pink [Scaffold] - Little Star [Nordenstam, Stina] - Long Tall Sally [Little Richard] - Love Me Do [Beatles, The] - Lumberjack Song [Monty Python] - Mustang Sally [Pickett, Wilson] - No Depression [Uncle Tupelo] - Not Fade Away [Holly, Buddy] - On The Road Again [Canned Heat] - One Bourbon, One Scotch, One Beer [Hooker, John Lee] - One In Ten [UB40] - Paper Planes [M.I.A] - Pretty Flamingo [Manfred Mann] - Real Wild Child (Wild One) [Iggy Pop] - Rhiannon [Fleetwood Mac] - Rise [Gabrielle] - Rivers Of Babylon [Boney M] - Roscoe [Midlake] - Season Of The Witch [Donovan] - Sex On Fire [Kings Of Lean] - Shakin' All Over [Johnny Kidd and The Pirates] - She Moved Through The Fair [Traditional] - She Said [Plan B] - Shelter From The Storm [Dylan, Bob] - Sit Down [James] - Summertime Blues [Cochran, Eddie] - Surfin' USA [Beach Boys, The] - That's Not My Name [Ting Tings, The] - The First Cut Is The Deepest [Stewart, Rod] - The King Of Carrot Flowers (Part I) [Neutral Milk Hotel] - These Boots Are Made For Walking [Sinatra, Nancy] - This Ole House [Shakin' Stevens] - Three Little Birds [Marley, Bob] - To Ohio [Low Anthem, The] - Two Tickets To Paradise [Money, Eddie] - Underwater Love [Smoke City] - Way Down The Hole [Waits, Tom] - Werewolves Of London [Zevon, Warren] - Whole Lotta Shakin' Goin' On [Lewis, Jerry Lee] - Wire To Wire [Razorlight] - Woke Up This Morning [Alabama] - Yakety Yak [Coasters, The] / Paroles Et Accords
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ROCK STORIES TOME 2
Français
A travers 200 nouvelles histoires inédites, Laurent Charliot vous propose de d...
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A travers 200 nouvelles histoires inédites, Laurent Charliot vous propose de découvrir dans ce deuxième tome de Rock Stories de nouveaux faits divers, drames, rumeurs ou petits potins qui ont forgé la légende du rock. Un livre où l?on découvre que, lors de sa première audition, Elvis Presley s?était vu conseillé de rester chauffeur plutôt que d?essayer d?être chanteur. Que la première chanson de l?histoire du rock reviendrait à Ike Turner. Que les Beatles étaient à deux doigts de se reformer le 14 avril 1976. Que Dave Grohl avait un slip de Brian May des Queen en déco dans son salon et que son groupe les Foo Fighters avait mis en alerte une station d?analyse sismique à l?occasion de leur concert néo-zélandais. Que le leader des Stones Mick Jagger est passé par l?asile psychiatrique. Qu?une chanson de Bob Dylan aujourd?hui primée « Meilleure chanson de tous les temps » a bien failli ne jamais sortir. Que les Beach Boys ont chanté un titre écrit pour eux par le tueur psychopathe Charles Manson. Que Gainsbourg a dit du Vatican qu?il était « la meilleure agence de communication du monde ». On y apprend également pourquoi Jimi Hendrix avait mis le feu à sa guitare au festival de Monterey en 1967. Ou qu?un Kangourou s?était enfui avec les clés du car des Status Quo lors de leur tournée en Australie. Que Led Zeppelin a été contraint de faire un concert sous le nom de The Nobs au Danemark. Que les Kraftwerk ont failli produire un album de Michael Jackson. Que les Who ont tout pompé sur les One Direction. Que les membres de Nirvana ont été virés de leur propre release party et que Kurt Cobain est toujours vivant. Si ! Si ! Que les Rage Against The Machine ont fait fermer la Bourse de New York. Que des titres de Cali se sont retrouvés par erreur sur le disque des Wampas. Que Neil Young a racheté à ses frais 200 000 exemplaires de son propre disque. Ou encore que Amy Winehouse testait ses nouveaux morceaux auprès des clients de son père chauffeur de taxi. 200 NOUVELLES HISTOIRES TOTALEMENT AHURISSANTES, BIGREMENT DISTRAYANTES ET? INCROYABLEMENT ROCK !Caractéristiques techniques : - Format : 15 x 21,5 cm- Couverture souple- 360 pages intérieures / Historique / Charliot Laurent
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Really Easy Piano Vol.2
Easy Piano
-
Beginner
Amsco Wise Publications
With 21 more fantastic One Direction songs arranged for Really Easy Piano, Volum...
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With 21 more fantastic One Direction songs arranged for Really Easy Piano, Volume 2 takes songs from their massive third and fourth albums, Midnight Memories and Four, respectively. With song notes and useful performance hints, this book is the best way to learn some of 1D's best songs.As One Direction continue their meteoric rise to fame, becoming even more of a household name, their third and fourth albums cemented their status as pop music's most unstoppable force. With two album's worth of fantastically fun and catchy tunes, this One Direction sheet music will keep you and your fingers busy learning how to play some of their biggest hits ever like Best Song Ever, Fireproof, Midnight Memories and Story Of My Life.With the release of Midnight Memories and Four, One Direction took something of a new direction with their sound. A more rock-oriented approach produced songs that wouldn't sound out of place in a huge stadium, while, as the boys have grown up, their lyrical themes have also matured, producing more personal and heartfelt songs. With this second volume of the bestselling Really Easy Piano: One Direction sheet music, you can perfectly learn 21 of their greatest hits, from the rockingly anthemic Little Black Dress to the more intimate and personal Night Changes. Arranged for Easy Piano, these songs are simplified, taking only the most important parts of each song like those catchy choruses and brilliant chords, so that pianists of all abilities can play them. Not only this, but fascinating background information for each song is included, as well as some really useful performance hints and tips, helping you to nail every song straight away. As well as songs from their third and fourth albums, this One Direction songbook features Heroes, the X Factor finalist's charity song, and Forever Young, the song that would have been released had they won the competition.If you loved the first One Direction songbook, or if you just adore the five lads from 1D, check out this Really Easy Piano sheet music, teaching you the band's best tunes in no time at all. / Piano
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Horn Concerto [No. 2] In Eb Major K. 417 (MOZART WOLFGANG AMADEUS)
Conducteur
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozar...
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Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Conducteur
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Strygekvartetter / String Quartets (LANGGAARD RUED)
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Dani...
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Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has, however, only acquired this status many years after his death. Langgaard was an eminent musical talent, but with his romantic and symbolist view of art, he ended up as an outsider in an era when the trend-setting Musical life of the time was dominated by Carl Nielsen?s sober and modern attitude. / Date parution : 2022-04-01/ Recueil / Quatuor à Cordes
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Horn Concerto [No. 2] In Eb Major K. 417 Ensemble A Vent (MOZART WOLFGANG AMADEUS)
Wind ensemble
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozar...
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Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Ensemble à Vent
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American Pie (MC LEAN DON)
Brass ensemble
[Score and Parts]
-
Intermediate
De Haske Publications
Arr. Ron Sebregts. Par MC LEAN DON. Don McLean’s success is largely due to the...
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Arr. Ron Sebregts. Par MC LEAN DON. Don McLean’s success is largely due to the remarkable song American Pie released in 1971. In 2000 American Pie topped the charts again, this time recorded by Madonna when her version achieved number 1 status almost everywhere in the world. / Niveau : 3 / Pop and rock / Recueil / Brass Band
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American Pie (MC LEAN DON)
Marching band
[Score and Parts]
-
Intermediate
De Haske Publications
Arr. Ron Sebregts. Par MC LEAN DON. Don McLean’s success is largely due to the...
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Arr. Ron Sebregts. Par MC LEAN DON. Don McLean’s success is largely due to the remarkable song American Pie released in 1971. In 2000 American Pie topped the charts again, this time recorded by Madonna when her version achieved number 1 status almost everywhere in the world. / Niveau : 3 / Pop and rock / Recueil / Fanfare
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The Library Of Modern Piano Music
Piano solo
[Sheet music]
-
Intermediate/advanced
Amsco Wise Publications
Some of the most beautiful and diverse pieces by some of the finest composers in...
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Some of the most beautiful and diverse pieces by some of the finest composers in recent history are included in this enormous Library Of Modern Piano Music. Such a comprehensive collection of brilliant works for solo Piano belies the rich quality and sheer amount of music being composed that just begs to be learned. Over 100 fantastic pieces are guaranteed to keep you learning from this truly classic selection until the next century!The Library Of Modern Piano Music boasts an unprecedented volume and variety of amazing compositions, some well-known, some more unfamiliar, some composed as standalone pieces and others as film scores, but the one thing uniting them all is their impeccable musicality and how enjoyable they are to play. Featuring the biggest names in contemporary classical music, composers like Einaudi lend their wonderful compositions (Primavera, Una Mattina), and all-round geniuses like Philip Glass are represented with a generous selection of their finest work (Metamorphosis Five, Opening Piece From Glassworks and more).The varied progression of Piano music through the 20th century to the present day has given rise to an exceptionally vast and diverse repertoire. The unbelievable depth of the composers included here means you'll rarely be stuck for something to play. Kaija Saariaho, Stravinsky, Francis Poulenc, Dustin O'Halloran, Nico Muhly and Witold Lutoslawski are genuinely just a fraction of the composers featured in The Library Of Modern Piano Music. Some great standalone compositions like Samuel Barber's incomparable Adagio For Strings sit aside excerpts from longer works like a portion of Edward Gregson's An Album For My Friends or Joby Talbot's Once Around The Sun.If you happen to be a fan of film and television scores, a taste of Michael Nyman's distinguished score for The Piano is included, a section from Crouching Tiger, Hidden Dragon, as well as parts of Richard Rodney Bennett's score for the now rarely-seen but superb 1980s miniseries of Tender Is The Night. Many established composers are included in this collection who are widely-recognised as masters. However, The Library Of Modern Piano Music also includes many young virtuosos who have not yet achieved that status but are certainly well on their way.These original compositions span standalone pieces, albums, suites and arrangements from diverse talents, making The Library Of Modern Piano Music a collection that is certain to be seen by future generations as a perfect collection of the best of contemporary classical music. / Piano
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Still Life
Quatuor A Vent
Schott
The title Still Life, whilst being a term borrowed from painting, refers to the ...
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The title Still Life, whilst being a term borrowed from painting, refers to the two temporal states of the piece, status and motion, which are juxtaposed and superimposed throughout.The static sections often lead into choral-like music, one of the references to Bach in the piece, which was commissioned by the Harper Ensemble for the 250 th anniversary of his death. The other principle reference comes in the trumpet's opening figures which relate to material found in one of Bach's harpsichord concertos.Joe Duddell / Quatuor A Vent
37.80 EUR - Sold by LMI-partitions
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Best Of (ADELE)
Piano, Vocal and Guitar
[Sheet music]
Amsco Wise Publications
Par ADELE. This Best Of Adele songbook features 21 of the British singer's bigge...
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Par ADELE. This Best Of Adele songbook features 21 of the British singer's biggest songs so far, arranged for Piano, Voice and Guitar with full lyrics, chord symbols and Guitar chord boxes. Including the greatest hits from all three of her albums, as well as the chart-topping Hello, plus a brief introduction to each album, this is the definitive Adele sheet music songbook. Since her humble beginnings at the BRIT School in London, Adele's rise to stardom has been nothing short of meteoric. Her début release '19' brought her instant success with singles like Chasing Pavements, Hometown Glory and Make You Feel My Love. But it was '21' that propelled her to superstardom, with Set Fire To The Rain, Rolling In The Deep and that performance of Someone Like You, cementing her status as pop singer perfection. After taking a break from music, Adele's third album '25' was finally released in 2015 after much anticipation and speculation. Fans and critics alike hailed its mature themes and Adele's well-known vocal abilities, while sales of the album broke records across the globe. Five songs from this smash-hit album are included in this Best Of collection of Adele sheet music, such as Hello, When We Were Young, Remedy, All I Ask and Water Under The Bridge. Arranged for Piano, Vocal and Guitar, this songbook will let you learn to play Adele with full lyrics, chord symbols and Guitar chord boxes. Not only this, the beginning of the book features a brief introduction to each album, making The Best Of Adele the perfect songbook for Adele fans./ Recueil / Piano, Chant et Guitare
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250 Tubes Variete Internationale - Paroles, Accords
Français
Lyrics and Chords
[Textbook]
Volonte and Co
(Out Here) On My Own (Nikka Costa) - 1973 (James Blunt) - 7 Seconds (Youssou ‘...
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(Out Here) On My Own (Nikka Costa) - 1973 (James Blunt) - 7 Seconds (Youssou ‘N Dour) - ‘74 ‘75 (The Connells) - A Groovy Kind Of Love (Phil Collins) - A Horse With No Name (America) - A Kind Of Magic (Queen) - A New Flame (Simply Red) - A Woman's Worth (Alicia Keys) - About A Girl (Nirvana) - Again (Lenny Kravitz) - Against All Odds (Take A Look At Me Now) (Phil Collins) - Ain't Misbehavin' (Louis Armstrong) - All Apologies (Nirvana) - All Night Long (Lionel Richie) - All That You Have Is Your Soul (Tracy Chapman) - Always On My Mind (Michael Buble ) - Amazing (George Michael) - Angels (Robbie Williams) - Apache (The Shadows) - Aquarius (The 5th Dimension) - Arthur's Theme (Best That You Can Do) (Christopher Cross) - As Time Goes By (Herman Hupfeld) - Babooshka (Kate Bush) - Baby Can I Hold You (Tracy Chapman) - Back For Good (Take That) - Back To Black (Amy Winehouse) - Barbara Ann (Beach Boys) - Basin Street Blues (Ella Fitzgerald ) - Be Free With Your Love (Spandau Ballet) - Because You Loved Me (Céline Dion) - Been A Son (Nirvana) - Blue Moon - Blue Suede Shoes (Elvis Presley) - Bohemian Rhapsody (Queen) - Breakthru (Queen) - Can't Take My Eyes Off You (Gloria Gaynor ) - Caravan (From Sophisticated Ladies) - Careless Whisper ( (Wham ! / George Michael) - Celebration (Kool & The Gang) - Chattanooga Choo Choo (Glenn Miller) - Cheek To Cheek - Come As You Are (Nirvana) - Come Away With Me (Norah Jones) - Come To My Head (Simply Red) - Communication (Spandau Ballet) - Corazón Espinado (Santana) - Cosmic Girl (Jamiroquai) - Crazy For You (Madonna) - Crazy Little Thing Called Love (Queen) - Crossroads (Tracy Chapman) - Dancing In The Dark (Bruce Springsteen) - Dancing In The Street (Van Halen) - Deep Purple (Bing Crosby) - Delilah (Tom Jones / Paul Anka) - Do You Know Where You Are Going To? (Diana Ross) - Don't Leave Me This Way (Thelma Houston) - Don't Let Me Be Misunderstood (Santa Esmeralda) - Down Under (Men At Work) - Dream A Little Dream Of Me (Louis Armstrong / The Mamas And The Papas) - Easy (Lionel Richie) - Ebb Tide (Frank Sinatra) - Ebony And Ivory (Paul Mccartney Feat. Stevie Wonder) - Endless Love (Lionel Richie ) - Enola Gay (Orchestral Manouvres In The Dark) - Enough (Simply Red) - Everybody Loves Somebody - Everybody Wants To Rule The World (Tears For Fears) - Everytime You Go Away (Paul Young) - Fallin' (Alicia Keys) - Fame (Irene Cara) - Fast Car (Tracy Chapman) - Feel (Robbie Williams) - Fight For Ourselves (Spandau Ballet) - Flash (Queen) - Flashdance... What A Feeling (Irene Cara) - For Once In My Life (Michael Bublé) - Friends Will Be Friends (Queen) - Genie In A Bottle (Cristina Aguilera) - Get Down On It (Kool & The Gang) - Ghostbusters (Ray Parker Jr.) - Give Me One Reason (Tracy Chapman) - Gold (Spandau Ballet) - Goldfinger (Shirley Bassey) - Goodbye My Lover (James Blunt) - Goodbye Philadelphia (Peter Cincotti) - Goodnight Moon (Shivaree) - Goodnight Tonight (Paul McCartney ) - Grease (from Grease) - Happy Together (The Turtles) - Harden My Heart (Quarterflash) - Hello (Lionel Richie) - High (James Blunt) - Hips Don't Lie (Shakira) - Holding Back The Years (Simply Red) - Hot Stuff (Donna Summer) - Hotel California (Eagles) - How Deep Is The Ocean? (Irving Berlin) - How Many Lies? (Spandau Ballet) - How Sweet It Is (To Be Loved By You) (Michael Bublé) - I Don't Want To Miss A Thing (Aerosmith) - I Heard It Through The Grapevine (Creedence Clearwater Revival / Wilson Pickett / Marvin Gaye) - I Just Called To Say I Love You (Stevie Wonder) - I Wan't Feel Bad (Simply Red) - I Want It All (Queen) - I Want To Break Free (Queen) - I Want You To Need Me (Celine Dion) - I Will Always Love You (Whitney Houston / Dolly Parton) - If I Could Turn Back Time (Cher) - I'll Be There For You (The Rembrandts) - I'll Fly For You (Spandau Ballet) - I'll Stand By You (The Pretenders) - I'm In The Mood For Love - In The Midnight Hour (The Midnight Hour) (Wilson Pickett) - Infidelity (Simply Red) - Innuendo (Queen) - Is This Love (Whitesnake) - Isn't She Lovely (Stevie Wonder) - It Must Have Been Love (Roxette) - It's A Hard Life (Queen) - Jericho (Simply Red) - Karma Chameleon (Culture Club) - Killer Queen (Queen) - La Bamba (Ritchie Valens) - Lady Marmalade (Patty Labelle / Christina Aguilera) - Lambada (Llorando Se Fue) (Kaoma) - Lara's Theme (from Doctor Zhivago) Somewhere I Love - Laura - Let The Sunshine In - Lifeline (Spandau Ballet) - Lift Me Up (Moby) - Lithium (Nirvana) - Living On My Own (Freddie Mercury) - Look At You Now (Simply Red) - Love Don't Cost A Thing (Jennifer Lopez) - Love Is A Many Splendored Thing) - Love Is In The Air (John Paul Young) - Lucky Man (The Verve) - Luka (Suzanne Vega) - Lullaby Of Birdland - Macarena (Los Del Rio) - Mad About You (Hooverphonic) - Made In Heaven (Queen) - Master Blaster (Jammin') (Stevie Wonder) - Mercy (Duffy) - Minnie The Moocher (Cab Calloway) - Money's Too Tight To Mention (Simply Red) - Moonlight Shadow (Mike Oldfield) - More Than This (Roxy Music) - Move On Out (Simply Red) - My Baby Just Cares For Me (Nina Simone) - My Love (Paul McCartney) - My Perfect Love (Simply Red) - My Sweet Lord (George Harrison) - Need Your Loving Tonight (Queen) - Never Can Say Goodbye (Gloria Gaynor) - Never Forget (Take That) - Night And Day (Cole Porter) - No Tengo Dinero (Los Umbrellos) - Notorious (Duran Duran) - Obsesion (Aventura) - On The Sunny Side Of The Street) - One Vision (Queen) - Only When You Leave (Spandau Ballet) - Out Of Time (Blur) - Over The Rainbow (from The Wizard Of Oz) (Judy Garland) - Oye Como Va (Santana ) - Part-Time Lover (Stevie Wonder) - Patience (Take That) - Please Don't Go (Double You) - Precious (Depeche Mode) - Put Your Head On My Shoulder (Paul Anka) - Puttin' On The Ritz - Radio Ga Ga (Queen) - Rain And Tears (The Aphrodite's Child) - Rehab (Amy Winehouse) - Relight My Fire (Dan Hurtman) - Round And Round (Spandau Ballet) - Runaway Train (Soul Asylum) - Running Up That Hill (Kate Bush) - Same Mistake (James Blunt) - Say It Once (Ultra) - Say You Say Me (Lionel Richie) - Say You'll Be There (Spice Girls) - September (Earth Wind & Fire) - She Caught The Katy And Left Me A Mule To Ride (The Blues Brothers) - Shout (Tears For Fears) - Singin' In The Rain (Gene Kelly) - Sitting Down Here (Lene Marlin) - Sleeping Satellite (Tasmin Archer) - Smells Like Teen Spirit (Nirvana) - Smoke Gets In Your Eyes (The Platters) - Smoke On The Water (Deep Purple) - Smooth (Santana) - Somebody To Love (Queen) - Someone To Watch Over Me (Nikka Costa) - Something Got Me Started (Simply Red) - Sonnet (The Verve) - Stardust (Hoagy Carmichael) - Stormy Weather (Frank Sinatra) - Summer Nights (from Grease) (Olivia Newton John & John Travolta) - Summertime (from Porgy and Bess) (George Gershwin) - Superstition (Stevie Wonder) - Sure (Take That) - Talkin' About A Revolution (Tracy Chapman) - That's The Way (I Like It) (KC & The Sunshine Band) - That's What Friends Are For (Dionne Warwick) - The Drugs Don't Work (The Verve) - The Final Countdown (Europe) - The Game Of Love (Santana Feat. Michelle Branch) - The Greatest Love Of All (Whitney Houston) - The House Of The Rising Sun (The Animals) - The Invisible Man (Queen) - The Miracle (Queen) - The Power Of Love (Céline Dion) - The Promise (Tracy Chapman) - The Right Thing (Simply Red) - The Shadow Of Your Smile (Shirley Bassey) - The Show Must Go On (Queen) - The Taste Of Your Tears (King) - The Way We Were (Barbra Streisand) - Theme From New York, New York (Liza Minelli / Frank Sinatra) - Think (Aretha Franklin) - Thinking About You (Norah Jones) - Through The Barricades (Spandau Ballet) - Tonight's The Night (Rod Stewart) - True (Spandau Ballet) - Turn It Up (Simply Red) - Un-Break My Heart (Tony Braxton) - Unchained Melody (Righthouse Brothers) - Under Pressure (Queen) - Unforgivable Sinner (Lene Marlin) - Viva Forever (Spice Girls) - Wake Me Up When September Ends (Green Day) - Walking On Sunshine (Katrina And The Waves) - We Are The Champions (Queen) - We Are The World (USA For Africa) - We Have All The Time In The World (Louis Armstrong) - We Will Rock You (Queen) - Whatever You Want (Status Quo) - When A Man Loves A Woman (Percy Sledge / Michael Bolton) - When You Say Nothing At All (Ronan Keating) - When You Walk In The Room (Rokes) - Who Wants To Live Forever (Queen) - Woman In Chains (Tears For Fears) - Wuthering Heights (Kate Bush) - You And I (Michael Bublé / Stevie Wonder) - You Are The Sunshine Of My Life (Stevie Wonder) - You're Beautiful (James Blunt) - You're Mirror (Simply Red)
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