SKU: CL.LDP-7019-01

This vocally inspired composition is masterfully arranged for concert band by Larry Daehn. Chorale-like melodies within Teleman's style combining the German Protestand Baroque with the lighter Italian and French style galant make for a beautiful and expressive work. Lovely!

SKU: LM.25154

ISBN 9790230951548.

ANONYME : Deux basses dances du XVIe siecle - The Sick Tune - ATTAIGNANT : Basse dance - Recoupe - Tourdion - ASKUE : A Jig - BACH J.C. : Danse - CUTTIN : The Squirrel's Toy - MOZART L. : Bourree - RAMEAU : Menuet - TELEMAN : Gavotte.

SKU: BA.BVK02189

SKU: M7.BP-2802

ISBN 9790015280207.

ERSTDRUCK · Der Text der vorliegenden Kantate ist vollständig erhalten geblieben - unsere Edition gibt ihn in heutiger Orthographie und Interpunktion mit einigen geringfügigen Straffungen wieder -, Telemanns Musik hingegen ist verschollen. Wir greifen daher auf die kompositorische Fassung Tomesinis - ein Kenner der damaligen Verhältnisse - zurück, die hier erstmals im Druck vorgelegt wird.

SKU: BR.CHB-4641-02

ISBN 9790004407301. 7.5 x 10.5 inches.

Work attributions have a way of maintaining themselves in the collective mind for a long time. Take the cantata Das ist je gewisslich wahr, for instance, which was listed in Johann Gottlob Immanuel Breitkopf's catalogue of musical prints and manuscripts as a work by J. S. Bach in 1761 and sent out into the world propagating this error. Up into the mid 19th century, copies of the score were made under Bach's name, and the work was also given a BWV number (141) after it was incorporated in the Complete Edition of the Bach-Gesellschaft. Experts ultimately raised doubts about Bach's authorship, grappled with it and finally uncovered its true composer, Georg PhilippTelemann. The evidence - contemporary copies of parts by Telemann's copyists and a reliable printing of the text which assigns the work to the Hamburg cantata cycle 1723 - leaves no room for doubt: this work is genuine Telemann!

SKU: BR.EB-7141

ISBN 9790004172957. 7.5 x 10.5 inches.

Work attributions have a way of maintaining themselves in the collective mind for a long time. Take the cantata Das ist je gewisslich wahr , for instance, which was listed in Johann Gottlob Immanuel Breitkopf's catalogue of musical prints and manuscripts as a work by J. S. Bach in 1761 and sent out into the world propagating this error. Up into the mid 19th century, copies of the score were made under Bach's name, and the work was also given a BWV number (141) after it was incorporated in the Complete Edition of the Bach-Gesellschaft. Experts ultimately raised doubts about Bach's authorship, grappled with it and finally uncovered its true composer, Georg PhilippTelemann. The evidence - contemporary copies of parts by Telemann's copyists and a reliable printing of the text which assigns the work to the Hamburg cantata cycle 1723 - leaves no room for doubt: this work is genuine Telemann!