SKU: PR.342401690
UPC: 680160055487. Text: William Blake; John Donne; Walt Whitman. William Blake, Walt Whitman, John Donne.
SKU: SU.91480305
Text: William Blake.
Soprano, Piano Duration: 12' Text: I.The Lamb (William Blake; II. A Pastoral Hymn (Hall, from Divine Hall, 1646); III. Hymn (Carey, 1651) Composed: 1976 Published by: Subito Music Publishing.
SKU: CF.CM8626
ISBN 9780825839528. UPC: 798408039523. 6.875 X 10.5 inches. Text: William Blake. William Blake.
SKU: HP.8204
ISBN 9780852498804.
The third collection of hymns by Alan Gaunt, bringing together 97 new texts written between November 1996 and February 2003. In addition, there are 22 translations from the Danish of N F S Grundtvig (1783-1872), and nine other translations, including six from the Welsh of William Williams (Pantycelyn). The Forward, by Professor Richard Watson of Durham University, places Gaunt's recent oeuvre in the context of his wide reading of other poets and Christian thinkers, and of the major themes and challenges of contemporary hymnody.
SKU: PR.342402020
ISBN 9781598064995. UPC: 680160616084. 8.5 x 11 inches. English. Text: William Shakespeare; Aurelius Prudentius Clemens; Aeschylus. Aurelius Clemens, William Shakespeare, Aeschylus. Texts from Aurelius Prudentius Clemens, Aeschylus, and William Shakespeare.
When Tim Sharp, Executive Director of the ACDA, offered Stucky the Brock Memorial Commission, it was decided that the text would commemorate the 50th anniversary of the assassination of John F. Kennedy, since the annual convention would take place in Dallas of that year. To that end, Stucky chose four different but pertinent texts to honor the occasion, although never referencing JFK by name. Take Him, Earth was premiered at the ACDA convention in March, 2013. Originally scored for chorus and chamber ensemble of nine instruments (available on a rental basis), Take Him, Earth is presented here in piano reduction. For advanced choirs. Duration: 13'.When Tim Sharp, Executive Director of the American Choral Directors Association, very kindlyoffered me the Raymond W. Brock Memorial Commission for 2013, he suggested that because thepremiere would take place at the national conference in Dallas in the 50th year since the assassinationof John F. Kennedy in that city, the text might refer in some way to that grim anniversary. Hesuggested, too, that I consider using a chamber ensemble or chamber orchestra to accompany thechorus.I took these suggestions to heart, but at the same time I wanted to write something universal enoughto be appropriate on other occasions, in other settings. Thus the score is dedicated to PresidentKennedy’s memory, but otherwise he is never referred to by name. Instead, I assembled a group oftexts that are associated with him in some way, but that also stand alone as a more general eulogy.As a refrain, there are a few lines from the early Christian burial hymn that begins “Take him,Earth, for cherishing†— lines that were earlier set to music by Herbert Howells in his classic motetcommissioned for Kennedy’s memorial service in 1963. The lines of Aeschylus “Drop, drop — inour sleep, upon the heart sorrow falls†from Agamemnon were quoted by Robert F. Kennedy uponthe death of Martin Luther King in April 1968. The celebrated “When he shall die, cut him out inlittle stars†from Act III of Shakespeare’s Romeo and Juliet was cited by RFK a few months after hisbrother’s murder.
SKU: OU.9780193529090
ISBN 9780193529090. 10 x 7 inches.
For SATB unaccompanied The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores cross-rhythms, chromatic harmony, and energetic dynamics in an ever-changing texture.
SKU: CF.CM9469
ISBN 9781491142776. UPC: 680160900275. 6.875 x 10.5 inches. Text: William Shakespeare. William Shakespeare.
The writing of David Ashley White demonstrates a varied approach to texture, mood, and voicing. His choral cycle, Mark the Music!, takes its title from Lorenzo's Admonition in The Merchant of Venice. With texts found in Shakespeare's plays The Merchant of Venice, As You Like It, The Tempest and Twelfth Night, his three movements are scored for mixed chorus. Directors are free to program one, two or three of the movements as dictated by the needs of the ensemble. There are also movements for soprano and alto (CM9425 III. Full Fathom Five), and for tenor and bass (CM9439 IV. O Mistress Mine), both with piano accompaniment.
SKU: HL.49006876
ISBN 9783795717995. German.
Die Chormusik hat in der europaischen Musikgeschichte die wohl ungebrochenste Tradition. Trotz ihrer verschiedenen Stile und zeitbedingten Erscheinungsformen ist sie wegen ihrer unmittelbaren Bindung an die menschliche Stimme die naturlichste aller Kunste geblieben und erfreut sich heute dank der Wirkung und Bedeutung leistungsfahiger Chorensembles einer neuen Wertschatzung in unserer Gesellschaft. Damit ist auch ein neues Bedurfnis fur das Verstehen ihrer Zusammenhange unter ganz unterschiedlichen Gesichtspunkten entstanden.Chormusik und Analyse beschaftigt sich erstmal in 18 Beitragen namhafter Musikwissenschaftler und des Herausgebers mit der Formanalyse und der Interpretation mehrstimmiger a-cappella-Vokalmusik von der ars antiqua durch alle Stilepochen bis zur Gegenwart. Dabei zeigt sich, dass die Chormusik kein Nebenschauplatz der Musikgeschichte ist und war, sondern durch ganze Jahrhunderte ihr eigentliches Zentrum bildete. Die geistigen Dimensionen der einzelnen Beitrage, die Vielfalt der Gesichtspunkte und stilistische Breite der behandelten Literatur machen diese Analysensammlung zu einem hochst informativen Buch, das sich Chorleitern und Studenten, Komponisten, Wissenschaftlern und allen denen empfiehlt, die in und mit der Chormusik leben.
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