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| Charles Villiers
Stanford: Watts' Cradle
Song: Mixed Choir: Vocal
Score [Vocal Score]
Oxford University Press
This gentle carol sets the text of Isaac Watts' popular Cradle Song to the music...(+)
This gentle carol sets the text of Isaac Watts' popular Cradle Song to the music of Charles Villiers Stanford's lullaby Golden slumbers kiss your eyes from his Six Songs (op. 19) written in 1882.In Moore's arrangement the graceful lilting melody is enhanced by sensitive choral harmonies that explore a variety of textures.
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| Robert H. Young: Out of
the Deep I Have Called
unto Thee: Mixed Choir:
Vocal [Vocal Score]
Gentry Publications
Combining Psalm 130 and 139 along with a text by Isaac Watts teacher and compo...(+)
Combining Psalm 130 and 139 along with a text by Isaac Watts teacher and composer Robert H. Young gives us another of his a cappella treats. His contemporary madrigal style that incorporates a harmonic romanticism is bestparalleled with a fine dessert. Rich in texture his writing is so well-crafted church choirs enjoy singing his work as do fine college ensembles.
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| Charles Villiers
Stanford: Watts' Cradle
Song: Mixed Choir: Vocal
Score [Vocal Score]
Oxford University Press
This gentle carol sets the text of Isaac Watts' popular Cradle Song to the music...(+)
This gentle carol sets the text of Isaac Watts' popular Cradle Song to the music of Charles Villiers Stanford's lullaby Golden slumbers kiss your eyes from his Six Songs (op. 19) written in 1882. Each of the four verses presents the melody in a different form: the arrangement opens with a section for solo or tutti tenors before the choral parts present delicate harmonies and the final verse introduces an elegant descant.
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| James Whitbourn: Give Us
The Wings Of Faith: SATB:
Vocal Score
Choral SATB
SATB, Organ [Vocal Score]
Chester
Work for SATB Choir and Organ commissioned by the BBC in 2003. Text by Isaac Wat...(+)
Work for SATB Choir and Organ commissioned by the BBC in 2003. Text by Isaac Watts.
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| Gabriel Jackson: Hush! My
Dear: SATB: Vocal Score
Choral SATB [Vocal Score]
Oxford University Press
Hush! My Dear by Gabriel Jackson for SATB accompanied or unaccompanied.Offprinte...(+)
Hush! My Dear by Gabriel Jackson for SATB accompanied or unaccompanied.Offprinted from Carols for Choirs 5 this exquisite setting of a familiar text by Isaac Watts has flexible scoring with choirs encouraged to explore different options for each of the four verses. The music is gentle flowing and peaceful perfectly reflecting the nativity scene the poet so vividly depicts.
Pre-shipment lead time: In Stock |
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| David Rasbach: Hush My
Dear Lie Still And
Slumber: Women's Choir:
Vocal Score [Vocal Score]
Hinshaw Music Inc.
Familiar text by Isaac Watts with refrain by the composer written for treble vo...(+)
Familiar text by Isaac Watts with refrain by the composer written for treble voices (youth or adult)
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| David Schwoebel: From All
That Dwell Below The
Skies: SATB: Vocal Score
Choral SATB [Vocal Score]
Hinshaw Music Inc.
Are you looking for a festival anthem that includes a significant role for handb...(+)
Are you looking for a festival anthem that includes a significant role for handbells? This is it! Wonderful text by Isaac Watts and an inventive rhythm true to the works of our friend David Schwoebel.
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| Craig Curry Isaac Watts:
Alas and Did My Savior
Bleed?: SATB: Vocal Score
Choral SATB [Vocal Score]
Brookfield Press
A new tune and setting is given by the creative Craig Curry for this Isaac Watts...(+)
A new tune and setting is given by the creative Craig Curry for this Isaac Watts favorite. Craig's setting communicates the message with passion and depth creating a new musical perspective worthy of this classic text. Performance time approx. 3:00.
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| 4 Hymns
Conducteur De Poche
Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...(+)
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Conducteur De Poche
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| 4 Hymns
Partie De Violon Alto Solo
Boosey and Hawkes
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on...(+)
The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Partie De Violon Alto Solo
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Christmas Cradle Lullaby:
SATB: Vocal Score
Choral SATB [Vocal Score]
Brookfield Press
Featuring a rarely published Isaac Watts text with the Southern Harmony hymn tun...(+)
Featuring a rarely published Isaac Watts text with the Southern Harmony hymn tune RESTORATION Benjamin Harlan creates a moving lullaby to the Christ Child with Hush my babe lie still in slumber. This expressive minor-keyballad moves suddenly into the dance-like setting of Gentle Mary Laid Her Child for a joyful counter part to the plaintive opening.Available separately: SATB and SAB. Instrumental ePak includes Score and Parts for Flute Oboe Horn Trumpet 1 2 Trombone Tuba Percussion Violin 1 2 Viola Cello and Bass. ChoirTrax CD also available. Performance Time: Approx. 3:05
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| Isaac Watts William Henry
Monk: I Sing the Mighty
Power of God: 2-Part
Choir:
Choral 2-part
Shawnee Press
Uses: General Spring Concert Creation DayScripture: Jeremiah 10:12-13The text ...(+)
Uses: General Spring Concert Creation DayScripture: Jeremiah 10:12-13The text of this anthem was written by Issac Watts in 1715 and published in a collection Divine and Moral Songs forChildren. This carefully considered arrangement allows younger voices once again to discover the wonder of this special text.
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| Douglas E. Wagner:
Meditation at the Cross:
Mixed Choir a Cappella:
Vocal Score
Choral 2-part [Vocal Score]
Fred Bock Music Company
Using the beautiful “In Paradisum” from Fauré's “Requiem&rdqu...(+)
Using the beautiful “In Paradisum” from Fauré's “Requiem” as a foundation veteran arranger Douglas E. Wagner cleverly incorporates the hymntune “Hamburg” by Lowell Mason and the “When I Survey” text of Isaac Watts. Set in an accessible 2-Part Mixed voicing with an optional obbligato for Flute or Violin this is a great choice for Communion and the Lenten season.
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| Kevin A. Memley: Early
My God: Mixed Choir a
Cappella: Vocal Score
Choral SATB [Vocal Score]
Pavane Publishing
Commissioned by the Iowa City West Singers and performed at the North Central AC...(+)
Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014 this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is really a concert piece. The poem celebrates life and singing. Memley's writing is gentle and immensely satisfying. Advanced high school or college. Medium difficulty.
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