An incredible collection of 88 of the greatest jazz songs ever compiled into one volume. A Day In The Life Of A Fool (Manha De Carnaval) - A Foggy Day - A Sunday Kind Of Love - After You've Gone - Ain't Misbehavin' - All Of Me - All The Things You Are - Angel Eyes - Bernie's Tune - Birdland - Bluesette - Body And Soul - But Not For Me - Come Rain Or Come Shine - Cry Me A River - Do Nothin' Till You Hear From Me - Don't Get Around Much Anymore - Early Autumn - Fever - Fly Me To The Moon (In Other Words) - From This Moment On - Give Me The Simple Life - God Bless' The Child - Gone With The Wind - Guess Who I Saw Today - Here's That Rainy Day - Honeysuckle Rose - How High The Moon - How Insensitive (Insensatez) - I Loves You Porgy - I'll Remember April - I've Got You Under My Skin - In The Still Of The Night - Indiana (Back Home Again In Indiana) - It's All Right With Me - Just In Time - Just One Of Those Things - Let There Be Love - Limehouse Blues - Little Girl Blue - Long Ago (And Far Away) - Love For Sale - Lover, Come Back To Me - Lullaby Of The Leaves - Manhattan - Meditation (Meditacáo) - Mercy, Mercy, Mercy - Midnight Sun - Misty - Moonlight In Vermont - More Than You Know - My Funny Valentine - My Romance - My Ship - Nice Work If You Can Get It - Night And Day - Ol' Man River - Old Devil Moon - One Mint Julep - One Note Samba (Samba De Uma Nota So) - Polka Dots And Moonbeams - Quiet Nights Of Quiet Stars (Corcovado) - Satin Doll - Skylark - Slightly Out Of Tune (Desafinado) - Smoke Gets In Your Eyes - So Nice (Summer Samba) - Some Day My Prince Will Come - Speak Low - Spring Can Really Hang You Up The Most - Stompin' At The Savoy - Stormy Weather (Keeps Rainin' All The Time) - Summertime - Sweet Georgia Brown - That's Life - The Girl From Ipanema (Garota De Ipanema) - The Lady Is A Tramp - The Things We Did Last Summer - There's A Small Hotel - They Can't Take That Away From Me - Time After Time - Watch What Happens - What A Diff'rence A Day Made - What Is This Thing Called Love? - When I Fall In Love - Will You Still Be Mine - Willow Weep For Me - You'd Be So Nice To Come Home To Collection : Definitive Jazz collection

From Four Prayers from the High Holyday Liturgy-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Hayom Harat Olam is for SATB choir a cappella with Tenor soloist.

'Alan Ridout composed this Duo Concertant whilst he was still in Canterbury finishing the work on 6th October 1986. The first performance was given by myself and the pianist Vanessa Latarche at Herne Bay Music Club in 1987. Alan Ridout was born in West Wickham in Kent attending Haberdashers' Aske's School then in Hampstead. A precociously gifted musician by the age of 12 he had already written over one hundred works and passed his Grade VIII Piano with distinction. He then studied at the Guildhall School of Music and the Royal College of Music in London under Herbert Howells Gordon Jacob Peter Racine Fricker and Michael Tippett. Inhis autobiography 'A Composer's Life' (1995) he refers to his time at the Guildhall from the age of 15 as 'the happiest time of his life' since he had known from childhood that all he wanted to do was to compose. In 1958 he was awarded a Netherlands Government Scholarship to study with Henk Badings who introduced him to electronic music and a wide range of European music. Leaving the RCM aged 20 he became Director of Music of a preparatory school in Kent. Teaching was to remain important to him throughout his life. In 1964 he became Professor of Theory and Composition at the Royal College of Music and he also taught at the Universities of Birmingham Cambridge and London and at the Cathedral Choir School and King's School Canterbury where he lived in the precincts of the Cathedral. It was during my time as a schoolboy at King's Canterbury that I got to know Alan as a teacher and friend. He made a great impression on me both as a teacher of harmony and composition and as a composer from the musical 'outside world'. Whether in his beautiful works for choirs his instrumental works or the entertaining theatre pieces his music communicates with almost na ve simplicity and honesty. The Duo Concertant was one of a number of works I commissioned around this time as a companion

TITLE COMPOSER - A Friend Has Gone Away Michel Legrand (contributor); Sheldon Harnick (contributor) - A Piece of the Sky Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - After the Rain Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor) - Between Yesterday and Tomorrow Alan Bergman (contributor); Marilyn Bergman (contributor) - Can You Tell the Moment? Alan Bergman (contributor); Marilyn Bergman (contributor) - Faded Roses (from The Other Side of Midnight) Michel Legrand (contributor); Carol Connors (contributor) - Happy Michel Legrand (contributor); William Smokey Brown (contributor) - His Eyes, Her Eyes Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - How Do You Keep the Music Playing? (from Best Friends) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - I Was Born in Love with You Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor) - I Will Say Goodbye Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - I Will Wait for You Michel Legrand (contributor); Norman Gimbel (contributor) - If There Were No Dreams Michel Legrand (contributor); Neil Diamond (contributor) - Love Makes the Changes Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) Magic Alan Bergman (contributor); Marilyn Bergman (contributor) Martina contributor: Legrand, Michel (C); Shaper, Hal (A) Maybe Someone Dreamed Us Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Nobody Knows Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - On My Way to You Michel Legrand (composer); Alan Bergman (composer); Marilyn Bergman (composer) - No Matter What Happens - Once Upon a Summertime contributor: E Marnay; J Mercer; M Legrand; E Barclay - Once You've Been in Love Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - One at a Time Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Papa Can You Hear Me (from Yentl) Michel Legrand (composer); Alan Bergman (composer); Marilyn Bergman (composer) Pieces of Dreams (Little Boy Lost) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - Secret Places Alan Jay Lerner (contributor); Michel Legrand (contributor) - Something New in My Life Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) Such Sweet Sorrow Michel Legrand (contributor); Marshall Barer (contributor) - Summer Me, Winter Me Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Tell a Lie Michel Legrand (contributor); Marshall Barer (contributor) - That's Show Biz Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Easy Way Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Hands of Time Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Moon and I Alan Bergman (contributor); Marilyn Bergman (contributor) - The Summer Knows (Theme from The Summer of '42) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Way He Makes Me Feel (from Yentl) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Windmills of Your Mind (from The Thomas Crown Affair) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Years of My Youth Hal Shaper (contributor); Michel Legrand (contributor) - This Quiet Room Alan Bergman (contributor); Marilyn Bergman (contributor) - Watch What Happens Michel Legrand (contributor) - What Are You Doing the Rest of Your Life? Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - Where Is It Written? Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Will Someone Ever Look at Me That Way (from Yentl) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - You Must Believe in Spring Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor)

Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: All That's Known (from Awakening) * Chim Chim Cher-ee (Mary Poppins) * Corner of the Sky (Pippin) * Evenin' Star (110 in the Shade) * Giants in the Sky (Into the Woods) * Grow for Me (Little Shop of Horrors) * Heart (Damn Yankees) * I Can't Be Bothered Now (Crazy for You) * I Chose Right (Baby) * I Could Write a Book (Pal Joey) * I'd Rather Be Sailing (A New Brain) * I'm Calm (A Funny Thing Happened on the Way to the Forum) * I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * If I Only Had a Brain (The Wizard of Oz) * It's No Problem (Reprise) (High Fidelity) * Johanna (Johanna) * Ladies' Choice (Hairspray: the Movie) * Larther Than Life (My Favorite Year) * Left Behind (Spring Awakening) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Now I've Seen You (Honk!) * On the Street Where You LIve (May Fair Lady) * Singin' in the Rain (Singin' in the Rain) Slide Some Oil to Me (The Wiz) * Some Girls (Once on This Island) * The Streets of Dublin (A Man of No Importance) * They Can't Take That Away From Me (Crazy for You) * They Were You (Solo Version) (The Fantasticks) * What Do I Need with Love (Thoroughly Modern Millie) * What Would I Do If I Could Feel? (The Wiz) * When I'm Not Near the / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

12 Poems by Judith G. Wolf for Countertenor, Cello, and Orchestra. Par FUCHS KENNETH. This piece, along with three others, earned the composer a Grammy for the 2018 Best Classical Compendium. Composer's program note excerpt: Judith G. Wolf's expressive poems take us on a memorable journey through everyday life, the support of family and friends, the joy of love, and the pain of grief and loss. I was moved by her work to compose Poems of Life, an orchestral song cycle that sets to music twelve poems from Wolf's most recent volume of poetry, Otherwise. The poems weave a narrative of eternal love, the pain of loss through death, emotional transformation through grief, and spiritual enlightenment. CONTENTS: Prologue 1. Ethereal 2. Time Slips Away Movement 1 3. Gary Died 4. Just Like That 5. Watching for Death 6. Face Movement 2 7. Sisters 8. Forever Gone 9. The Retreat Movement 3 10. The Dream Epilogue 11. Conversation 12. Epiphany. Orchestra accompaniment rental item is available separately from the publisher./ Répertoire / Chant et Piano

Broadway Presents! Teens' Musical Theatre Anthology: Female Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: A Little Brains, a Little Talent (from Damn Yankees) * All for You (Seussical the Musical) * Always True to You in My Fashion * (Kiss Me Kate) * Astonishing (Little Women) * Bewitched, Bothered and Bewildered * (Pal Joey) * Boy Wanted (My One and Only * Don't Rain on My Parade (Funny Girl) * Gimme Gimme (Thoroughly Modern Millie) * Hold On (The Secret Garden) * Home (The Wiz) * How Are Things in Glocca Morra? (Finian's Rainbow) * I Had Myself a True Love (St. Louis Woman) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm Not At All in Love (The Pajama Game) * Is It Really Me? * (110 in the Shade) * Mama Who Bore Me (Spring Awakening) * Mamma Mia (Mamma Mia) * Much More (The Fantasticks) * The Music That Makes Me Dance (Funny Girl) * The New Girl in Town (Hairspray) * Part of Your World (The Little Mermaid) * Practically Perfect (Mary Poppins) * Princess (A Man of No Importance) * Raunchy (110 in the Shade) * Roxie (Chicago) * Show Me (My Fair Lady) * Shy (Once Upon a Mattress) * The Simple Joys of Maidenhood (Camelot) * Somewhere That's Green (Little Shop of Horrors) * Waiting for Life (Once on This Island) * Whispering (Spring Awakening) * Your Daddy's Son (Ragtime). / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Salzburg Mannheim Rome Paris Prague Vienna - Mozart lived and worked in some of Europe's most beautiful cities; this lavishly-illustrated biography brings his world vividly to life. Musical extracts from some of Mozart's best-loved works - in simple keyboard arrangement - complete the picture of this flamboyant personality.Composerâ??s World is a series of books illustrating the life and times of the world's greatest composers. With pictures words and music it places each composer's life and work within the circumstances that shaped their career.

The life of this passionate controversial genius is recreated here in a lavishly-illustrated biography. Included are extracts from some of Beethoven's most famous works - the 3rd 5th and 9th symphonies the 'Emperor' piano concerto and the 'moonlight' sonata - in the simple keyboard arrangements.Composer's World is a series of books illustrating the life and times of the world's greatest composers. With pictures words and music it places each composer's life and work within the circumstances that shaped their career.

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

To celebrate the 150th anniversary of the birth of one of Britainâ??s greatest composers Sir Edward Elgar renowned Elgar scholar J.P.E. Harper-Scott casts new and frequently surprising light on Elgar chronicling his rise to the forefront of early twentieth-century modernism in this concise and absorbing volume. Hailed by the June 2007 BBC Music Magazine as 'possibly the best first stop for learning about Elgar's life ' this fascinating and accessible history is suitable for both students and Elgar enthusiasts alike. J.P.E. Harper-Scott takes a combative swipe at many of the critical myths and prejudices that have attached themselves to the figure of Elgar revealingboth a surprisingly elusive personality and a deeper often darker message within his works. Questions answered include How did the son of a provincial piano tuner rise to international fame? Was the English countryside the principle inspiration for Elgar's music? Was this moustachioed red-blooded imperialist all that he seemed? And more!