A.P. Sara and Maybelle Carter collectively known as The Carter Family have been a driving force in the history of Country music recording since 1927. In this unique lesson Mike Seeger along with Jeanette Carter shows how even near-beginners can incorporate these characteristic sounds into their own playing. He carefully demonstrates the picking techniques and famous 'Thumb-lead' employed in songs such as Wildwood Flower. Discover the characteristic differences between the Hawaiian Country Blues and Flatpick styles that you can then incorporate to develop your own sound.The film also includes Jeanette Carter daughter of A.P. and Sara performing on theAutoharp and Guitar as well as offering vivid reminiscences of her family and their incredible and inspiring career.

Buster b. Jones est un maître des solos de fr fingerpicking. Il a combiné les styles et techniques de Chet Atkins, Jerry Reed et Merle Travis pour créer son propre ' fingerstyle '. Dans ce deuxième de volume ' Le hangar à bois pour le Stage ', solos de superbes 6 présente Buster. Chaque morceau a évolué de sa forme fondamentale à un arrangement complexe présentant des variations mélodiques, chromatique de rouleaux et de plans rythmiques qui feront évoluer le jeu de tous les étudiants de niveau intermédiaire à avancé. / Guitare

He first showed us the details of his refined technique in 'Live in Concert - Inside My Drums' (2004). Then he revealed double Bass Drum secrets (and much more) in 'The Infallible Reason of My Freak Drumming' (2010). It wasvoted third-best educational DVD of 2011 by the American magazine Modern Drummer widely considered the Drum bible of the world. Now it is time for Aquiles Priester considered one of the best heavy metal drummers in theworld for over a decade to reveal some more of his secrets on video. Over 100 secrets are revealed in this DVD.Aquiles Priester's Top 100 Drum Fills begins with a selection of fills he recorded for variousprojects he took part of such as Hangar Angra and Freakeys. Other fills were created during the actual recordings and have also been included. The final result includes 150 fills 100 of which were chosen for this DVD. Another 25were included as bonuses such as themes with Hangar Tony MacAlpine and Midas Fate.All of the fills were recorded at slower tempos than the original versions to facilitate the accompaniment and provide a clear presentationof Aquiles' technique. The video was recorded using Full HD and GoPro cameras-the last word in video technology.

70 well-known Songs Volkslieder, Traditionals, Oldies, Blues, Rock und Pop. Par . Finding songs for the diatonic Richter harmonica (blues harp) is not easy. Many songs can only be played in the upper octave; otherwise advanced techniques like bending have to be applied. Perry Letsch has looked through hundreds of German songs and examined them for their suitability. The results are songs suitable both for the beginner and the advanced player. Some songs have been provided with their own solos. Apart from popular folk songs the edition includes standards such as 'Abilene', 'Blue Bossa' or 'Dona, Dona'. Play-along CD with all titles included. / Niveau : facile - moyen / Date parution : 2022-03-03/ Recueil / Harmonica

Bass Lesson Goldmine Series-Expand your Bass knowledge with the Bass Lesson Goldmine series. Featuring 100 individual modules covering a giant array of topics each of these 100 Jazz Lessons includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremely useful tips scale diagrams chord grids photos and more to reinforce your learning experience plus access to online audio featuring performance demos of all the examples in the book.A huge variety of jazz Bass styles techniques and concepts are covered including: lessons for upright and electric Bass; warm-ups; string crossing; fretting hand independence; handsynchronicity; sound and projection; tenths; jazz waltz; pedal points; interval cycles; beat manipulation; various scales; tritone substitution; using a bow; and much more.

100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the violin and the rhythm section, as well as the rhythm section without the violin. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Clarinet. Facebook Twitter Pinterest Google Quantity

Catalog Number: ADG038 Author: Andrew D. Gordon Publisher: ADG Productions 100 Ultimate Jazz Riffs Ebinstruments such as tenor sax, clarinet, etc. by Andrew D. Gordon and Mark Vega consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard Blue Moon showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The CD is recorded with the saxophone playing the melody line along with a rhythm section of piano bass and drums. All the examples are recorded with the saxophone and the rhythm section, as well as the rhythm section with out the saxophone and with the more difficult examples the rhythm section is recorded at a slowed down tempo. An absolute must for musicians learning and playing various jazz styles. There are 4 different versions: a version for C instruments, Bb and Eb as well as a version for piano.

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Steve Baughman est un pionnier de la guitare celtique. Il a joué partout dans le monde et vient d'être reconnu comme l'un des 100 meilleurs guitaristes mondiaux. Ce DVD est une occasion unique de suivre un cours avec Steve Baughman. Vous étudierez les techniques nécessaires pour jouer les morceaux ci-dessous. En anglais. / Guitare / Dvd

Dance Music-The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.

Par BACH. Source of the cello suites composed c. 1720 in Cöthen is the manuscript of Anna Magdalena Bach which, according to certain scholars, is supposed to be in Bach's own hand. The editorial additions to the present volume by Ede Banda, professor at the Academy of Music of Budapest, founding member of the Tátrai String Quartet are based on the editor's experiences as performing artist and teacher for nearly fifty years and on the development of the cello technique which took place in the field of fingering and ligatures in the meantime. The trilingual preface of the practical edition provides the performer with innumerable useful and concrete advice concerning bowing sings, fingering, dynamics, chords, trills, tempo, character and phrasing./ Répertoire / Violoncelle