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1001 All-Time Hit Songs
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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George Onslow: String Quintet In C Minor Op. 38 The Bullet: String Quintet:
5TET/STR ENS::Quintet, String Ensemble
[Sheet music]
S J Music
This edition of Onslow's fifteenth String Quintet has the advantage of being eit...
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This edition of Onslow's fifteenth String Quintet has the advantage of being either a two Viola or a two Cello quintet as it is published with parts for two cellists or two violists. It is a major work with good parts for all players with the 1st Violin part having a particularly large numbers of fast semi quavers (sixteenths) in the outer movements.It is known as 'The Bullet' due to the circumstances of its composition: Onslow was boar hunting in the Auvergne when a theme occurred to him. He dismounted and sat on a nearby fallen tree trunk and wrote it down. A boar then burst from the bushes and his companions fired missing the boar and hitting Onslow.The quintet was completed on his recovery and graphically illustrates his sufferings. George Onslow an Anglo-French composer was born in Clermont-Ferrand in July 1784 and died there in October 1853.
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Everything That Rises (ADAMS JOHN LUTHER)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Chester
Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quart...
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Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quartet. John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, twomore quartets followed. The second quartet, untouched, is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician isa soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes/ Répertoire / Quatuor à Cordes
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John Luther Adams: Everything That Rises: String Quartet: Score
String Quartet: 2 violins, viola, cello
Chester
John Luther Adams' Everything That Rises for String Quartet. Composers note: I n...
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John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years twomore quartets followed. The second quartet untouched is a further exploration of the aeolian sound world of the first. Then in Canticles of the Sky the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises. This fourth quartet is more expansive both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory but in a much more melodic way. Each musician isa soloist playing throughout. They surround the audience. Time floats. Over the course of an hour the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows sighing. Duration: 60 minutes
24.99 GBP - Sold by Musicroom UK
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Lucien Jenkins: Romanticism In Focus: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJECRomanticism in Focus places works of music ...
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Exam boards: Edexcel AQA OCR WJECRomanticism in Focus places works of music literature and art alongside one another setting them within the social and political context of their time. There are also helpful examinations of some of the main styles from the period.Suitable for both students and teachers this guide tackles questions such as whether Mendelssohn was a true Romantic why Schumann and Baudelaire both worked as journalists and Wagner???s thoughts towards Brahms.The Eroica and Symphonie Fantastique Brahms and Bruckner Emma and Hard Times Constable???s Haywain and Turner???s Fighting Temaire Byron and Baudelaire all feature and thereare also contextual definitions of the main styles of the time: nationalism impressionism naturalism and symbolism.
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Fake Book 1963-1971 (ROLLING STONES THE)
Fake Book
Alfred Publishing
Par ROLLING STONES THE. Enfin le Fake Book du célèbre groupe 'The Rolling Ston...
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Par ROLLING STONES THE. Enfin le Fake Book du célèbre groupe 'The Rolling Stones'. Superbe ouvrage qui regroupe 167 chansons du groupe enregistrées entre 1963 et 1971. Ligne mélodique, symboles d'accords et paroles complètes. Inclus des photos en couleur. / Rép International / Recueil / Chant et Guitare
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Gustav Holst: At The Boar's Head: Vocal Ensemble: Vocal Score
[Sheet music]
Novello & Co Ltd.
At The Boar's Head (Op. 42) is an opera by Gustav Holst described by the compos...
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At The Boar's Head (Op. 42) is an opera by Gustav Holst described by the composer as 'A Musical Interlude In One Act'. The libretto also by Holst is taken from Shakespeare's plays Henry IV Part 1 and Henry IV Part 2. It was written in 1924 based on folk songs and traditional country dance tunes and first performed in 1925.Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for hisPlanets suite.
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Easy Christmas Favorites (LARSEN GREY)
Pennywhistle
[Sheet music + Audio access]
-
Easy
Mel Bay
for Tin Whistle or Irish Flute. Par LARSEN GREY. Here are 30 easy-to-play Christ...
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for Tin Whistle or Irish Flute. Par LARSEN GREY. Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish ute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: - Access to audio downloads for all 30 songs, with tin whistle, Irish ute and guitar - Three duet arrangements If you don\'t read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish ute. What makes these tune arrangements easy?Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish ute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: - Access to audio downloads for all 30 songs, with tin whistle, Irish ute and guitar - Three duet arrangements If you don\'t read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish ute. What makes these tune arrangements easy? / Niveau : Facile / Date parution : 2019-05-27/ Recueil / Tin Whistle
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Paul Terry: AS Music Literacy Workbook: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJEC The AS Music Literacy Workbook will develop...
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Exam boards: Edexcel AQA OCR WJEC The AS Music Literacy Workbook will develop students??? notational skills to the level necessary to succeed in the exam.This workbook explains the notation of a wide variety of instrumental techniques and includes a whole chapter devoted to score reading.Students will be able to read and understand any classical jazz pop or guitar scores they might come across during their AS studies and beyond.The workbook emphasises learning by doing. It includes numerous scorereading exercises based on jazz and classical music which encourage students to cross-reference their knowledge. The workbook builds towards aseries of exercises and model answers allowing students to check their work.This workbook is tailor made for anyone wanting to develop a grounding in music theory to AS level but is also a refreshing new resource for candidates preparing for higher grade exams in music theory BTEC National and Scottish Higher Grade Music.Rebecca Berkley is a freelance writer and musician and is a music education consultant. She has taught percussion to students of all ages both as a private teacher and as a workshop leader and published percussion music. She is also a choral conductor running several choirs and directing music festivals with her husband. After starting her career as a music teacher in secondary schools she became a lecturer in music education at the University of Southampton and the Institute of Education University of London. Her PhD thesis focused on how GCSE students learn to compose and how best to teach them. She is the co-author of Rhinegold???s Edexcel GCSE Music Listening Tests (Book 3) and contributes as a freelance writer to Classroom Music Magazine.
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Sitting In : Blues
Piano solo
Alfred Publishing
Sit in with the band and bring your playing to life Soloing is an important part...
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Sit in with the band and bring your playing to life Soloing is an important part of your playing, but practicing on your own doesn't always get the creative juices flowing---there is nothing like the experience of sitting in with a full band. Though playing with a group isn't possible every time you want to jam, Sitting In: Blues Piano brings the band to you anytime so you can practice comping patterns and soloing with the same energy as playing live. The book offers tips and techniques from veteran blues and rock performer Loren Gold to give life to your practice sessions and inspire you to add new sounds to your blues vocabulary. Features * High-quality studio play-along recordings performed by a live band * Progressions in the most important blues styles including shuffle, boogie-woogie, gospel, blues-rock, swing blues, and more * Recordings include sample solos, and the progressions are repeated so you can jam freely * Soloing tips feature scales, modes, comping patterns, and other ideas to develop your blues vocabulary * Listening suggestions * Our TNT 2 software that lets you customize the mix, loop sections for practice, and change tempos and keys About the Author Loren Gold is an in-demand keyboardist, vocalist, and songwriter who has worked extensively with international pop and rock acts. In 2009, he became the keyboardist and vocalist for Roger Daltrey, which ultimately led to touring with The Who. Loren has performed with Kenny Loggins, Dan Aykroyd (The Blues Brothers), Toni Braxton, Joss Stone, Melissa Etheridge, and Gladys Night, and has served as Musical Director for artists such as Taylor Hicks and Demi Lovato. In addition to touring and session work, Loren composes original music for feature films and television. / Piano
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100 études, exercises et phrases tonales Vol. 2 (LENS NICHOLAS)
Piano solo
Schott
pour piano. Par LENS NICHOLAS. The Belgian composer Nicholas Lens presents extre...
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pour piano. Par LENS NICHOLAS. The Belgian composer Nicholas Lens presents extremely varied etudes, exercises and simple phrases with wonderfully telling titles from poetry and everyday world for children and adults. For the most part the studies are tonal and simple and have no constructed line. They are not based on any educational concept but leave the musical dramatization to the pupils and teachers: 'Notes and rhythms are just notes and rhythms, they do not have that many rules, they do not have any pretension, they are just tools for you to use to express what you want to share'. / Date parution : 2016-11-20/ Etude / Piano
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Alistair Wightman: Alistair Wightman: Writing About Music Workbook: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJECThis workbook will develop students' skills ...
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Exam boards: Edexcel AQA OCR WJECThis workbook will develop students' skills in writing about music for AS A2 and undergraduate level.Exercises appear at every stage to challenge and provide examination practice for students. These range from naming musical features and spotting grammatical errors to devising essay plans and analysing sample answers.Beginning with fundamental writing requirements this workbook moves on to address how to describe the features of a musical work as well as how to make comparisons and contrasts between specified pieces.There is advice on how to approach research what to retain and reject and how to structure anessay.Detailed analytical and dissertation-style essays are addressed as well as writing programme notes.Writing About Music Workbook promotes the development of skills which will be of use in many areas of academic life: collecting information selecting relevant material presenting arguments for and against particular propositions and expressing ideas effectively and correctly in English.'Wightman has achieved just the right tone with very clear explanations... I would feel confident giving it to pupils to read in their own time as it???s very easy for them to work from it making it a useful resource to reinforce the comments I write on their essays... I think it's probably one of the most genuinely useful books of its type.'Russell MillardHead of Academic Music Charterhouse
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Grey Larsen: Easy Christmas Favorites: Tin Whistle: Instrumental Collection
Pennywhistle
[Sheet music + Audio access]
-
Easy
Mel Bay
Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also know...
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Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish ?ute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book: ? Access to audio downloads for all 30 songs, with tin whistle, Irish ?ute and guitar ? Three duet arrangements If you don?t read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish ?ute. What makes these tune arrangements easy?
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John Emerson Blackstone: On the Movieset: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
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Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
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John Emerson Blackstone: On the Movieset: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
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Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
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John Emerson Blackstone: On the Movieset: Fanfare Band: Score
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
(+)
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
16.99 GBP - Sold by Musicroom UK
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John Emerson Blackstone: On the Movieset: Fanfare Band: Score & Parts
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
(+)
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
73.99 GBP - Sold by Musicroom UK
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John Emerson Blackstone: On the Movieset: Concert Band: Score
Concert band
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
(+)
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
16.99 GBP - Sold by Musicroom UK
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John Emerson Blackstone: On the Movieset: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
(+)
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
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Malcolm Williamson: The Boar's Head Carol: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
POD-The Boar's Head Carol is a work by Malcolm Williamson for Unaccompanied SAT...
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POD-The Boar's Head Carol is a work by Malcolm Williamson for Unaccompanied SATB Choir. A setting of a traditional carol a full performance lasts around 3 minutes.
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Jock McKenzie: The Boar's Head Wassail: Concert Band: Score and Parts
Concert band
[Score and Parts]
Musikverlag Frank
The Boar's Head Wassail
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Malcolm Sargent: The Boar's Head Carol: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
Malcolm Sargent's The Boar's Head Carol for SSAATTBB unaccompanied.
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Rebecca Berkley: GCSE Music Literacy Workbook: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJECLThis workbook has been specifically written...
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Exam boards: Edexcel AQA OCR WJECLThis workbook has been specifically written to improve theory comprehension among students requiring a basic knowledge of the subject.Starting with the fundamentals of pitch and rhythm this workbook steadily progresses to a range of applications including key signatures scales chords and modulation.There are a number of tasks in each chapter including practical aural and written exercises based on rock pop jazz and classical music. Many of the exercises can also be explored using music technology software.This workbook is aimed at students wanting a firm grounding in music theory to GCSE level and alsocandidates preparing for early grade exams in music theory.Rebecca Berkley is a freelance writer and musician and is a music education consultant. She has taught percussion to students of all ages both as a private teacher and as a workshop leader and published percussion music. She is also a choral conductor running several choirs and directing music festivals with her husband. After starting her career as a music teacher in secondary schools she became a lecturer in music education at the University of Southampton and the Institute of Education University of London. Her PhD thesis focused on how GCSE students learn to compose and how best to teach them. She is the co-author of Rhinegold???s Edexcel GCSE Music Listening Tests (Book 3) and contributes as a freelance writer to Classroom Music Magazine.
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English Carols For Celtic Harp: Harp: Instrumental Tutor
Harp
-
Easy
Mel Bay
This collection of English Christmas carols arranged by Star Edwards is a warmi...
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This collection of English Christmas carols arranged by Star Edwards is a warming welcome to the season of festive cheer. Basked in tradition each and every carol will fill your seasonal celebrations with merrimentand joy.These timeless classics are a delight to play providing hours of entertainment year after year. The carols in 'English Carols for Celtic Harp' are arranged for the Folk Harp which beginners andadvanced beginners can play to usher in the gifts of this magical season.All of the carols in this book are provided with Guitar chords fingering and brackets suitable for nylon and wire strung folk harps arranged usingstandard bass patterns. Six songs contain lever changes which also provide a simple visual aid for smooth transitions. The carols are in the keys of F C G and D. Included with this book is a bonus song arranged for two harps perfect for beginners.
11.99 GBP - Sold by Musicroom UK
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