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1001 All-Time Hit Songs
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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The Gallipoli Songbook (Pvg)
Piano, Vocal and Guitar
Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...
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The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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The Choral Collection (WHITBOURN JAMES)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo...
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Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue
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Philip Sparke: Music of the Spheres: Brass Band: Score & Parts
Brass ensemble
Anglo Music
Music of the Spheres was commissioned by the Yorkshire Building Society Band an...
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Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow May 2004.The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory formulated by Pythagoras that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the sixknown planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which unfortunately we humans cannot hear). In this work these six notes form the basis of the sections Music of the Spheres and Harmonia.The pieces opens with a horn solo called t = 0 a name given by some scientists to the moment of the Big Bangwhen time and space were created and this is followed by a depiction of the Big Bangitself as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet and the piece ends with The Unknown leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
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The Novello Shakespeare Choral Collection
Choral SATB
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare, while his own...
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Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)
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Pyotr Ilyich Tchaikovsky: The Queen of Spades (Pique Dame): Opera: Libretto
Schirmer
Based on a short story by Pushkin fashioned into a libretto by the composer's b...
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Based on a short story by Pushkin fashioned into a libretto by the composer's brother ?The Queen of Spades? was written in just five months. The story is set in eighteenth-century St. Petersburg and focuses on the young officerGherman who confides to his gambler friend Tomsky his love for a young woman. Later as the two congratulate Prince Yeletsky on his recent engagement the elderly Countess and her granddaughter Liza and it transpires that she isthe fiancée of the Prince and also the young woman Gherman is in love with. However in a private meeting Gherman and Liza declare their love for each other. Tomsky tells Gherman that the Countess has a secret method ofgambling using a certain sequence of three cards that always wins. Gherman is fascinated and becomes obsessed with finding out the winning three-card secret from the Countess. He goes to her quarters but accidentally frightensthe elderly woman to death. Liza forgives him however later they meet by a canal and when Gherman rejects her she jumps into the canal.The Countess' ghost reveals the gambling secret to Gherman who then goes to thecasino and wins twice with it. Playing against Prince Yeletsky though he becomes nervous and intends to select the ace but chooses the queen of spades instead. He loses everything and stabs himself to death.This is theSchirmer edition of the Libretto in English only.
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Really Easy Piano Play Along : Classic Hit Songs - Book - Download Card
Easy Piano
[Sheet music + Audio access]
-
Easy
Amsco Wise Publications
With the Really Easy Piano Playalong songbook, you can learn 19 Classic Hit Song...
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With the Really Easy Piano Playalong songbook, you can learn 19 Classic Hit Songs with these simplified arrangements for Easy Piano, then use the included download card to hear demonstrations and backing tracks that you can play along to. Featuring a wealth of some of the most famous tunes of all time by the greatest singers and songwriters ever, these Classic Hit Songs are essential playing for all pianists, and the Really Easy Piano Playalong book lets beginners immediately pick up these wonderful melodies. From classic pop songs like All Shook Up, Downtown and Waterloo to those beautiful ballads like Rocket Man, Hallelujah and Fields Of Gold, this collection offers amazing variety of tunes that can be placed right at beginner pianist's fingertips. With the accompanying download card, you will get instant online access to fantastic-sounding demonstration and backing tracks for each tune. This means you'll be able to hear how each Classic Hit Song should sound, then learn them using the easy-to-read sheet music, before playing your own versions along to the backing tracks. With songs by such bestselling artists as Simon and Garfunkel, The Beatles, David Bowie and Louis Armstrong, this is a fantastic book for learning all of those timeless tunes that everyone loves, and with the help of some fingering hints, performance tips, lyrics and fascinating background information, the Really Easy Piano Playalong really is the perfect songbook for pianists who love pop hits. The fantastic selection of brilliant songs from these wonderful musicians places some of the greatest tunes of all time at any beginner pianist's fingertips. Your friends and family will no doubt be wholly impressed with how great each of these songs sound on the Piano, especially when played along with the backing tracks. For a collection of 19 Classic Hit Songs, look no further than the Really Easy Piano Playalong songbook. / Niveau : Facile / Recueil / Piano
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Jazz, Blues andamp; Ragtime
Violin and Piano
Boosey and Hawkes
Traditional fiddle music from around the world. Par . The full range of traditio...
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Traditional fiddle music from around the world. Par . The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chords); or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. / Date parution : 2022-11-03/ Recueil / Violon et Piano
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Johann Sebastian Bach: St Matthew Passion: Mixed Choir: Score
Choral
Barenreiter
Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz-?I have never ...
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Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz-?I have never experienced such silence or seen an audience moved in this way.?(Felix Mendelssohn Bartholdy)Up to the present day there has scarcely been a work in the history of music which has fascinated listeners and performers more than Bach?s ?St Matthew Passion?. Originally composed for Vespers on Good Friday and even longer in duration than the ?St John Passion? it reconstructs the story of Christ?s Passion with immense musical emotional and spiritual intensity.And so this monumental and complex composition has come to rank amongst the high points of Western culture. For good reason the ?rediscovery? of Johann Sebastian Bach?s music began in 1829 with theperformance of this work by Felix Mendelssohn Bartholdy and the Berlin Singakademie.The autograph manuscript is regarded as one of Bach?s most beautiful the fair copy demonstrates the importance he attached to the careful preservation of the work for posterity. A further special feature is the coloured ink with which he wrote the biblical text and the music of the chorale ?O Lamm Gottes unschuldig?.This facsimile edition reproduces the autograph score of the ?St Matthew Passion? for the first time in high-quality colour printing. The Bach specialist Christoph Wolff introduces the background to the work?s composition and the characteristics of the manuscript.Martina Rebmann (Staatsbibliothek zu Berlin) provides further details regarding the history of the autograph manuscript; with a preface by Barbara Schneider-Kempf general director of the Staatsbibliothek.BÄRENREITER FACSIMILEThe seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:- a facsimile in high-quality colour printing- scholarly commentary- attractive cover designFacsimile of the authograph score in the Staatsbibliothek zu Berlin - Preussischer Kulturbesitz.With a commentary by Christoph Wolff Martina Rebmann and Barbara Schneider-Kempf.Documenta musicologica II 47166 pages of facsimile and approx. 30 pages commentary (Eng/Ger)Format: 37.5 x 24cm; Half-leather binding hardbackISBN 978-3-7618-2294-4
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In The Locked Room
Opéra
Schott
Taking Thomas Hardy's short story as its starting point, we are transported to t...
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Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur.Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely.Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan.As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world. / Opéra
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Really Easy Piano: More Classical Favourites: Easy Piano: Mixed Songbook
Easy Piano
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Easy
Amsco Wise Publications
Featuring Easy Piano arrangements of 21 more Classical Favourites this sheet mu...
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Featuring Easy Piano arrangements of 21 more Classical Favourites this sheet music songbook will satisfy any beginner's desire to play the most popular and enduring classical pieces ever composed by themasters of the genre. These simple arrangements feature fingering guidance song background notes and helpful performance hints. With some of the most beautiful classical music included here thisReally Easy Piano songbook will let you play the standards the traditionals and the essentials quickly and easily. Schubert's Ave Maria Debussy's En Bateau Mendelssohn's Song WithoutWords and the all-time favourite Vivaldi's Spring from The Four Seasons are included among many others. Each of these composers represents a very different school of music so you'll love pickingout your favourite or playing through them all and then exploring the rest of their oeuvre. This instalment of the Really Easy Piano series puts the best-loved ClassicalFavourites right at the fingertips of beginning pianists. All too often playing the works of these composers is but a dream of players who are just starting out. Now such masters of composition as Beethoven Mozart Puccini Wagner and Handel are immediately accessible to pianists in the early stages of their playing letting them learn these glorious melodies and soaring chords without the decades of practice necessary to master the fullarrangements. Even though they are simplified they sound absolutely great from the lively to the melancholy and everything in between these pieces are sure to impress any audience. Not only do youget Easy Piano arrangements of tunes like Sarabande Vocalise and Dance Of The Knights as with all the books in the Really Easy Piano series some fascinating background information on each
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Gordon Mizzi: Song Of The Sea: Music Of Gordon Mizzi Volume One: Guitar:
Guitar
Classical guitar
[Sheet music]
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Easy
Mel Bay
This collection of the work of the Maltese composer Gordon Mizzi for solo guit...
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This collection of the work of the Maltese composer Gordon Mizzi for solo guitar is being made available to the public for the first time. Song of the Sea The Music of Gordon Mizzi Volume One is the first of two albums which are available from Mel Bay Publications. The title is taken from the CD Song of the Sea Carlos Bonell Plays Gordon Mizzi recorded by Carlos Bonell one of today's most celebrated guitarists and which is available fromSpearhead Music. This album has been received with critical acclaim and broadcasted by leading radio stations including the Cowan Collection BBC Radio 3. The critic Robert Matthew Walker writing in Musical Opinion Britain'soldest classical music magazine in May -June 2007 said in a review of a concert in London: Gordon Mizzi's music is 'fascinating and inventive.' His music is performed by leading guitarists all over the world. In this music wefind a truly inspired creativity and diversity. This album draws on a wide range of influences from Gordon Mizzi's musical canvas from the Maltese Variations of a Maltese Theme to the Hispanic Tango and Habanera to otherEuropean influences such as the Two Anthem Studies Song of the Sea Madliena Sonata which has four movements Morning Hymn Sun Dance Evening Song and Serenade and the haunting beauty of the Sonata for Six Mute Swans with threemovements Flying South In the Bay and Lament of the Swans.
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Shapiro: Story Of Jazz As Told By The Men Who Made It: History
[Book]
Dover Publications
Story Of Jazz As Told By The Men Who Made It. Music is your own experience, your...
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Story Of Jazz As Told By The Men Who Made It. Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. ? Charlie Parker What is jazz? The rhythm ? the feeling. ? Coleman Hawkins The best sound usually comes the first time you do something. If it's spontaneous, it's going to be rough, not clean, but it's going to have the spirit which is the essence of jazz. ? Dave Brubeck Here, in their own words, such famous jazz musicians as Louis Armstrong, King Oliver, Fletcher Henderson, Bunk Johnson, Duke Ellington, Fats Waller, Clarence Williams, Jo Jones, Jelly Roll Morton, Mezz Mezzrow, Billie Holiday, and many others recall the birth, growth, and changes in jazz over the years. From its beginnings at the turn of the twentieth century in the red-light district in New Orleans (or Storyville, as it came to be known), to Chicago's Downtown section and the Original Dixieland Jazz Band and Chicago's South Side to jam sessions in Kansas City to Harlem during the Depression years, the West Coast and modern developments, the story of jazz is vividly and colorfully documented in hundreds of personal interviews, letters, tape recorded and telephone conversations, and excerpts from previously printed articles that appeared in books and magazines. There is no more fascinating and lively history of jazz than this firsthand telling by the men who made it. It should be read and re-read by all jazz enthusiasts, musicians, students of music and culture, students of American history, and other readers. A lively book bearing the stamp of honesty and naturalness. ? Library Journal. A work of considerable substance. ? The New Yorker. Some of the quotations are a bit racy but they give the book a wonderful flavor. ? San Francisco Chronicle.
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Peter Dimond: The Art of Beethoven: Theory
Faber Music Limited
As the title implies this two volume box set of The Art Of Beethoven provides a...
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As the title implies this two volume box set of The Art Of Beethoven provides a comprehensive guide to Beethoven's music. It is biographical only in as far as the events of Beethoven's life impinge upon his creative output.The approach to Beethoven's music is somewhat novel since these books attempt to treat the works of Beethoven in the order in which they were written as far as it is possible to establish such a chronology. The books in this way chart Beethoven's creative development as it is expressed in the continuity of his output and this method often reveals connections between works not usually associatedwith one another.There are full discussions of all the major works as well as of those which are rarely heard. Beethoven's attitudes towards structure and key relationships are fully covered as well as his handling of instruments and voices.These books also include considered judgements on the quality of the music. These books are intended for the serious music student as well as for the amateur who wishes to know more about this perennially fascinating subject.
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Really Easy Piano: James Bond: Easy Piano: Mixed Songbook
Easy Piano
[Sheet music]
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Easy
Amsco Wise Publications
16 Classic Theme Songs-Featuring 16 classic James Bond theme songs this edition...
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16 Classic Theme Songs-Featuring 16 classic James Bond theme songs this edition of Really Easy Piano covers over 50 years of timeless and iconic cinema songs. Arranged for Easy Piano with background notes playinghints and tips this is the best Bond songbook for beginners.From Shirley Bassey's powerful Goldfinger to Sam Smith's modern-classic Writing's On The Wall for 2015's 'Spectre' Really EasyPiano features a selection of the best Bond hits in simplified arrangements.Each of the 16 songs has lyrics fingering guidance performance hints as well as fascinating background notes making this a usefulJames Bond sheet music collection for beginners and young players.Other songs include the classic themes from Live And Let Die The World Is Not Enough Diamonds Are Forever as well as NobodyDoes It Better Adele's brilliant Skyfall and the instantly-recognisable James Bond Theme.Really Easy Piano James Bond lets beginner pianists learn to play some of the greatest filmthemes ever composed.
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Matthew Holmes: Everybody Sing! History: Vocal: Classroom Resource
Musical Awakening
[Sheet music + CD]
Collins Music
Five fantastic songs full of fascinating facts-Linked with the Key Stage 2 curri...
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Five fantastic songs full of fascinating facts-Linked with the Key Stage 2 curriculum these songs are modern fun and easy to learn. They uncover amazing facts about important areas of history including: the Romans the Vikings the Ancient Greeks World War II and the first railways. These songs are perfect for concerts assemblies and classrooms and a brilliant way of bringing music and singing into other areas of the curriculum. Dates facts key historical figures and the catchy melodies will not be forgotten once these songs have been sung! Each song is presented first as an easy-to-follow lyric sheet for use along with the CD. A Piano score for each song also gives Guitar chords for teachers whoaccompany their pupils or find following a score helpful. After the Piano score you will find a helpful step-by-step guide to teaching the song. We hope these songs will bring music and history lessons alive!
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In 80 Songs around the World
Piano solo
Schott
Folk-Songs in Easy Arrangements for Piano. This collection is an invitation to a...
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Folk-Songs in Easy Arrangements for Piano. This collection is an invitation to a musical voyage of discovery around the entire globe. Starting with well-known European folksongs, the itinerary continues via Scandinavia and the Balkans to more exotic destinations - with tunes from the Congo, Mexico and China among others - and ends with American Spirituals. Thanks to the easy settings even beginners get a good impression of the fascinating kaleidoscope of folksongs of the world and can absorb unfamiliar styles in an easy-going playful manner./ Recueil / Piano
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Jazz Blues andamp; Ragtime
Violin
[Sheet music + Audio access]
Boosey and Hawkes
Traditional fiddle music from around the world. Par . Le répertoire complet de ...
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Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh' des danses folkloriques du club de jazz des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus d'autres sont plus exotiques mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis mais ce qu?il y a de plus important c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare) ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2023-04-14/ Recueil / Violon
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That's Entertainment - My Life In The Jam
[Book]
Omnibus Press
During their golden years of 1977 to 1982, The Jam's frontman Paul Weller was th...
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During their golden years of 1977 to 1982, The Jam's frontman Paul Weller was their outspoken leader, but it was drummer Rick Buckler who was the beating heart of the band, and it is his fascinating story that is told in his autobiography, That's Entertainment: My Life In The Jam, replete with insights into his life and music.From his childhood in the 1950s to his musical growth to becoming the backbone of one of the most successful punk rock British bands, the story goes on to detail his post-Jam musical career, incorporating a number of other musicians in his continuous projects. Featuring some incredible photographs from Buckler's personal archives, in-depth details about his personal and musical life, as well as new information about his projects since The Jam, That's Entertainment: My Life In The Jam presents a great biography that is an antidote to many of the other popular music books out there.As The Jam rose to fame in 1977, their blend of rock, punk, mod and new-wave made them a musical force to be reckoned with. Weller's in-your-face attitude and songwriting combined with Bruce Foxton's powerful bass lines and Buckler's brilliant drumming to create a sound that has been often replicated but rarely matched. This book is the story of the man at the back of the band, absent from the bitter quarrels but always looking forward from the middle, both physically on-stage and metaphorically. There have been a vast number of other books written about The Jam, but none come close to the intimacy and personality of this portrayal of a pioneering band and their interesting story. Through Rick Buckler's eyes, That's Entertainment: My Life In The Jam chronicles the highlights of their heyday and the low points of the dissolution of friendships. It's a brilliant read if you're a fan of The Jam, or even at all interested in popular music, this Rick Buckler autobiography has it all. / Livre
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La Muette
Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...
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Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
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