This is billed as 'an opera for children of all ages'. It is best suited to being performed by adults or teenagers to younger children as the vocal parts are quite challenging yet the story taken from a Grimm fairy tale is simple and childlike. Limited vocal and instrumental forces are employed making it ideal for amateur dramatic groups on a tight budget!The story is that the Princess of a small kingdom leaves home to be married to the Prince of the next kingdom taking with her an attendant (the Waiting-Woman) a magic cloth with three wishes and Falada the talking horse. On the road the attendant steals the magic cloth and wishes herself Princess; when theyarrive at the Kingdom she is betrothed to the Prince - much against his will as she is old and complaining - while the Princess is put to work as a goose-girl and Falada's head is cut off. Still able to speak he and the Princess complain of their fate and are overheard by the good King who steals the cloth back from the Waiting-Woman and marries the Prince and Princess happily to each other. The last wishes are used to bring the Princess's mother to the wedding and to put Falada back together then cookies are passed to the cast and audience.This is the Schirmer edition of the Vocal Score and is in English only.

Special Edition-This arrangemet for violin includes all the familiar themes from the main theme of Star Wars to the Imperial March from The Empire Strikes Back to Jedi Rock from Return Of The Jedi.

The Splendour Falls and the other songs from The Princess were written for a performance of tableaux from The Princess by the girls of James Allen Girls’ School in London where Holst taught. The song is scored for Female Voices SA with a small echo choir unaccompanied and is full of recognizably Holstian shifting harmonies and Vocal effects. In 1847 Alfred Tennyson later Poet Laureate of the United Kingdom published a narrative poem The Princess that concerned the education of women. In The Princess set at a summer fete a new college for women is created by Princess Ida. A Prince and his friends infiltrate dressed as women. A love story ensues. ThePrincess was also the source material for Gilbert and Sullivan’s Princess Ida.

Adventure Story and Songs-A quiet day for young Jason and his dog Boliver suddenly changes when Jason receives a mysterious package in the mail. He opens it only to discover an emerald with the word ?Quest? written on it. Is this a clue for what's to come? Join Jason and Boliver as they are swept into a quest that lands them on a huge desert where they meet Eyes-Ack the giant and a beautiful princess named Portia and her rainbow-colored cat DeTail. The princess and her cat show Jason and Boliver a new world of beauty and adventure. But as with all great journeys there is danger lurking. How will these four friends survive the harsh elements of the desert which includes battling armies? Read and singalong with this marvelous story of adventure and learning. Now you can bring the musical story of ?The Quest? to life on stage with the Teacher Edition/CD that includes piano accompaniments reproducible songsheets and story text choreography and instrumental-only CD tracks! For extra value the Performance Kit/CD provides the Teacher Edition/Accompaniment CD and Storybook/Listening CD. Duration: ca. 30 minutes. Suggested for grades 3-6.

The 40 Most-Streamed Disney Songs. Beginning pianists will love learning to play the Disney songs they stream most frequently! This collection features 40 songs in accessible easy piano arrangements: Beauty and the Beast · Hakuna Matata · How Far I'll Go · I See the Light · Let It Go · Love Is an Open Door · Reflection · Under the Sea · A Whole New World · You'll Be in My Heart · and more.

The music of hopes dreams and happy endings arranged for piano and voice complete with lyrics and guitar chord symbols.

33 Themes from The Legend of Zelda™ Arranged for Solo Piano By Koji Kondo, Kozue Ishikawa, Toru Minegishi, Kenta Nagata, Akito Nakatsuka, Asuka Ohta, Manaka Tominaga, and Hajime Wakai Category: Piano Collection Format: Book Instrument: Piano Level: Intermediate / Advanced Version: Intermediate / Advanced Piano Solos After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zelda™ video game series. The 33 arrangements in this intermediate-advanced piano edition are note-for-note transcriptions of instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zelda™ Main Theme to The Legend of Zelda™: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of Nintendo® video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist. Titles: * The Legend of Zelda™ Title Theme * The Legend of Zelda™ Main Theme * Zelda II™ - The Adventure of Link™ Title Theme * Zelda II™ - The Adventure of Link™ Palace Music * The Legend of Zelda™: A Link to the Past™ Title Screen * The Legend of Zelda™: A Link to the Past™ Hyrule Castle Music * The Legend of Zelda™: A Link to the Past™ Main Theme * The Legend of Zelda™: A Link to the Past™ The Dark World * The Legend of Zelda™: Link's Awakening™ Main Theme * The Legend of Zelda™: Ocarina of Time™ Title Theme * The Legend of Zelda™: Ocarina of Time™ Princess Zelda's Theme * The Legend of Zelda™: Ocarina of Time™ Hyrule Field * The Legend of Zelda™: Ocarina of Time™ Lost Woods (Saria's Song) * The Legend of Zelda™: Ocarina of Time™ Gerudo Valley * The Legend of Zelda™: Ocarina of Time™ Song of Storms * The Legend of Zelda™: Majora's Mask™ Prelude of Majora's Mask * The Legend of Zelda™: Majora's Mask™Termina Field * The Legend of Zelda™: The Wind Waker™ Main Theme * The Legend of Zelda™: The Wind Waker™ Dragon Roost Island * The Legend of Zelda™: The Wind Waker™ Ocean Theme * The Legend of Zelda™: The Wind Waker™ Molgera * The Legend of Zelda™: Four Swords Adventures Village of the Blue Maiden Restored * The Legend of Zelda™: Four Swords Adventures Field Theme * The Legend of Zelda™: Twilight Princess Hyrule Field Main Theme * The Legend of Zelda™: Twilight Princess Hidden Village * The Legend of Zelda™: Twilight Princess Midna's Lament * The Legend of Zelda™: Phantom Hourglass Ciela's Parting Words * The Legend of Zelda™: Spirit Tracks Title Theme * The Legend of Zelda™: Spirit Tracks Field Theme * The Legend of Zelda™: Spirit Tracks Train Travel (Main Theme) * The Legend of Zelda™ Triforce Fanfare * The Legend of Zelda™ Correct Solution * The Legend of Zelda™ Whistle of Warp.

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

These instrumental editions are completely compatible with each other and can be played together or as solos. Melodic ranges and rhythms are carefully considered for each instrument so every tune is easily accessible to all players. Titles are: Ben's Death/Tie Fighter Attack * Cantina Band * The Emperor Arrives * Han Solo and the Princess * The Imperial March * Jedi Rocks * Luke and Leia * May the Force Be with You * Parade of the Ewoks * Princess Leia's Theme * Star Wars (Main Theme) * The Throne Room * Victory Celebration * Yoda's Theme.

The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n

After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zelda? video game series. The 33 arrangements in this intermediate-advanced piano edition are note-for-note transcriptions of instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zelda? Main Theme to The Legend of Zelda?: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of Nintendo® video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.


/ [La Légende de Zelda] / Musiques de films

Nicolai Rimsky-Korsakov (1844-1908) came from an aristocratic family which lived near Novgorod. When he appeared to be musically gifted as a child his parents did not hesitate one moment to map out a more honourable profession for him – he was to make a career in the navy as a marine officer. Rimsky-Korsakov however succeeded in secretly studying the cello next to his studies at the Naval Academy at St Petersburg. Through his cello teacher he came into contact with the composer Balakirev. In this way he suddenly became a member of The Mighty Five (a group of Russian composers consisting of Balakirev Moussorgsky Cui Borodin and Rimsky-Korsakovhimself). Rimsky-Korsakov turned out to be so talented that he even became a teacher at the St Petersburg Conservatory.‘Procession of the Nobles’ comes from the opera-ballet ‘Mlada’.The opera has a remarkable history for between 1868 and 1870 five different composers worked on this project. The final result was never executed however. Twenty years later Rimsky-Korsakov started work on the opera once more and composed his own version of Mlada.The theme of the opera is a tragic love story that is set in the early Middle Ages in a realm on the Baltic Sea. In ‘Processsion of the Nobles’ all the princesses of the country gather for a grand feast on the occasion of the summer holidays.

Performance score with basso continuo (without figured bass realisation). At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel?s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience: the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player./ Répertoire / Flûte à Bec Alto et Basse Continue