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GCSE Projects Answer Book for Books 2 3 and 4: Theory
Musical course - Solfege
[Textbook]
Novello & Co Ltd.
Trevor Webb and Nicholas Drewe. A series of books giving practical projects for ...
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Trevor Webb and Nicholas Drewe. A series of books giving practical projects for use in preparation of the GCSE examinations in music. All the books are grounded on the three major principles of the GCSE syllabuses: listening composing and performing. They may be used either as a complete series or independently. In the early stages the emphasis is on active participation the subject matter is diverse allowing scope for the teacher to introduce a broad range of musical topics. The listening and composing elements gain a greater importance within the series as it progresses although there is always integration between them. Books 1 And 2 contain a variety of projects onrhythm scales tunes chords writing a pop song composing with electronic and conventional instruments and composing with voices amongst many other ideas. Books 3 And 4 offer 22 different listening exercises which are based on the works of a wide range of composers including Bach Handel Elgar Britten Joplin McCartney and Lloyd Webber. Each piece is presented in the form of a skeleton score and questions are set to develop the pupil’s aural perception and musical literacy. The music cassette which accompanies these two books includes recordings of many of the works.
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Cello Debut Vcl. (Easy Piece (RAE JAMES)
Cello
[Sheet music + CD]
Universal Edition
Par RAE JAMES. INDIVIDUAL OR GROUP LEARNING All of these pieces for young cellis...
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Par RAE JAMES. INDIVIDUAL OR GROUP LEARNING All of these pieces for young cellists in their earliest stages of learning can be performed as a solo or in unison with others. Some have an optional 2nd part and may also serve as ensemble material. MIXED ENSEMBLE OPTION Whilst written specifically for the instrument and addressing the challenges beginners would encounter, a special section is included of four pieces which are 'key friendly' for beginners on most instruments and are therefore ideal pieces for mixed instrumental groups. These same four pieces appear in books for other instruments in the Debut series./ Recueil / Violoncelle
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Glenn Asch David Reiner: Deluxe Anthology of Jazz Violin Style: Violin:
Violin
Mel Bay
For more than a century, violinists have played jazz, swing, blues and similar i...
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For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.
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Deluxe Anthology Of Jazz Violin Style (ASCH GLENN / REINER DAVID)
Violin
-
Intermediate/advanced
Mel Bay
Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played j...
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Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon
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Modern Guitar Anthems - Blue Book - Guitar Tab
Guitar notes and tablatures
Faber Music Limited
Modern Guitar Anthems Blue focuses on classic indie rock from some of the bigges...
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Modern Guitar Anthems Blue focuses on classic indie rock from some of the biggest names in the business, including Starsailor, Radiohead, The White Stripes, The Coral and Doves. Featuring classic indie anthems like Turin Brakes' 'Underdog' and The Dandy Warhol's 'Bohemian Like You', the book also includes hard-to-find transcriptions of tracks by The Cooper Temple Clause, Black Rebel Motorcycle Club and Elbow. Each song is transcribed in guitar TAB and standard notation and guitar chord boxes are given for every track. Special tunings and capo positions are also indicated where appropriate. This book has been checked by an experienced editor and is guaranteed accurate. Songlist: Alcoholic (Starsailor); Asleep In The Back (Elbow); Bohemian Like You (The Dandy Warhols); Buck Rogers (Feeder); Can't Smile (Vex Red); Emergency 72 (Turin Brakes); Empty At The End (Electric Soft Parade); Fell In Love With A Girl (The White Stripes); Good Souls (Starsailor); Hotel Yorba (The White Stripes); Knives Out (Radiohead); Love Burns (Black Rebel Motorcycle Club); Mind Over Money (Turin Brakes); Newborn (Elbow); Nite & Fog (Mercury Rev); Poor Misguided Fool (Starsailor); Powder Blue (Elbow); Pyramid Song (Radiohead); Say Something (Haven); Silent To The Dark (The Electric Soft Parade); Silver (Hundred Reasons); Skeleton Key (The Coral); Spread Your Love (Black Rebel Motorcycle Club); Starbucks (A); The People (The Music); There Goes The Fear (Doves); Underdog (Save Me) (Turin Brakes); Watching Xanadu (Mull Historical Society); Who Needs Enemies (The Cooper Temple Clause); You Held The World In Your Arms (Idlewild)
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Simon Balicourt: Sonata In D And E Minor: Flute: Instrumental Work
Flute, Basso continuo
[Sheet music]
Edition HH Limited
In Sonata 7 in D major Balicourt opens with a suave intricately rhythmic Adag...
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In Sonata 7 in D major Balicourt opens with a suave intricately rhythmic Adagio. The following Presto with its delightful interplay between flute and bass including both octave doubling and stretto imitation is the most skittish movement to emerge from the composer’s pen. The finale is a ‘sandwich’ movement in which a Minuetto encloses a duple-metre Cantabile in D minor. Although the minuet could be said to exemplify one of those ‘easy’ movements referred to in Balicourt’s prospectus for subscribers its complex prescribed ornamentation requires sensitive handling. Sonata 8 in E minor is strategically placed as the final work inthe set being one of the longest as well as the most conservative; adopting the traditional four-movement configuration it continually harks back to the grand Handelian style. An eloquent Andante ushers in a Presto containing many slightly academic contrapuntal touches and much chromaticism. The subsequent Largo is only five bars long: its plain melodic line in minims and crotchets is the skeleton around which the flautist is expected to weave an elaborate embroidery. For the finale Balicourt introduces in effect a new version in triple metre of the second movement. The fact that all four movements are in E minor heightens the sense of unity which is expressed very concretely through their sharing of some thematic material.
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Drumstick Control
Drums
Alfred Publishing
Drumstick Control is a snare drum technique method for the drumset player. The b...
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Drumstick Control is a snare drum technique method for the drumset player. The book introduces and explains the accented stroke types and combinations both popular and necessary for today's contemporary drummer. All the PAS International Drum Rudiments that contain accents are covered with logical drumset applications (time keeping, fills and solo ideas). This book is a comprehensive technical method organized in a realistic, step-by-step process that focuses on developing stick proficiency through an independent, 'hands-separate' approach. The exercises included represent a thorough rudimental manual with practical drumset application, while providing the framework for hand development, endurance and speed training, as well as ideas for 'chop' maintenance for life. / Batterie
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Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Ch...
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Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air
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Tarik O'Regan: Tarik O'Regan: Acallam na Senórach: Guitar: Part
Guitar
[Partitions]
-
Intermediate/advanced
Novello & Co Ltd.
(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by...
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(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air
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Pesson, Gérard : Vexierbilder II
Français
Piano solo
[Sheet music]
Lemoine, Henry
Le premier cahier des Vexierbilder (1991) (Vexierbild se traduirait par attrape...
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Le premier cahier des Vexierbilder (1991) (Vexierbild se traduirait par attrape , rébus ) exploitait l'idée d'image trompeuse, de référent décalé, se concentrant autour d'un matériau délibérément appauvri. Dans ces trois nouvelles pièces, la musique cherche à se construire autour d'un geste, d'une figuration systématique, d'une forme coupant court à tout développement.
Dans une veine années de pèlerinage , Rome était la matière des images cryptées des trois premiers Vexierbilder. C'est l'art du poète américain Wallace Stevens qui est au centre de ceux-ci, et plus particulièrement son premier recueil Harmonium (paru en 1923), où il tente de trouver, avec des moyens resserrés, le caractère transcendant inhérent à la musique (Claire Malroux). En somme : remplacer le grand orgue de la poésie, devenu inadapté, par un instrument moins noble en apparence, dont le souffle et la portée naîtraient d'une activité têtue, concentrée mais presque dérisoire.
Pratiquant les rappels sacrés, parfois ironiques, Wallace Stevens (1879-1955), par un jeu de degrés étourdissant de raffinement, a porté au plus haut l'art de faire du neuf avec la mémoire.
Speech of clouds
Deux notes - une simple tierce do-la dans le médium - sont sollicitées par une navette de deux mains qui n'en seraient qu'une, sans chant ni harmonie, et sonnent comme un carillon brouillé. Dans la seconde partie de la pièce, après un court récitatif sorti de silence, ces trajectoires virtuoses, ces fusées d'artificier pour solo de concert , régressent, involuent vers une formule égrenée simplement par les cinq doigts, en ombre, ppppp possibile, comme une trame usée, ou un envers montrant la pauvreté de ses noeuds - et de ses ficelles - sur laquelle, au même endroit du clavier, vient se poser un contre-chant, comme si ces deux mains du médium n'appartenaient plus alors au même corps - invention rebrodée ton sur ton où une voix contrepointe l'autre par soustraction.
...An uncertain green,
Piano-polished, held the tranced machine
Of ocean, as a prelude holds of holds.
... Un vert incertain
D'un poli de piano, tenait la machine enchantée
De l'océan comme un prélude tient sans fin.
Negation
Pièce lente qui revient à cet arte povera cherché dans le premier recueil des Vexierbilder. L'objet harmonique est ici donné dans une grande nudité, comme une anti-figure dont le caractère obvi se retournerait en ambiguïté interrogative, et à partir duquel plusieurs ostinati se construisent, s'épuisent sans développement, écho au poème éponyme de Stevens : Hé ! Le Créateur aussi est aveugle / Qui cherche à bâtir son harmonieux ensemble, / Rejetant les parties intermédiaires, / Les horreurs, les faussetés et les maux, / Maître incapable de toute puissance, / Trop vague idéaliste, submergé / Par un souffle qui persiste.
Rondo
Une courte séquence construit la pièce en refrains, comme le titre l'indique, empruntant au contre-chant de la première pièce. Certaines strophes font entendre un précipité des ostinati de la seconde pièce, mais rejetés dans les extrêmes du clavier. Est-ce alors le grave qui vient orner, fouetter l'aigu à contre-emploi? Ces agrégats doivent sonner comme des sacs de grains lâchés par terre. C'est comme un tribut déposé au pied de la rhétorique, un geste d'embrassement qui voudrait naïvement fermer le ban du pianisme. D'autres strophes, plus fugitives, font entendre des sortes de chants d'oiseaux dont la mécanique se serait bloquée. Après un dernier retour du refrain, ourlé de résonances, la pièce se termine par une clausule dansante, livide, itérative, pendant aux Jeux d'os squelettiques qui achevaient les premiers Vexierbilder :
Mow the grass in tue cemetery, darkies,
Study the symbols and the requiescats,
But leave a bed beneath the myrtles.
The skeleton had a daughter and that, a son.
And that one was never a man of heart.
The making of his son was one more duty.
When the music of the boy fell like a foutain,
He praised Johann Sebastian, as he should.
Tondez l'herbe du cimetière, négros,
Examinez les symboles et les requiescats,
Mais laissez un lit sous les myrthes,
Ce squelette avait une fille, et cet autre, un fils.
Celui-là ne fut jamais un homme de coeur
Engendrer son fils ne fut qu'un devoir de plus.
Quand la musique de ce garçon retomba comme un jet d'eau,
Il loua Jean-Sébastien, comme il se devait. / Partition /
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Fall Out Boy: Fall Out Boy - American Beauty/American Psycho: Piano Vocal and
Piano, Vocal and Guitar
Hal Leonard
American Beauty/American Psycho-This is the 2015 album from Fall Out Boy an Ame...
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American Beauty/American Psycho-This is the 2015 album from Fall Out Boy an American rock band formed in 2001. Songs include Irresistible Jet Pack Blues Fourth Of July Twin Skeleton's and The Kids Aren' t alright.
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Quartetstart Level 2 (COHEN MARY / SPEARING ROBERT)
String Trio: violin, viola, cello
[Sheet music]
Faber Music Limited
Par COHEN MARY / SPEARING ROBERT. Masterful duo Mary Cohen and Robert Spearing t...
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Par COHEN MARY / SPEARING ROBERT. Masterful duo Mary Cohen and Robert Spearing team up once again in this wonderful collection of original pieces for established beginner string quartet. Quartetstart Level 2 is full of stimulating and enjoyable repertoire which has been carefully devised for string players of around ABRSM Grade 2?3. Building on the skills and ideas first introduced in Quartetstart Level 1, this truly original collection explores a wide range of musical styles as well as many interesting string effects (including simple harmonics, collegno, pizzicato and tremolo). Containing invaluable rehearsal tips throughout, these imaginative pieces will give string players the opportunity to discover the joys of ensemble playing right from the early stages of learning. A violin 3 alternative to the viola part is provided. / Ensemble Music, Methods
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The Condon Gang: The Condon Gang:The Chicago and New York Jazz Scen: Drums:
Drums
[Sheet music + CD]
Music Minus One
Music Minus One Drums Deluxe 2-CD Set-From the 1920s to the 1950s the great Edd...
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Music Minus One Drums Deluxe 2-CD Set-From the 1920s to the 1950s the great Eddie Condon and his band created a truly unique style of traditional jazz characterized by a succession of instrumental solos and abrupt transitions of dynamics the result was one which reverberates to this day in the world of jazz music. Now you can participate in this incredible style and the sophisticated music of the Condon Gang with this fabulous all-digital MMO release. Includes a stellar lineup of professionals giving you guidance and a fabulous ensemble with which to perform! Contains a custom-engraved music score featuring drum charts with drum legend and a concert lead sheet for each song printed on high-quality ivorypaper and a digital stereo compact disc containing complete versions of each song and a second compact disc featuring accompaniments minus soloist plus -20% slow-tempo versions of five up-tempo songs. Performed by Hal Smith drum Songs include: Monday Date The One I Love Belongs to Somebody Else Strut Miss Lizzie Georgia Grind Skeleton Jangle A Kiss to Build a Dream On I Know That You Know I Must Have That Man Jazz Me Blues.
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THE WILLIS MUSIC COMPANY STRANGE SOUNDS PIANO
Piano solo
Willis Music
Bienvenue dans l\'univers des Strange Sounds. Les 10 solos pour piano uniques de...
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Bienvenue dans l\'univers des Strange Sounds. Les 10 solos pour piano uniques de cette collection sont parfaits pour un concert sur le thème d\'Halloween, mais ils sont également parfaits à tout moment de l\'année pour stimuler l\'imagination et encourager la créativité ! Il y en a pour tous les goûts avec des titres tels que : The Cool Skeleton (Carolyn Miller) - Creepy Crocodile (Carolyn C. Setliff) - Escape from the Dark Forest (Randall Hartsell) - The Goblins (Thompson) - A Haunted House (Burnam) - Into the Abyss (Charmaine Siagian) - Lupus Ululat (Jason Sifford) - The Midnight Ball (Naoko Ikeda) - On This Eerie Night (Glenda Austin) - Spooky Night (Gillock). / Partitions variété - pop - rock / Variété internationale / Piano / THE WILLIS MUSIC COMPANY
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Judith Weir: Piano Trio: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. Fi...
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Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.
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Moans Groans and Skeleton Bones Collection: Classroom Musical
Children choir
Hal Leonard
You'll shudder...you'll shake...with this wonderful collection of 'pumpkin carol...
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You'll shudder...you'll shake...with this wonderful collection of 'pumpkin carols' for Grades K-6. Each song features clever Halloween lyrics set to well-known familiar melodies! Use the songs in your music classes or create yourown all-school program or Halloween parade. You'll love the ?scary? sound effects on the professionally recorded CD. And there's more! The collection includes reproducible song sheets for your students and innovativesuggestions for adding movement rhythm instruments or games.Available: Songbook Performance/Accompaniment CD. Grades K-6.
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The Faber Music Contemporary Piano Anthology: Piano: Instrumental Collection
Piano solo
Faber Music Limited
The Faber Music Contemporary Piano Anthology. The Faber Music Contemporary Piano...
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The Faber Music Contemporary Piano Anthology. The Faber Music Contemporary Piano Anthology is an exciting collection of best-loved neoclassical music for solo piano. The book includes well-known pieces from Max Richter, Ludovico Einaudi, Enya and Philip Glass alongside stunning works from the likes of Agnes Obel, Imogen Heap and Anne Lovett, all arranged for the intermediate pianist and many in print for the first time.
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The Faber Music Contemporary Piano Anthology
Piano solo
[Sheet music]
Faber Music Limited
The Faber Music Contemporary Piano Anthology is an exciting collection of best-l...
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The Faber Music Contemporary Piano Anthology is an exciting collection of best-loved neoclassical music for solo piano. The book includes well-known pieces from Max Richter, Ludovico Einaudi, Enya and Philip Glass alongside stunning works from the likes of Agnes Obel, Imogen Heap and Anne Lovett, all arranged for the intermediate pianist and many in print for the first time./ Recueil / Piano
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Yes: Royal Blood: Bass Guitar Solo: Album Songbook
Guitar and Bass Tablatures, Chords
[Sheet music]
Hal Leonard
The debut album from the Brighton-based rock duo Royal Blood arranged for Guita...
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The debut album from the Brighton-based rock duo Royal Blood arranged for Guitar and Bass Guitar tab with lyrics.Mike Kerr's Bass rig is multifaceted. It's comprised of three distinct setups each with its own amp and set of effects to fulfill a specific role in the band. Two are set to emulate Guitars and one for Bass. Thorough careful arranging of the riffs and deft switching he's able to do the work of three plus sing! These tabs are written with same approach. Labels such as Gtr. Rig 1 Gtr. Rig 2 and Bass Rig are used throughout to indicate the signal path of Kerr's Bass. Guitar players can use the transcriptions too by playing the bottom four strings and following the labels and effect settings. You can either assign the parts to three players or with the help of a pile of gear do it all yourself.This book includes all the songs from the band's eponymous release including Better Strangers Blood Hands Careless Come on Over Figure It Out Little Monster Loose Change Out of the Black Ten Tonne Skeleton and You Can Be So Cruel. Includes photos.
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Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
String Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) ...
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Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]
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Airs And Dances
Fiddle
Mel Bay
Airs and Dances is a collection of Scottish strathspeys (rugged, lyrical dance t...
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Airs and Dances is a collection of Scottish strathspeys (rugged, lyrical dance tunes) for violin and other melodic instruments. Strathspeys are usually played slower than reels, with many long-short dotted rhythmic patterns. This compilation features some of the best-known strathspeys as well as some of the quirkier, rarer tunes in this wonderful repertoire. The pieces are arranged chronologically.The melodies as written are the skeletons of the tunes, without much additional information like bowings, dynamics, and articulations. This presentation allows the reader to both learn the melodies in their most general sense as well as use their creative judgment to vary each tune'smelody and nuances. Each piece is framed with historical and cultural context, and audio is available online. Airs and Dances is a collection of Scottish strathspeys (rugged, lyrical dance tunes) for violin and other melodic instruments. Strathspeys are usually played slower than reels, with many long-short dotted rhythmic patterns.This compilation features some of the best-known strathspeys as well as some of the quirkier, rarer tunes in this wonderful repertoire. The pieces are arranged chronologically. The melodies as written are the skeletonsof the tunes, without much additional information like bowings, dynamics, and articulations. This presentation allows the reader to both learn the melodies in their most general sense as well as use their creative judgment to varyeach tune's melody and nuances. Each piece is framed with historical and cultural context, and audio is available online. / Musique traditionnelle anglaise, irlandaise, écoss / Recueil / Fiddle
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Allan Jaffe: Mysterioso: Guitar Solo: Instrumental Album
Guitar
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Intermediate
Hal Leonard
Mid Intermediate Essential Elements Guitar Repertoire-Hal Leonard's Essential El...
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Mid Intermediate Essential Elements Guitar Repertoire-Hal Leonard's Essential Elements Guitar Repertoire Series features great original guitar music that is carefully graded and leveled for easy selection. The songs are presented in standard notation and tablature and are fully demonstrated on the accompanying CD. Mysterioso features 10 original songs with spooky melodies and riffs.
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Airs and Dances: Violin: Instrumental Album
Violin
[Sheet music + Audio access]
Mel Bay
Airs & Dances is a collection of Scottish strathspeys (rugged lyrical dance tun...
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Airs & Dances is a collection of Scottish strathspeys (rugged lyrical dance tunes) for violin and other melodic instruments. Strathspeys are usually played slower than reels with many long-short dotted rhythmic patterns.This compilation features some of the best-known strathspeys as well as some of the quirkier rarer tunes in this wonderful repertoire. The pieces are arranged chronologically.The melodies as written are the skeletonsof the tunes without much additional information like bowings dynamics and articulations. This presentation allows the reader to both learn the melodies in their most general sense as well as use their creative judgment to varyeach tune's melody and nuances. Each piece is framed with historical and cultural context and audio is available online.
20.99 GBP - Sold by Musicroom UK
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Improve Your Groove: Bass Guitar Solo: Instrumental Tutor
Bass guitar
[Sheet music + CD]
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Intermediate
Hal Leonard
Join acclaimed bassist composer and teacher Patrick Pfeiffer as he explores the...
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Join acclaimed bassist composer and teacher Patrick Pfeiffer as he explores the anatomy of a bass groove from the inside out.Learn to dissect each groove and discover what makes it so groovy - from its skeleton to its apex - while evolving your playing skills and musicality along the way.There are plenty of exercises and a huge number of groove ideas along with an audio CD that is packed with full-band demo tracks and examples.
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Camille Saint-Saëns: Danse Macabre Op. 40: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Eulenburg
Poème Symphonique-Re-edited ? with a detailed preface by Wolfgang Birtel. The...
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Poème Symphonique-Re-edited ? with a detailed preface by Wolfgang Birtel. The famous Symphonic Poem from 1984: Death plays a dance tune the skeletons rise from their graves and dance an eerie dance to the music until the crowing of the cock puts an end to the macabre.
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