Commissioned for Tenebrae and their director Nigel Short. John Tavener writes:'Mother and Child celebrates the miracle of childbirth. It also celebrates Mary in her universal aspect as mother of all Prophets andco-redemptress with Christ. But behind all this is the Theophanic Light single and infinite and the same in every Religious tradition. The music is at once tender ecstatic and luminous and follows the text. I have interpolatedinto Brian Keeble’s poem texts celebrating the Eternal feminine in Greek and then at the climax an outburst in Sanskrit of ATMA. This is supreme Reality the true Self shining and infinite the one single God expressedin music by pulsating awesome strokes on the Hindu Temple Gong with organ and choir in massive blocks. This seems to say that the real ‘Mother and Child’ are both beyond birth and beyond death and beyond time.'

Poems From The Sanskrit - 2013 Version for Mezzo-Soprano and Ensemble by Asbjørn Schaathun.Original version for Soprano Piano and Double Bass: WH 31217.

OpenSax – the title of this collection should appeal to all saxophonists who seek to explore new directions while keeping an eye on the current musical scene. Claude Georgel director of the Vent de Sax collection took advantage of a festive occasion – the 17th World Saxophone Congress and Festival in July 2015 – to ask nine composers from very different backgrounds to write pieces either joyful or poetic. The idea was to allow instrumentalists (starting year two of Alto Saxophone study) to explore a variety of artistic and technical worlds guided by the pure joy of playing. It’s a thrilling adventure: British composer JohnHarle draws on the Sanskrit symbol Yantra to weave magical connections between soloist and electroacoustics. Sophie Lacaze turns young saxophonists into Oriental storytellers as they celebrate through deft plays on keys the thousand shards of La Lune dans l’Eau. Vincent-Raphaël Carinola takes musicians into the dreamlike mechanism of the Montre molle so dear to Dali. In Sunny groove Claude Barthélémy offers those who thrill to jazz the pleasure of slipping into the skin of the legendary Sonny Rollins. Annette Mengel gives her Vol au Vent the appearance of a fragile haiku while Clara Olivares the composer of L’Envol transforms what could have been a banal study of the various types of vibrato into a hymn for freedom – that of the performer for example to whom she gives great importance. Claude Georgel’s Du Tac au Tac! conjures an amusing world to which a “very free questioning” rubato brings a simply irresistible sway. In Gamaphone for Saxophone and electroacoustics Philippe Gleiss throws a bridge between jazz and funk by plunging the musician into the sensual delights of rhythm. Xavier Rosselle brings the electroacoustic accompaniment of Main gauche Main droite et Clac a granular quality that emphasizes the music’s sobriety. From the nine stops that compose this journey springs an intoxicating taste of freedom. - Claude BarthélemySonny’s groove

Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn – Child – Youth – Adult – Old – Dead, followed by a short epilogue. In this universal tale of Man’s journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the composer, with the Salisbury Festival Chorus and Salisbury Area Young Musicians Junior Choir, at Salisbury Cathedral on 31 May 2008. This edition (EP73536a) is the vocal score. The full score (EP73536) is available to purchase and the orchestral materials are available for hire. / Date parution : 2022-07-23/ Répertoire / Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et

This volume offers children the opportunity to play along to 21 all-time international favourite melodies including Mozart's Es klinget so herrlich (It Rings out so Joyfully), Grieg's Morning Mood as well as Mary had a Little Lamb and various Christmas songs. The CD includes full versions of these simple arrangements as well as play-along versions on the same tracks. This allows children to play along to the full version and develop confidence before going solo. Piano accompaniments are inserted in the publication as an alternative. / Flûte Et Piano

The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser: Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines, and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshops summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. Available in C, Bb, Eb and Bass Clef. / Instruments En Do

Mahamatar (Study Score). Mahámátar is written for Oriental or Middle-Eastern female voice, distant boys' voices (in a vast acoustic), tubular bells and muted strings. The music is an invocation to the Great Mother Mahámátar in Sanskrit, and to the Theotóke (God-bearer) in Greek. Originally written to accompany a fi lm by Werner Herzog which deals with South American Indians who travel for many miles on their knees to venerate the miraculous Ikon of The Mother of God of Guadalupe. Mahámátar may be performed by a solo voice or alternatively the melody could be played by a solo cello, with decorations and improvisations by the singer.

The Saman Chant is one of the oldest musics of which there is any record. This piece Samaveda for flute voice and tampura is a tribute to this ancient form of Indian sacred music. It is freely based on the original chantin Sanskrit.This work was commissioned by the Nehru Centre and first performed at the Nehru Centre London in June 1997 by Patricia Rozario and Kathyn Lukas.Duration c. 5mins. This is a special item which is made toorder. Please e-mail our Mail Order Department for further information.

The second in Glass' trilogy about men who changed the world Satyagraha's sub-text is politics. The opera is semi-narrative in form and deals with Mahatma Gandhi's early years in South Africa and his development of non-violentprotest into a political tool. (Satyagraha is a Sanskrit word meaning 'truth force'). Each act is dominated by a single historic figure (non-singing role) overlooking the action from above: the Indian poet Rabindranath Tagore inAct 1 the Russian author Leo Tolstoy in Act 2 the American civil rights leader Martin Luther King Jr. in Act 3. The music from the conclusion of Act 3 has been beautifully arranged and adapted for Organ solo by MichaelRiseman and Donald Joyce.

The ukulele is becoming more and more popular, and more and more guitarists are getting involved with the 4-stringed little sister of the guitar.Especially for this group, the alternative tuning of the ukulele with a low G-string ( low G ) is interesting, because not only the range is enriched, but also the feeling of playing with a low string is very reminiscent of a guitar.The melody-chord playing in this songbook uses techniques of classical guitar as well as folk guitar and combines chords with the song melody to create rousing arrangements, all of which have proven themselves in lessons and have been written by the experienced author and pedagogue Patrick Steinbach to be easy to moderately difficult.PrefaceVorwortAin´t NobodyAngieBlue Suede ShoesCalifornicationCandle In The WindCan You Feel The Love TonightChild In TimeDon?t Worry Be HappyDust In The WindEleanor RigbyFields Of GoldHallelujahHeart Of GoldHe´s A PirateHey JudeHey There, DelilahKnocking On Heaven?s DoorIn The SummertimeLady In BlackLet It beLocomotive BreathMad WorldNights In White SatinNothing Else MattersRock Around The ClockSailingSound Of SilenceStreets Of LondonTears In HeavenTequilaAbout The Songs / Über die SongsChord Diagrams / Grifftabelle / Guitare tablatures / Schott

Par CHILCOTT BOB. for SSA and piano Yesterday, Today, and Tomorrow is a three-movement work by Bob Chilcott, exploring the concepts of reflecting on the past, living in the present, and not worrying about the future. The words were written with children in mind, and are inspired by a translated Sanskrit text used in Chilcott's piece Look to this day!. / Date parution : 2023-10-31/ Répertoire / SSA et Piano

Georges Gurdjieff, né dans le Caucase, sur la frontière entre l'Arménie et la Turquie, développé une doctrine philosophique, entre la connaissance ésotérique de l'Orient et de la pensée scientifique des sérums donnent Ouest. Il voyage beaucoup année / Piano