| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
141.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 3 Letzte Motetten Concert Band/Harmonie [Score and Parts] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didnt have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
181.34 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| 14 Motetten (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
376.82 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 3 Letzte Motetten Concert Band/Harmonie [Score] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didnt have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
47.08 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band [Score] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a sympho...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a symphonic composer, Bruckner wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
29.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Threshold Of The Night Choral SATB Novello & Co Ltd.
Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation...(+)
Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College chapel on 25th November 2006. Written for Advent, the work aims to highlight the yearning that all societies have, in their time of need, for guidance from beyond their community. By coincidence, however, this composition was completed on the eve of 29th August 2006, one year after Hurricane Katrina, one of the deadliest in the history of the United States, made landfall in Louisiana. Looking at Raine's words in this context ('Go back, my child, to the rain and storm', 'I will not go back for sorrow or pain'), the poem can be seen to echo the conflicted and anguished thoughts of displaced New Orleanians. The original Advent sense ofdesired guidance takes on a specific, if unintentional, significance with regards to the tragic outcome of that hurricane - this is emphasized by the bluesinflectedharmonies found throughout Threshold of Night . / SATB
6.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Real Easy Book 2 - C
Version: C Instruments:
Instrumental Album C Instruments [Fake Book] - Easy Sher Music Company
Real Easy Book 2 - C Version. Following on from the great success of The Real Ea...(+)
Real Easy Book 2 - C Version. Following on from the great success of The Real Easy Book Volume 1, The Real Easy Book Volume 2 is perfect for students with a few years of playing experience, right up to working professionals.
From jazz classics like Four, Scrapple From The Apple, and Dear Old Stockholm to contemporary tunes like George Benson's Mimosa and Donald Fagen's Walk Between Raindrops this selection of songs will keep you and your audience smiling.
The Real Easy Book Volume 2 will save band directors countless hours of writing out scales for soloing, chord voicings, Guitar diagrams and Bass lines - they are all included with each tune. The educational material in this book has been developed in conjunction with Stanford Jazz Workshop. It works.
25.99 GBP - Sold by Musicroom UK | |
| Jacob Narverud: I Am:
SATB: Vocal Score Choral SATB [Vocal Score] Schirmer
Judith Clurman Choral Series-This setting of text by the celebrated contemporary...(+)
Judith Clurman Choral Series-This setting of text by the celebrated contemporary poet Charles Anthony Silvestri reflects the personal insights and positive and negative aspects of being a teenager.The composer Jacob Narverud hasset these insightful lyrics to depict the way that teenagers feel about the dichotomy of life: doubt and frustration coupled with excitement and passion - standing on the threshold of all things new.I Am isfor SATB choir a cappella.
11.25 GBP - Sold by Musicroom UK | |
| Magnificat (BRUCKNER
ANTON) Solistes, Choeur SATB et Piano Carus Verlag
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat ...(+)
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it offers many opportunities for use. Trumpets and timpani give a festive emphasis to this song of praise to Mary. / Date parution : 2022-05-31/ Répertoire / Solistes, Choeur SATB et Piano
10.01 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Magnificat (BRUCKNER
ANTON) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Carus Verlag
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat ...(+)
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it offers many opportunities for use. Trumpets and timpani give a festive emphasis to this song of praise to Mary. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Ensemble de Chambre
27.66 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Magnificat (BRUCKNER
ANTON) [Set of Parts] Carus Verlag
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat ...(+)
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it offers many opportunities for use. Trumpets and timpani give a festive emphasis to this song of praise to Mary. / Date parution : 2022-05-31/ Répertoire / Solistes, Chur SATB et Ensemble de Chambre
55.44 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Franz Schubert: Symphony
No.10 In D: Orchestra:
Score Orchestra [Score] Faber Music Limited
Dating from the Autumn of 1828 Schubert's 10th Symphony is arguably the compose...(+)
Dating from the Autumn of 1828 Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three and containing the principle material for the movement - the renowned Schubert scholar Brian Newbould has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation born out of a life-long study of the composer's workings has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling pioneering style of Schubert on the threshold of his fourthdecade.
18.99 GBP - Sold by Musicroom UK | |
| Christopher Parkening:
Christopher Parkening -
Solo Pieces: Guitar Solo: Guitar Hal Leonard
Loaded with virtuoso music this collection contains transcriptions of 21 solo p...(+)
Loaded with virtuoso music this collection contains transcriptions of 21 solo pieces for classical guitar edited and fingered by Parkening. Includes: Allegro * Allemande * Danza * Fugue * Galliard * I Stand at the Threshold *Prelude * Sevilla * Sonata in D * Suite in D Minor * Villanesca * and more.
25.99 GBP - Sold by Musicroom UK | |
| Joulupuu on rakennettu:
Unison Voices: Vocal
Score Choral Unison Unison, Piano Boosey and Hawkes
Christmas at the Treshold-Unison. Collins C
2.25 GBP - Sold by Musicroom UK | |
| Jakob Thorkild Overgaard:
Improvised Music - Essays
and Interviews: Theory Wilhelm Hansen
Improvised Music - Essays And Interviews by Jakob Thorkild Overgaard. From the p...(+)
Improvised Music - Essays And Interviews by Jakob Thorkild Overgaard. From the preface: This book is the child of my extensive personal experienceas performer of musical improvisation. I havea large number of concerts recordings and bands inmy baggage and throughout my career as performerI have reflected much on the music as such its origins and its effects on performer and listener alike.In addition to this my M.A. in Music from CopenhagenUniversity provided me with a theoretical foundationwhich has sharpened my reflections on musicand fostered an interest inthe spoken word.As its point of departure this book will attempt a discussionof improvised music after 1968 as a conceptand as an actual performing art. I shall use the terms‘free improvisation’ or ’ freely improvised music’ – as Ithink that they are the best although I am of coursefully aware that there may be several other adequateterms for this music... ...There are sections solely based on my views and analyses as well as sections taking their starting point in the views of other writers and artists. Besides the book contains interviews and communications with prominent performers of improvised music and theorists such as inter alia Danish Peter Ole Jørgensen Swedish Raymond Strid Danish Vagn E. Olsson and Torben Sangild Postdoc at the Department of Arts and Cultural Studies Copenhagen University.
22.90 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Tarik O'Regan: Threshold
Of Night: SATB: Vocal
Score Choral SATB SATB [Vocal Score] Novello & Co Ltd.
Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation...(+)
Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St Johnâs College Cambridge and was premièred under the direction of David Hill in the College chapel on 25th November 2006. Written for Advent the work aims to highlight the yearning that all societies have in their time of need for guidance from beyond their community. By coincidence however this composition was completed on the eve of 29th August 2006 one year after Hurricane Katrina one of the deadliest in the history of the United States made landfall in Louisiana. Looking at Raineâs words in this context (âGo back my child to the rain and stormâ âI will not go back for sorrow or painâ) the poem can be seen to echo the conflicted and anguished thoughts of displaced New Orleanians. The original Advent sense ofdesired guidance takes on a specific if unintentional significance with regards to the tragic outcome of that hurricane; this is emphasized by the bluesinflectedharmonies found throughout Threshold of Night.
3.75 GBP - Sold by Musicroom UK | |
| Steve Miller Band: Steve
Miller Band: Piano Vocal
and Guitar: Artist
Songbook Piano, Vocal and Guitar Hal Leonard
22 rock classics, including: Abracadabra * Cry Cry Cry * Fly Like an Eagle * I W...(+)
22 rock classics, including: Abracadabra * Cry Cry Cry * Fly Like an Eagle * I Want to Make the World Turn Around * The Joker * Jungle Love * Living in the U.S.A. * Space Cowboy * Take the Money and Run * Who Do You Love * and more.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Burwell, Carter / : The
Twilight Saga - Breaking
Dawn - Part 1 Piano solo [Sheet music] - Easy Hal Leonard 15.50 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Thorkild Knudsen: Heden:
Chamber Ensemble: Score Wilhelm Hansen
Heden is a Suite composed by Thorkild Knudsen based on the music from Knud Leif...(+)
Heden is a Suite composed by Thorkild Knudsen based on the music from Knud Leif Thomsen's film 'Spor i Lyngen'. Scored for recorders and strings.
10.99 GBP - Sold by Musicroom UK | |
| Luís Tinoco: Paint Me:
Opera: Score Opera [Score] University Of York Music Press
Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera...(+)
Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra.Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection.'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucerâs The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each characterâs fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey.' - Stephen Plaice
37.95 GBP - Sold by Musicroom UK | |
| Tarik O'Regan: Tal Vez
Tenemos Tiempo (Maybe We
Have Time): SATB: Vocal
Score Choral SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
Tal Vez Tenemos Tiempo (Maybe We Have Time) is O’Regan’s first work ...(+)
Tal Vez Tenemos Tiempo (Maybe We Have Time) is O’Regan’s first work setting text in Spanish for which the composer has chosen quite a homophonic setting and harmonic clarity. His work incorporates tonal modal minimalism jazz and African influences though in this work modality and tonality are powerfully in evidence.Contemporary British composer Tarik O’Regan divides his time between New York City and Cambridge England composing as well as writing and speaking about music in print and on radio. His works range from chamber pieces and Choral compositions to chamber opera and full-length ballet. He was nominated for two Grammy awards in 2009 forhis album Threshold of Night and his reputation continues to grow.
3.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Per Nørgård: Titanic:
Recorded Performance Wilhelm Hansen
About the images in the enclosed book (80 pages)The photographs in this book are...(+)
About the images in the enclosed book (80 pages)The photographs in this book are taken from The Father Browne SJ Photographic Collection. Frank Browne (1880-1960) sailed with the Titanic on the first part of the luxury shipâs maiden voyage from Southampton to Cobh (Queenstown) in Ireland.The trip was a gift from his uncle who had also given Browne a camera which enabled him to document the journey. Brown befriended a well-to-do American family onboard. They invited him to travel on to New York with them but Browneâs uncleopposed and ordered his nephew to land in Cobh. It was a blow for the young traveler but ended up saving both Browne and his unique photographs.The book is alsoillustrated with Per NørgÃ¥rdâs scores for Titanic.TitanicMusic by Per NørgÃ¥rdText by Thorkild BjørnvigChristian Steffensen recitationEdit mix and master: Gert Skjød SørensenRecording engineer: Benni BossThe original tape element used in the premiereof Titanic on April 14 1962 has been digitizedand re-used on this CD.Svend Nielsen violinJens Wilhelm Pedersen (Fuzzy) clarinetErik Norby trumpetPer NørgÃ¥rd pianoBirgit Nielsen vocalsTechnician: Harry Damgaard
18.30 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Tarik O'Regan: Postlude
For Organ: Organ:
Instrumental Work Organ [Sheet music] Novello & Co Ltd.
Postlude is taken from the larger work Threshold of Light for SATB chorus bra...(+)
Postlude is taken from the larger work Threshold of Light for SATB chorus brass quintet and organ commissioned by the Memorial Church at Harvard University in celebration of its 75th anniversary.
2.25 GBP - Sold by Musicroom UK | |
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