The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and the Beatles! This comprehensive volume contains all and every one of the 194 songs that were written and sung by the Beatles during their prolific and productive career. Specially arranged in the original keys by Rikky Rooksby from the actual recordings, each song includes chord symbols, guitar chord boxes and complete lyrics and the band's full discography is also featured. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Par BEATLES THE. Pop/Rock / Rép International / Recueil / Piano, Chant et Guitare

Par BEATLES THE. Every song written and recorded by John Lennon, Paul McCartney, George Harrison and Ringo Starr in melody line arrangements with complete lyrics and Guitar chord boxes. Suitable for all melody instruments, vocalists, keyboard players and guitarists. Includes two free Guitar tutorials on DVD of the songs I Saw Her Standing There and Here There And Everywhere . / Niveau : Elémentaire / Rép International / Recueil / Chant et Guitare

Par BEATLES THE. Jouez et chantez 200 de vos chansons préférées des Beatles ! Ce recueil contient les diagrammes d'accords de guitare, les informations sur le capodastre, les paroles complètes et les indications de mélodie vocale pour la première phrase de chaque chanson afin de vous mettre sur la voie. La reliure permet de tourner facilement les pages et de rester à plat sur le pupitre. / Date parution : 2023-07-31/ Recueil / Accords de Guitare

10 bekannte Stücke von Bach bis Duke Ellington-The wide range of musical styles presented in this edition ranges from the Baroque the Classical and Romantic periods to the modern age. Arrangements of compositions such as Schubert's An Sylvia Bizet's Aragonaise (Carmen) Rachmaninoff's Vocalise or Wagner's Prize Song present the trumpet player with a number of technical challenges and as well as the need to consider musical style.A brilliant collection which is both educational an thoroughly enjoyable.Biography:As a freelance trombonist composer and arranger and as bachelor of music education Rod Hudson taught jazz history and jazz arrangement and he directed jazz ensemblesat the University of New Hampshire the University of Connecticut and the Eastman School of Music. His compositions and arrangements have been performed and recorded among others by the Tommy Dorsey Orchestra and the Harvard Jazz Band.Contents:Antonio Vivaldi: Allegro (from 'Cello Sonata No. 1')Billy Strayhorn: Lotus BlossomFranz Schubert: An SylviaSergei Sergejewitsch Prokofieff: March (from 'The Love for Three Oranges')Robert Schumann: Im wunderschönen Monat MaiSergej Wassiljewitsch Rachmaninow: Vocalise Op. 34 No.14Georges Bizet: Aragonaise (from 'Carmen')Edvard Grieg: Album Leaf (from 'Lyric Pieces Op. 12')Richard Wagner: Prize Song (from 'Die Meistersinger von Nürnberg')Joseph Haydn: My Mother bids me Bind my Hair

The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century singers and their pianist collaborators were able to create recital programmes from a deepreservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated oftenfeaturing elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing.There are several songs for voice and piano but some requireother instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty as our criteria were more broadly performative and musical rather than didactic. All selected composers have aparticular sympathy for the singing voice so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type but this shouldn't be thought of as prescriptive; they are designed tobe flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging the intense and mysterious to the sad and the light-hearted. We hope that manyperformers will find their tastes represented here.Compiled by David Blake and John Potter.Edited by Michael Hooper.

195 Lyrics And Chords. Par BEATLES THE. 195 lyrics and chords, Tutti i testi con gli accordi per chitarra delle canzoni dei Beatles/ Recueil / Chant et Piano

These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened  The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.

The complete step-by-step guide for the adult beginner - Step-by-step learning in playing and reading starting from absolute scratch presented in clearly structured stages- Also suitable for the 'returning beginner' -Performance pieces in a range of styles from classical and folk through to jazz- A helpful and stimulating CD with aural development exercises and recordings of the pieces many with 'play-along' tracks- Warm-up exercises - Even more performance pieces for each stage which are available as FREE DOWNLOADS from the Universal Edition website together with further advice information and music theoryThis editionis only available in English.German version: Piano Coach (UE 34991)

Music from the last movement of the Ninth Symphony. Par BEETHOVEN LUDWIG VAN. The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house./ Répertoire / Orchestre