Piano-Along with lyricist Hal David Burt Bacharach penned some of the best pop songs and standards of all time. These superb collections let solo instrumentalists play along with: Alfie · Blue on Blue · Do You Know the Way to San Jose · I Say a Little Prayer · Magic Moments · This Guy's in Love with You · Walk on By · What the World Needs Now · The Windows of the World · and Wives and Lovers. Each pack includes two CDs with complete performances plus minus-one tracks and newly engraved music for the solos printed on high-quality ivory paper.

Music from 'The Story of Princess Kaguya'. 9 arrangements for 6 songs from "Princess Kaguya".

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Par VAN NUETEN GUY. Light the fire, James. We'll take our digestive by the crackling of the hearth. Such were the thoughts that came to mind as I started listening to Guy Van Nueten's new record. Because, yes, there is a certain aristocracy to this music. There's the feeling of autumn and you immediately long to warm yourself on the sounds that issue from Van Nueten's bony fingers. But it could just as well be a car ride through soft rain at nightfall, where trees become freakish phantoms, and here and there a villa looms like a light beacon. Pacman is a record that makes you hunt for images, films you have seen before, feelings you have known and wish to relive, like a somewhat forbidden fruit, asecret pleasure. Melancholy? Absolutely. A vague sadness to make a person purr like a contented cat? Certainly. Yet at the same time, Van Nueten is cunning. While ensuring that his music pleases you, at the end of some compositions he'll suddenly come up with a theme that he'll stop abruptly, so that the notes remain hanging like snapshots of aerial acrobats in action. It is also investigative music as if Guy himself does not wish to know just where he will finish up. There is a stubbornness to it, an elegant fight perhaps between composer and pianist. It pursues you - exactly like a Pacman, in fact, chomping away at digital pieces of your heart. Yet it never seems to dissolve into thin air: time and again, right from the first listen, he makes you long to hear more. It is music that should protect a person like a secret, like an illegal fire in a forest that warms your hands and fills your head with dreams. It smells like cedar, this piano music. Or like a nice cigar offered to you by the imaginary James, who whispers: 'The fire is crackling, sir. Just as you like it.' At which point the enchantment begins all over again./ Répertoire / Piano

Written for Flute and Piano by Guy-Claude Luypaerts this volume of De La Flûte is the third of a set of five. It includes six pieces for upper beginners with scores for both instruments and a CD to help the player to perform each piece correctly. 1. Tarantelle – 1’07 2. Bal en soir – 1’36 3. Sur quatre notes – 1’35 4. Trianon et Menuet – 1’46 and 0’40 5. Acanthes - 1’34 6. Les fjords – 1’46 For each piece the CD features a solo Flute version and a Flute and Piano version. Guy-Claude Luypaerts is a French composer and flautist of the 20th century who won numerous composition prizes. His compositions are mainly for woodwind and include concerto works and various pieces for Flute Horn Organ and Trumpet among others.

Brave Guy of Warwick sets text from Lines written at Warwick by George Crabbe (1754-1832) which describes a portion of the legend of Guy of Warwick. This piece is engaging and characterful and audiences are bound to be charmed by both the music and the story.

The opening section of this beautiful lyric piece is meant to depict light breaking upon a darkened world. Filled with vibrant instrumental colors and textures this piece expands to a climax followed by a serene closing passage. Originally conceived as a choral work by Guy Forbes this has been skillfully transcribed for winds by Preston Hazzard.

A great selection of songs including pop, rock, classical and showtunes, making this book the ideal companion for any audition! Includes four CDs with full backing tracks for each song. / Piano/Vocal/Guitare (PVG)

When We All Fall Asleep Where Do We Go? This debut studio album by this teenage newcomer to the music scene reaching the top of the Billboard® 200 album charts. Our matching folio features 13 tracks: All the Good Girls Go to Hell ? Bad Guy ? Bury a Friend ? 8 ? Goodbye ? I Love You ? ilomilo ? Listen Before I Go ? My Strange Addiction ? When the Party's Over ? Wish You Were Gay ? Xanny ? You Should See Me in a Crown.

Theme from the Twentieth Century Fox Television Series-From the wildly popular animated TV series Family Guy comes this swinging and thoroughly enjoyable theme. Solidly scored in the style of a Las Vegas show band this is sure to be a hit with all audiences.InstrumentationTrombone 1 (x3)Trombone 2 (x3)Baritone - Bass Clef (x2)Baritone Treble Clef (x2)Tube (x4)Double Bass (x1)Percussion (x2)Timpani (x1)Mallet Percussion (x2)Piccolo (x1)Flute (x8)Oboe (x2)Bassoon (x2)B Flat Clarinet 1 (x4)B Flat Clarinet 2 (x4)B Flat Clarinet 3(x4)E Flat Alto Clarinet (x1)B Flat Bass Clarinet (x2)E Flat Alto Saxophone 1 (x2)E Flat Alto Saxophone 2 (x2)B Flat Tenor Saxophone (x2)E Flat Baritone Saxophone (x1)B Flat Trumpet 1 (x3)B Flat Trumpet 2 (x3)B Flat Trumpet 3 (x3)French Horn 1 (x2)French Horn 2 (x2)

pour Flûte seule for Solo Flute-Having studied under Jean Pierre Rampal and Tony Aubin at the Conservatoire National de Paris flautist Guy-Claude Luypaerts now divides his time between his work as a soloist teacher and orchestral conductor without neglecting his com­positional activity. Luypaerts has remained true to his childhood land: for this resident of the seaside village of Panne in western Flanders the North Sea coastline is a continual source of inspiration. This beloved landscape where sea sky and dune embrace was the setting for the composition of the Partita for Flute in August 2014. The title can be seen as a tribute to two essentialworks in the solo Flute repertoire: Bach’s Partita in A Minor BWV 1013 and the Sonata in A Minor Wq 179 by his son Carl Philipp Emanuel. Dedicated to flautist Maxence Larrieu who included it in the programme of his International Competition (2015) the Partita contains three movements. The energetic determination of Patience contrasts with the dreamy exhalations of Volutes before the Chimères are unleashed upon an angry sea.

Drum Lesson Volume 4-Drum Lesson is a very progressive method in four books written by Emmanuel Boursault (born in 1949) and Guy Lefèvre (1931-2004) both Drum teachers and founders of the Emmanuel Boursault School of Drums. This fourth book for upper beginners teaches how independence binary rhythms jazz solos and how to read sheet music. With Drum Lesson the beginner will be adequately prepared to face their first Drum exams and will be provided guidance throughout the book with annotations on how best to use each exercise.

Sweet Talkin' Guy One Fine Day and He's So Fine are featured in this mini-salute to one of the fabulous groups of the 1960s - The Chiffons. The pop groove tight harmony and fun lyrics - it's all here! Available separately: SSA Instrumental ePak and ShowTrax CD. Performance Time: Approx. 4:45.

Motivational Insights for Teens-Whether you've just started middle school or are at the end of your high school years figuring out who you are and how you fit in this world is not easy. After spending decades with young musicians in schools churches andcommunities John Jacobson offers unique insights into what it means to be growing up in a 'choir of citizens' who are all 'singing' a different tune. He shares some of his stories and how he took risks in order to pursue hisdreams. There are many paths to pursue in life. Which path will you choose? You are valuable. We need your song! Topics include: Who Is This Guy? It's All About Me Three Little Words Finding Your Song. Available inCD and DVD formats.