SKU: PR.510076960

1. Choral: An improbably superimposing of Beethoven and Brahms. At the end of the first performance of the latter's 1st Symphony, someone asked the composer: Don't you find that your main theme remin ds one of the Ode to Joy? To which he retorted: Even an idiot would have noticed it! 2. Fugue: in the last exposition, the subject of Fugue I from volume 1 of Bach's Well-Tempered Keyboard is super imposed on the theme from Mozart's so-called easy sonata. 3. Passion: In his Violin Concerto, Mendelssohn, to whom we owe the rediscovery of Bach's Passions, seems to have borrowed a theme from a lost Passion. 4. Recitativo: Tribute to Franck's tribute to Bach in his Sonata for violin and piano. 5. Invention: A private revenge, after a bitter failure. Debussy's Toccata was on the compulsory list for the Conservatory piano class entrance exam. 6. Arpeggione: In which the listener realizes the similarity in the introduction to Schubert's Unfinished Symphony and Arpeggione Sonata. 7. Sarabande: The most iconoclastic, for Bach's 5th Cello Suite is already suffused with harmony. There might be an evocatioin of a Brahms-like overarching structure, though... 8. Variation: The slowest variation ever written on Paganini's 24th Caprice. 9. Scene: Schumann's Reverie as a Prelude. 10. Finale: In order to capture the elusive harmony of the Finale of Chopin's Sonate Funebre. 11. Fugue on Au clair de la lune: Our greatest nursery rhymes, fugue fitted and choralized. 12. Fugue de Noel (Christmas fugue): Quite appropriate. 13. Fugue on J'ai du bon tabac: Prohibited counterpoint. 14. Fugue on La Marseillaise: Franco-German reconciliation. 15. Pedal - Exercitium: Realization and conclusion of Bach's organ pedal exercies.

SKU: ET.PNO81

ISBN 9790207003256.

L’enfance en éclats 2001 [Childhood Shattered]
As its title suggests, Childhood Shattered is program music. A simple and graceful tune, symbolizing childhood, is abruptly interrupted by a horrific, dissonant chord. The tune returns ; but the echo of the chord, still lingering in the background, tells us that the memory of the traumatic event persists. Life has darkened. Nothing is as it was before. The initial melody wanders into keys ever stranger and more distant, ultimately arriving at a new theme, obsessive, with grating seconds and thrusting accents. This shattered childhood and its episodes of aimlessness, will it give birth to new certainties?
The piece is an exercise in contrasting detached notes with tied notes.
Commissioned by the Association Jeune musique. Required work at the International Piano Competition Freiburg - Jeune Musique, 2002.

Toccata (2004)
This piece by Caroline Charrière issues from the historical lineage of the toccata, traditionally an exercise of dexterity characterized by repeated musical motifs.
The introduction is constructed of subtly displaced upper-register chords in the right hand that alternate with two lower notes in the left hand, creating an almost meditative preamble. In the rapid section of the piece, the performer playfully exploits the keyboard's full breadth in the course of spirited dialogues between notes high and low.
Commissioned by the Association Jeune Musique. Required work in Category IV at the International Piano Competition Freiburg - Jeune musique, 2004.
Irène Minder-Jeanneret.

SKU: MN.10-462

UPC: 688670104626.

We swept our past catalogs for charming, stand-alone pieces for use as prelude music, processionals, and recessionals. Some you might know and some will be brand new to you, as the title suggests. A useful volume to keep by the console when consulting with brides or playing weddings!

Contents:
Preludes
Allegro from La Primavera Spring - Vivaldi / Wolff
Jesu, Joy of Our Desiring - Bach / Burkhardt
Prelude on When Love is Found - John Ferguson
Adagio on Ode to Joy - Charles Callahan
Aria on O Perfect Love - Michael Burkhardt
The King of Love - Wilbur Held
Prelude on Blest Be the Tie - Charles Callahan
Rhosymedre (Lovely) - Ralph Vaughan Williams

Processionals
Prince of Denmark's March (Trumpet Voluntary in D) - Clarke / Christiansen
Rigaudon - Bohm / Biery
Trumpet Tunes from King Arthur - Purcell / Potts
Trumpet Tune on Westminster Abbey - Jerry Westenkuehler
Trumpet Tune in C - Mark Shepperd

Recessionals
Psalm XIX - Marcello / Hyslop
Postlude on Lobe den Herren - Raymond Haan
Allegro Maestoso (Water Music) - Handel / Burkhardt
A Rejoicing - Alfred V. Fedak
Now Thank We All Our God - Paul Manz
Toccata on A Theme of Beethoven - Charles Callahan.

SKU: BT.DHP-0930518-020

‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).