Perhaps the most readily identifiable sound of traditional Irish music is the sound of the Tin or Penny Whistle. Once mastered this simple inexpensive instrument can be played by a soloist or as an important element in a multi-instrument Irish music session. Expert player and instructor L.E. McCullough teaches all the basic techniques along with several tunes to get beginners off to a great start. No prior experience of this or any other instrument is required making this an ideal method for elementary players. Includes a booklet of all the music included in the DVD.

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

A collection of easy to play Irish Jigs and Reels set for Piano solo. Arranger Colin Mowby has lived in Ireland for more than 20 years and this selection of tunes reflects his attraction to Traditional Irish Music culture andlife. An enjoyable and rhythmic collection full of vitality and beauty.

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

Par . If you've been playing the Irish tinwhistle for a little while, you are probably eager to learn some Celtic songs. Complied by L.E. McCullough, a world-renowned authority on the tinwhistle and traditional Irish music, this book includes: The Banks of Lough Gowna · Boys of Blue Hill · Danny Boy · The Donegal Reel · Finnegan's Wake · The Foggy Dew · The Green Glens of Gweedore · Joy of My Life · Lark in the Morning · Minstrel Boy · Morrison's Jig · The Parting Glass · The Rocky Road to Dublin · The Sally Gardens · Sligo Maid · Tabhair Dom Do Lamh · Wexford Carol · and more. / Date parution : 2021-11-03/ Recueil / Tin Whistle

A breathtaking and unusual collection of Traditional Irish tunes that have been arranged for the Bagpipe by Dave Rickard. Fifty pieces are included some are rare and others had never been used before in bagpipe bands but all are familiar tunes or melodies which will delight and enthrall performers and audiences alike. Pieces featured include: O Sullivan’s March An Mhaighdean Mhara The Gravel Walk and The Lark In The Morning.

Par RALSTON GAVIN. Un livre sur la manière d'accompagner la musique traditionnelle irlandaise à la guitare. Découvrez les nouveaux styles accompagnement passionnant utilisés par des joueurs d'aujourd'hui de Steve Cooney d'Arty McGlynn. Ecrit en d a chuté de réglage, que ce livre contient la tablature, des formes alternatives de corde, des mélodies bass, basse s'exécute, grattage, rouleaux de flamenco et plus encore. Notation et tablature. Mfg. Walton et UK produit # WM1310. / Niveau : Intermédiaire / Celtic/Irish - Accompaniment / Méthode / Guitare Flatpick et Fingerpick

Par GROSSMAN STEFAN. A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970\'s and 1980\'s. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg\'s good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier\'s Joy, with a flair that pushes the limits ofthe hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book. / Niveau : 3 / Tablatures / Guitare Fingerpicking

This is a lovely arrangement of a traditional Irish lullaby. The Gaelic words mean simply 'Monday Tuesday and Wednesday'. This arrangement was written for the Cantabile Children's Choir of Kingston Ontario and premiered in 1997.

From the Accent On Youth series:'This is a setting of a traditional Irish blessing...this composition makes an excellent closing for aconcert a graduation exercise or a church service.'- Carolee Curtright

DVD Two: Reels Jigs and Gavottes-In this second edition Kevin Burke presents a number of repertoire-building instrumentals each contributing new techniques disciplines or song-styles. The pieces are presented note-for-note and then analysed in terms of rols grace notes bowing techniques rhythmic timing and phrasing. Through this analysis Burke defines the key elements that characterise the traditional Irish sound.

This robust arrangement of a traditional Irish blessing May The Road Rise To Meet You is moderately easy for any choir