Orchestra (Study Score)

SKU: HL.51489055

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Hiroshi Nakano. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9055. Published by G. Henle (HL.51489055).

ISBN 9790201890555. UPC: 888680950590. 7.0x9.0x0.25 inches. Preface: Ullrich Schneidler.

Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique” in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. In this Symphony in A major, composed in 1785, Haydn provides the flute with concertante solo passages in the Adagio which was perhaps a nod to the instrument’s popularity in France at the time. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.

SKU: GI.G-9879

Composed by Antonio Lucio Vivaldi, Carl Philipp Emanuel Bach, and Johann Sebastian Bach. Arranged by Noel Jones. Sacred. 60 pages. GIA Publications #9879. Published by GIA Publications (GI.G-9879).

ISBN 9781717025753.

We’re delighted to distribute this book of duets for piano and organ! Included are eleven pieces drawn mainly from the organ chorale preludes of J. S. Bach. The book also contains concerto movements by J. S. Bach, C. P. E. Bach, and Antonio Vivaldi.  While envisioned for piano and organ, these arrangements by Noel Jones can also be played on organ and harpsichord or two pianos.  For those congregations that are used to encountering piano and organ duets, these pieces are a welcome expansion of the literature for that pairing of instruments.  These pieces are most suitable for preludes and postludes and will also have a home in your church’s recital series. A listing of suggested organ registration is included in an appendix.

Soprano voice solo, tenor voice solo, SATB choir and chamber orchestra or piano (Orchestra: B-flat Cornet, Harp, Acoustic guitar (1-2 players if gently amplified, otherwise 3-5 players), Piano, opt. Organ, Timpani, Percussion (2 players), Strings (min 6-4-4-4-2)) - Intermediate

SKU: MN.56-0003

Composed by Howard Goodall. Multi-Movement/Large Choral Work. 21st Century, Word of God. Choral score. MorningStar Music Publishers #56-0003. Published by MorningStar Music Publishers (MN.56-0003).

UPC: 688670220029. English.

Every purpose under the heaven, arranged for an accompanied mixed voices choir with soprano and tenor solos, is a musical tribute to one of the most important cultural landmarks of Western civilization - the 1611 King James Bible. Written in celebration of the Bible's 400-year anniversary, Goodall has brought together ten of the most expressive passages, from Genesis to Revelation, to create an oratorio that is at once steeped in historic grandeur and utterly relevant in today's society. Musically, it displays all the hallmarks of Goodall's well-loved style - soaring melodies, rhythmic vitality and perfectly crafted lines. However, this work offers singers and audiences something more: an opportunity to introduce new generations to the expressive power and ancient truths of this historic text.

Commissioned as a gift to the United Learning Trust, Every purpose under the heaven is suitable for young singers, choral societies and church choirs of all abilities. It may be accompanied by piano, using the reduction provided, or chamber orchestra.

Contents:
1. In the beginning
2. There is a season
3. I will lift up mine eyes
4. Thee and me
5. Fulfilled in one word
6. I was a stranger
7. Blessed
8. Nover faileth
9. The light of the world
10. A new heaven, a new earth

John 1:1, 4-5, 14; Genesis 1:1-2, 14, 16, 20; Ecclesiastes 3:1-2, 4-8; Psalms 121:1-3, 5-8; Ruth 1:16-17; John 15:12-13; Galatians 5:15; Matthew 16:26; Matthew 25:35-40; Matthew 5:3-11; 1 Corinthians 13:1-8; John 8:12; Timorthy 1:7; Hebrews 11:1; 2 Corint.

Concert Band/Harmonie - Grade 4

SKU: BT.CMP-0642-02-010

Composed by James Hosay. Prestige Series. Set (Score & Parts). Composed 2002. Curnow Music #CMP 0642-02-010. Published by Curnow Music (BT.CMP-0642-02-010).

For the opening ceremony of the fiftieth anniversary of NATO, James L. Hosay was commissioned to write a special march. The heads of state of all member states of NATO were present at this event. According to instructions, the march had to be a combination of marches in American, Western European and Eastern European style. This way, a concert march was written to outline the history of the greatest alliance ever of countries working together. Now your band and audience can experience this piece of world history in a tribute to the Alliance of the Free!

Cette marche est une œuvre de commande composée spécialement par James L. Hosay pour la cérémonie d’ouverture du cinquantième anniversaire de la création de l’OTAN. Les chefs de tous les États membres de l’Alliance Nord-Atlantique étaient présents cet événement. Selon les instructions données au compositeur, l’œuvre devait combiner les différents styles des marches d’Amérique du Nord, d’Europe occidentale et d’Europe de l’Est. partir de ces éléments, James L. Hosay a composé une marche de concert qui illustre l’histoire de la plus grande alliance ayant jamais existé entre des pays collaborant au sein d’une même organisation. Cet hommage rendu l’Alliance des Pays Libres permet de célébrer lors d’un concert une part importante de l’histoire mondiale.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913949

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Organ. Sacred vocal music, Cantatas, Mourning, death. Single Part, Organ. TVWV 4:17. 16 pages. Duration 30 minutes. Carus Verlag #CV 39.139/49. Published by Carus Verlag (CA.3913949).

ISBN 9790007216207. Language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and part available separately - see item CA.3913900.

SKU: GI.G-J383

Composed by Alison Reynolds, Cynthia Taggart, and Wendy H. Valerio. Jump Right In. Music Education. 494 pages. GIA Publications #J383. Published by GIA Publications (GI.G-J383).

ISBN 9781622775408.

Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013). Music Play 2 (494 pages) is bundled into two parts, Part A and Part B. The following are the features of each part:   Part A (264 pages) Part B (229 pages) Tribute to Edwin Gordon Guiding Newborn and Young Children’s Innate Music Capacities Guiding Young Children Through Types and Stages of Preparatory Audiation: The Materials Using Music Play 2 Inclusion: All Children and Their Families (Salvador) 45 Extended Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Each plan features More Audeas for Music Play, such as tonal pattern and/or rhythm pattern examples for each type of preparatory audiation, supplemental harmonic and rhythm accompaniments to add to the music selection, and More Ideas for Music Play, such as examples of ways to connect Music Play 2 activities to PK–2 2014 Music Standards, and one inclusion strategy in a Domain of Learning. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Complete listing of all PK–2 2014 Music Standards, along with which extended music engagement plans feature each standard. Indices: Comprehensive Index Headings, Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part A Music Selections Alphabetized by Type and Title Music Play 2: Part A Music Selections Alphabetized by Title 71 Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Apply More Audeas and More Ideas you discover using Part A to music selections and engagement plans in Part B. Part B features tonalites and meters unique to music selections in Part B, and “Hello” and/or “Goodbye” music selections. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Editor and Contributor List (83 total) An 11-page, comprehensive bibliography and resource list to support researchers and practitioners and promote their audiation-based social-music and movement play with others, especially during early childhood. Indices: Comprehensive Index Headings: Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part B Music Selections Alphabetized by Type and Title Music Play 2: Part B Music Selections Alphabetized by Title Download Music Play 2 Extended Indexes (free)   Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly” manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education     The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.     James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education     University of Delaware.

Orchestra String Orchestra - Grade 2

SKU: FJ.ST6459

Composed by Gustav Holst. Arranged by Morgan Denney. Series; String Orchestra. FJH Developing Strings. Christmas; Holiday Pops; Masterwork Arrangement. Score and Part(s). Duration 3:30. The FJH Music Company Inc #98-ST6459. Published by The FJH Music Company Inc (FJ.ST6459).

UPC: 241444389492. English.

This arrangement of In the Bleak Midwinter captures the sentiment of the holidays by placing Holst's beautiful melody in a lush string orchestra atmosphere. Each section contributes with lyrical motives and nuanced harmonies while students have the opportunity to practice bow distribution, tone, and balance.

About FJH Developing Strings

Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5