Par CHRISTIANSEN COREY. Miles Davis was one of the most innovative musicians of the 20th century. This book will shed some insight into the music and soloing devices he used during his earlier periods. First, to help the student better understand Miles' early bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques commonly used in the bebop language. Then the text presents numerous one-, two-, and three-measure jazz lines in Miles' style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of Miles Davis. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Guitare

Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon

Trumpet Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Trompette

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Saxophone Ténor

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style in notation and tablature grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Guitare

Par CHRISTIANSEN COREY. Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Saxophone Alto

Par CHRISTIANSEN COREY. Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Instruments en Clé de Fa

'Two Lines' a été écrit à la demande de Kathryn Bennetts et Peter Bowman pour célébrer leurs 20 ans de collaboration. Il s'agit ici d'une réponse aux Inventions à deux voix de Bach et, comme celles de Bach, la pièce peut s'exécuter en concert ou faire par / Flûte À Bec Ténor Et Flûte À Bec Basse / 8 pages / niveau : Intermédiaire / Partition

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

Description Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane

Over two-hundred licks, lines, and grooves in many rhythmic styles. This comprehensive supplement to any bass method will help students learn over 200 great bass licks, lines and grooves. Bass Licks illustrates how simple melodic patterns can become the springboard for group improvisation or the foundation of a song. All examples are included as audio tracks to download.

Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporary classical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions, the book also features interesting notes by each composer to accompany their music.These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring, featuring some of the most talented and respected composers and their most definitive contributions to Piano music. Perhaps the biggest name included here is that of Ludovico Einaudi, whose wide reputation is a result of his masterful ability to pull at heartstrings, exemplified in his works Berlin Song, The Earth Prelude and Waterways, all of which are included here. Other giants of contemporary classical music are included in the collection, names like Philip Glass (Etude #11), Max Richter (Horizon Variations and Vladimir's Blues) and Hauschka, whose Can You Dance For Me, Early In The Park and Until It's Dawn perfectly encapsulate the emotive characteristics of all the pieces in this book. Composers like Nils Frahm, Ólafur Arnalds, Dustin O'Halloran and Jóhann Jóhannsson evolved from a similar school that favours building atmosphere with hypnotic arpeggiation in composition, explaining why these composers are often used to great effect in film soundtracks.Other inclusions in Twenty-Four Contemporary Pieces For Solo Piano are simply too important to have left out, namely Nico Muhly's Hudson Cycle, two pieces by Joby Talbot as well as Tarik O'Regan's Lines Of Desire. The beauty of the songs here speak for themselves, but the composers have also written brief notes that preface each of the pieces, giving fascinating insight into either the composition itself or particular playing notes. Featuring some of the best compositions by the most respected and creative musicians writing today, the Twenty-Four Contemporary Pieces For Solo Piano within this collection are an exciting prospect for any pianist looking for some wonderfully inspiring music to learn and play. / Piano

This outstanding collection features 10 classic songs for any combination of two voices and piano. Alfred Music's top masterwork arrangers provide supportive accompaniments, well-crafted vocal lines, historically informed editorial markings, plus IPA pronunciation guides and complete translations for every piece in a foreign language. Superb recital, concert, and contest repertoire for developing singers. / 2 Voix Et Piano

For Sophie Dufeutrelle, Professor of Flute at the Ecole Nationale de Musique de Villeurbanne, an intense pedagogical activity goes hand in hand with composition, an area in which she has received several commissions from esteemed soloists such as Maxence Larrieu and Philippe Bernold. Written in 2002 for a Flute Orchestra of around 20 instruments (from the Piccolo to the Octobass), Marine belongs to a tradition cherished by painters since the 16th century: the maritime landscape. The 1st movement (Mist) opens onto a lengthy section largely dedicated to improvisation in the spirit of Walter Thompson?s soundpainting: using finger movements, the conductor signs to the musicians the type of motif (calm sea, swell, whistling buoys, seagulls and fishing boats) that will insert itself ad libitum between two lines of waves. The 2nd movement, more traditional, floats a Song of heartbreaking melancholy followed by a light, lively Dance that swirls the heart into joyful eddies. Written for intermediate-level flautists (with one part reserved for beginners), this piece, with its variety of atmospheres, concludes on a high note ? in the joy of making music together!