Original Play-Along Modern Jazz Guitar Solos. Par VIC JURIS. Vic played the solos in this collection with the student in mind. Each piece is based on the changes of popular jazz standards and will serve as great etudes for learning advanced jazz soloing techniques. Students will be able to see how to build a solo, use tension and release ('outside” and 'inside” playing), build an advanced jazz vocabulary, and develop a motive through a set of changes though careful study of these solos. Each etude has two play-along tracks found on the companion CD. One track is with Vic playing the solos found in the book and the other track is with rhythm section only. Check out the Free PDF Download that contains a third of the book! / Niveau : Intermédiaire / Jazz - Transcribed Solos / Recueil / Guitare

When Mel Bay Records launched Guitar Sessions Vic Juris was one of the artists recruited to provide a distinctive flavor to the jazz-oriented label. A Second Look features Jay Anderson on bass Tim Horner on drums and DaveLiebman on tenor and soprano sax. The masterful juxtaposition of nylon-string acoustic and electric guitars adds an engaging range of voices to standards and originals including Barney K. So In Love All the Things You Are Shades of Jazz Very Early For Brian Table for One and Indian Summer.

One of the world's great jazz guitarists Vic Juris shares his insight into the wonderful world of harmony in this book. Not for the fainthearted Juris teaches polychords and intervallic structuresderived from the major minor harmonic minor melodic minor and harmonic major scales in this must have jazz Guitar book. Each section has etudes that will help students integrate each concept into their own playing.Includes access to online audio that gives students the opportunity to hear and play along with these cutting edge concepts.

for Modern Jazz Guitar. Par MILLER KEVIN. Since the arrival on the jazz scene of John Coltrane, more and more guitarists are looking to incorporate colors into their language which are more dissonant than those generally heard within the realm of jazz guitar. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques.Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the harmonic concepts and articulation techniques used in saxophone solos and making them palatable to guitarists in notation and tablature.Miller brings it all to bear in this book, focusing on giving you new options originating from jazz masters such as John Coltrane and McCoy Tyner, for dealing with common harmonic situations within the world of jazz such as a stagnant minor chord or II-V-I. These options venture ?outside? of the basic harmonic framework, but usually settle back into the core harmonic territory. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used ?in an organic way while improvising'. / Date parution : 2023-06-01/ Etude / Guitare