Italienische Gesangstexte mit deutschen Übertragungen. Par BELLINI VINCENZO. Italienische Gesangstexte Mit Deutschen Übertragungen / Opéra-opérette / Date parution : 1905-07-01/ Répertoire / Chant et Piano

Par BELLINI VINCENZO. Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Hautbois, 2

Référence unique par son ISBN 9790041370033 cette partition musique de Bellini Vincenzo n'est autre que NORMA qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Ricordi. La référence catalogue de cette oeuvre est CP04168404. / Voix Et Piano / Partition

Par BELLINI VINCENZO. Marienfeste, Marianische Gesänge - Langue : Latin/ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Hautbois, 2

Par BELLINI VINCENZO. Verwendung / Anlässe: Stundengebet - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/Anglais/ Répertoire / Solo S, 2 Flûtes Traversières, 2 Hautbois, 2 Clari

Arrangeur: Angerer. Par BELLINI VINCENZO. / Niveau : Confirmé / Répertoire / Trombone Alto et Cordes

Par BELLINI VINCENZO. Verwendung / Anlässe: Stundengebet - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/Anglais/ Répertoire / Solo S, 2 Flûtes Traversières, 2 Hautbois, 2 Clari

Par BELLINI VINCENZO. Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Hautbois, 2

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence NR13872100, cette partition de Bellini Vincenzo a pour titre CANZONI, PER VOCE E PIANOFORTE: VOL. 1, VOCE ACUTA . A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix Et Piano / Partition

Par DONIZETTI GAETANO. Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. The solo numbers are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble. Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts. / Date parution : 2023-07-31/ Répertoire / Solistes, SATB et Orchestre

Arias for Light Lyric Tenor with piano/ Per Voce e Pianoforte. First volume of Cantolopera series dedicated to the light lyric tenor. Original texts with English translations and CD with instrumental and vocal versions. Cantolopera is made up of various series: the Favourite Opera Collection, dedicated to operatic works, organized by voice category- the Composers Collection, devoted to individual composers- and the Songs Collection, consisting of lyric songs, romanzas and traditional songs. Songlist: Gioachino Rossini - Wilhelm Tell: In questo dolce asilo - O muto asil del pianto- Vincenzo Bellini - I puritani: A te, o cara- Gaetano Donizetti - La favorita: Una vergine, un angel di Dio- Jules Massenet - Manon: Je suis seul - Ah! Fuyez, douce image- Ruggero Leoncavallo - I pagliacci: O Colombina- Pietro Mascagni - Silvano: S'è spento il sol laggiù lontan- Nino Rota - Il cappello di paglia di Firenze: Io voglio quel cappello./ Recueil / Tenor et Piano

This album for mixed choir and piano contains a selection of richly varied choruses from Italian, French, German, English and Russian operas from the 17th to 19th centuries, illuminating the great diversity of the genre. Included are opera choruses from the following works: · Claudio Monteverdi: L'Orfeo · George Frideric Handel: Acis and Galatea HWV 49b · Christoph Willibald Gluck: Alceste (Vienna Version 1767) · Wolfgang Amadeus Mozart: Idomeneo K 366 · Franz Schubert: Fierabras D 796 · Vincenzo Bellini: Norma · Camille Saint-Saens: Samson et Dalila · Georges Bizet: Carmen · Pyotr Ilyich Tchaikovsky: Eugen Onegin (Cyrillic script with transliteration) / Choeur Mixte (SATB)

Vol. 2: Lyric-Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton