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| Stepping Stones
Viola
Boosey and Hawkes
Viola Part Only. By Colledge, K. & H. (Viola). Boosey and Hawkes Chamber Music....(+)
Viola Part Only. By Colledge, K. & H. (Viola). Boosey and Hawkes Chamber Music. 7 pages. Published by Boosey & Hawkes.
$7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| My Beautiful Scream
String Quartet: 2 violins, viola, cello
Subito Music
String Quartet & Orchestra SKU: SU.81001226 For String Quartet & Orche...(+)
String Quartet & Orchestra SKU: SU.81001226 For String Quartet & Orchestra. Composed by Julia Wolfe. Chamber Music, String Trio/Quartet/Quintet, Orchestra. Study Score. Subito Music Corporation #81001226. Published by Subito Music Corporation (SU.81001226). St qrt; 2,1 2,1 2,1 2,1; 4331; 4perc, hp, ebass, pno; stgs Duration: 25' Composed: 2003 Published by: Red Poppy Ltd. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| House of Untold Horrors
String Orchestra [Score] - Beginner
FJH
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning St...(+)
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning Strings. Score only. Full set (score and parts) also available: ST6192. Halloween. Grade 1. Score. Composed 2009
$5.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| House of Untold Horrors
String Orchestra [Score and Parts] - Beginner
FJH
By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning S...(+)
By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning Strings. Full set (score and parts). Score only also available: ST6192S. Halloween. Grade 1. Score and set of parts. Composed 2009
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Streich Quartett Nr. 3
String Quartet: 2 violins, viola, cello
PWM (Polskie Wydawnictwo Muzyczne)
String Quartet SKU: BT.PWM8983012 Still Life With A Scream. Compos...(+)
String Quartet SKU: BT.PWM8983012 Still Life With A Scream. Composed by Zbigniew Bargielski. Classical. Set of Parts. Polskie Wydawnictwo Muzyczne #PWM8983012. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8983012). $44.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| High Flight
Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice SKU: PR.31241902S From Terra Nostra. Composed by Stacy Garrop. Full score. Duration 3:15. Theodore Presser Company #312-41902S. Published by Theodore Presser Company (PR.31241902S). UPC: 680160690589. English. Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World†by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child†praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!†Part I ends with “A Blade of Grass†in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall†sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,†William Ernest Henley’s “A Song of Speed,†and John Gillespie Magee, Jr.’s “High Flight,†each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,†Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge†concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness†speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming†gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us†warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace†speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?†and “There was a child went forth every dayâ€) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass†from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…â€My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| High Flight
Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice SKU: PR.31241902A From Terra Nostra. Composed by Stacy Garrop. Set of Score and Parts. Duration 3:15. Theodore Presser Company #312-41902A. Published by Theodore Presser Company (PR.31241902A). UPC: 680160690510. English. Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World†by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child†praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!†Part I ends with “A Blade of Grass†in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall†sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,†William Ernest Henley’s “A Song of Speed,†and John Gillespie Magee, Jr.’s “High Flight,†each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,†Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge†concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness†speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming†gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us†warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace†speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?†and “There was a child went forth every dayâ€) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass†from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…â€My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $33.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Portrait - Part.(Original Ver)
Wilhelm Hansen
Alto Flute, Clarinet, Violin, Viola, Cello, Piano Chamber SKU: HL.14025897(+)
Alto Flute, Clarinet, Violin, Viola, Cello, Piano Chamber SKU: HL.14025897 Composed by Anders Koppel. Music Sales America. Score Only. Edition Wilhelm Hansen #KP00768. Published by Edition Wilhelm Hansen (HL.14025897). Danish. Programme note : Portrait was written in the spring 1998, at a time when I was a regular visitor in a rest home in an old back building in the town centre of Copenhagen. There I came to know an old lady whose daily life was darkened by despair. She would stand in the corridor in the grey winter light and silently knock at the window frames. Or one could hear her knock at a door at the distance - almost furiously. 'It is screaming inside me', she said. She then could change into a little girl when I went with her into her room and stayed a little. This piece is an attempt to sketch a portrait of Caya. (Anders Koppel) Programme note: Portrait was written in the spring 1998, at a time when I was a regular visitor in a rest home in an old back building in the town centre of Copenhagen. There I came to know an old lady whose daily life was darkened by despair. She would stand in the corridor in the grey winter light and silently knock at the window frames. Or one could hear her knock at a door at the distance - almost furiously. ’It is screaming inside me’, she said. She then could change into a little girl when I went with her into her room and stayed a little. This piece is an attempt to sketch a portrait ofCaya. (Anders Koppel) $51.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Modernism Forever Volume Two [Double CD]
Subito Music
SKU: SU.91409193 Composed by Christopher Fulkerson. CD (Audio). Subito Mu...(+)
SKU: SU.91409193 Composed by Christopher Fulkerson. CD (Audio). Subito Music Corporation #91409193. Published by Subito Music Corporation (SU.91409193). Modernism Forever Volume 2 - Fulkerson, Boulez, Berio, Seeger, Basart, Kalmar, Humel Disc 1 Christopher Fulkerson 1. At the Mountains of Madness for large orchestra - 13:42 2. A Screaming Comes Across the Sky for two antiphonal quartets - 1:49 3. The Scream That Peaks Past Fear (Live) for eight antiphonal voices - 7:15 Pierre Boulez Le Marteu Sans Maitre for alto voice & six instrumentalists Marcia Gronewold, mezzo & Ken Cramer, alto fulte 4. Avant L'artisanat Furieux (Live) 2:10 5. Commentaire I de Bourreaux de Solitude (Live) - 4:42 6. L'artisanat Furieux (Live) - 3:26 7. Commentaire II de Bourreaux de Solitude (Live) - 4:32 8. Bel Edifice et les Presentiments (Live) - 4:31 9. Bourreaux de Solitude (Live)- 3:57 10. Apres L'artisanat Furieux (Live) - 1:33 11. Commentaire III de Bourreaux de Solitude (Live) - 5:20 12. Bel Edifice et les Presentiments: Double (Live) - 9:40 Luciano Berio Cries of London for eight voices 13. These Are the Cries (Live) - 1:13 14. Where Are Ye Fair Maids (Live) - 1:34 15. Good Garlic (Live) - 2:41 16. Some Go Up (Live) - 1:12 17. These Are the Cries, Variant (Live) - 1:24 18. Money Money Money (Live) - 3:46 19. Cry of Cries (Live) - 4:08 Disc 2 Christopher Fulkerson 1. Moys Icos for orchestra - 9:10 2. Remember the Stars (Live) Cantata #3 for STAB soli, trebles, & quartet - 8:17 3. Night Litany (Live) Recital Aria #1 Marcia Gronewold, soloist for mezzo soprano & trio - 5:18 4. Celestial Sixties II (Fragment) - 1:43 5. Capriccio (Live) for viola & piano - 5:18 6. One Winter Sparrow (Live) Elizabeth Appling & the SF Girls Chorus - 1:39 Ruth Crawford Seeger 7. Chant (Live) for treble solo & chorus Alyssa Kingsbury, soprano - 2:34 Robert Basart 8. Stillness and the Night Become (Live) for eight voices. A Christopher Fulkerson Commission - 9:19 Laszlo Kalmar 9. Hora Eius In Eight Movements for three female voices - 15:51 Gerald Humel 10. Et in Terra Pax (Live) for eight voices, a Christopher Fulkerson Commission - 21:21. $24.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Portrait - Original Version
Wilhelm Hansen
Alto Flute, Clarinet, Violin, Viola, Cello, Piano Chamber SKU: BT.WHKP00768(+)
Alto Flute, Clarinet, Violin, Viola, Cello, Piano Chamber SKU: BT.WHKP00768 Composed by Anders Koppel. Score Only. 60 pages. Edition Wilhelm Hansen #WHKP00768. Published by Edition Wilhelm Hansen (BT.WHKP00768). Danish. Programme note : Portrait was written in the spring 1998, at a time when I was a regular visitor in a rest home in an old back building in the town centre of Copenhagen. There I came to know an old lady whose daily life was darkened by despair. She would stand in the corridor in the grey winter light and silently knock at the window frames. Or one could hear her knock at a door at the distance - almost furiously. 'It is screaming inside me', she said. She then could change into a little girl when I went with her into her room and stayed a little. This piece is an attempt to sketch a portrait of Caya. (Anders Koppel). $78.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Miserere For 3 Sopranos And "baroque" Instruments: 3sop, 2lv Vla Clo Bass/lute & Organ
Schott
3 sopranos, 2 violins, viola, cello, bass-lute and organ (Voice And Ensemble) - ...(+)
3 sopranos, 2 violins, viola, cello, bass-lute and organ (Voice And Ensemble) - difficult SKU: HL.49044453 For 3 sopranos and baroque instruments. Composed by Thierry Pecou. This edition: Saddle stitching. Sheet music. Vocal Ensemble. Softcover. Composed 2013. 132 pages. Duration 15'. Schott Music #ED21798. Published by Schott Music (HL.49044453). ISBN 9790001197007. UPC: 888680077587. 9.25x12.0x0.4 inches. Latin. For me, as someone who considers myself far removed from Christian spirituality and closer to the concept of Immanence than to any form of Transcendence, it was obvious to me that I would not compose a Miserere comparable to Alesandro Scarlatti's Lamentazioni. It was also my wish to theatricalise the subject matter, following pagan rituals which appear to have been retained in the monastic Tenebrae services up to Renaissance times. In the series of sequences in which silence plays a prominent role, a path leads to strange rites in which the listeners are invited to stamp their feet on the ground, creating waves of thundering sound, or accompany the chanting of texts. Three sopranos take on an instrumental role, deploying a broad range of vocal sounds from aspirations to screams. Thierry Pecou. $73.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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