Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
113
Digital
Sheet Music
382
Sheet Music
Books
481
MUSIC
EQUIPMENT
0
Music sheet library
with delivery
Post mailing
Digital sheet music
You've Selected:
Vivaldi Aria
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano solo (90)
Piano, Voice (27)
Organ (26)
Violin and Piano (18)
Choral SATB (15)
Guitar (14)
Violin (13)
Musical course - Solfege (13)
Piano, Vocal and Guitar (10)
Flute (9)
Easy Piano (9)
Mezzo-Soprano voice, Piano (8)
Flute and Guitar (8)
Flute and Piano (7)
Clarinet (6)
Keyboard (6)
2 Violins (duet) (6)
Soprano voice, Piano (5)
Trumpet, Piano (5)
High voice, Piano (5)
Tenor voice, Piano (5)
Piano, Guitar (duet) (4)
Cello (4)
String Trio: 2 violins, cello (4)
Viola, Piano (4)
Low voice, Piano (4)
Flûte Traversière Cordes et … (4)
Clarinet and Piano (4)
Alto Saxophone (4)
Voix et Piano Réduction (3)
Viola (3)
1 Piano, 4 hands (3)
High voice (3)
Trumpet (3)
Conducteur (2)
Banjo (2)
Orgue Sans Pédale (2)
Voice and Orchestra (2)
Violoncello, Basso continuo (2)
Descent (Soprano) Recorder, Pi… (2)
Guitar notes and tablatures (2)
Recorder, Bass Continuo (2)
Voice, Guitar (2)
Soli, Mixted choir and accompa… (2)
Alto Saxophone and Piano (2)
Treble (Alto) Recorder, Basso … (2)
Violon et Cordes (2)
Mezzo-Soprano voice (2)
Guitare (2)
CD (2)
Medium voice, Piano (2)
Ukulele (2)
Recorder, Piano (2)
Oboe, Piano (duet) (2)
Matériel D'Orchestre (2)
Cello, Piano (2)
Descant (Soprano) Recorder (2)
Flute, Basso continuo (2)
Piano Quintet: piano, violin, … (2)
Double Bass (2)
Recorder (2)
Chant et Réduction Piano (1)
Tuba and Piano (1)
Double bass, Piano (duet) (1)
2 Violes d'Amour et Basse Cont… (1)
6 Violoncelles (1)
Flute, Orchestra (1)
Basse (1)
Alto voice, Piano (1)
2 Flutes (duet) (1)
Tenor (1)
Orchestra (1)
2 Violons, 2 Violoncelles, Cor… (1)
Soprano voice (1)
Soprano Solo, Cordes Et Basse … (1)
2 Guitars (duet) (1)
Saxophone (1)
Violin, Basso continuo (1)
2 Violons, Violoncelle, Cordes… (1)
2 Trumpets (duet) (1)
Violon, Violoncelle Et Basse C… (1)
Oboe (1)
Flûte A Bec Tenor Et Piano (1)
Voix, Flûte à Bec et Basse C… (1)
Dulcimer (1)
Livret Italien Anglais (1)
C Instruments (1)
Trombone and Piano (1)
String Orchestra (1)
Soprano, Alto, Voix D'Hommes (1)
Bass guitar (1)
Trompette (B) et Piano (1)
Choral 3-part (1)
Divers (1)
3 Recorders (trio) (1)
Violon et autres Cordes en Sol… (1)
French Horn and Piano (1)
Euphonium (1)
Soprano (1)
Voix Mixtes (1)
Chant (1)
Voix Elevée(s)/Moyenne(s) Et … (1)
Soli, gemischter Chor (SATB) … (1)
FILTERS AND ORDERS
FILTERS AND ORDERS
Sorting and filters :
Relevance
Best sellers
Price low to high
New releases
Most commented (USA)
A-Z
Level easy to difficult
Level difficult to easy
In Stock
Medias (all)
With CD or online
With online audio
With CD
With DVD
Sheet music only
Samples (all)
With cover
With audio
With sheet extract
Audio+Extract
Languages
English
French
German
Italian
Japanese
Spanish
Russian
Deutsh
>Swedish
Português
USA
195
Europe
286
Next page
1
31
61
...
271
2 sellers
Details
Details
Damian Cranmer: A Selection of Italian Arias 1600-1800: High Voice: Vocal Album
High voice
-
Intermediate/advanced
ABRSM Publishing
Volume II High Voice-The second in the Associated Board's series of Operatic ant...
(+)
Volume II High Voice-The second in the Associated Board's series of Operatic anthologies features a further selection of Arias and Recitatives from across the genre. Intended for accomplished singers the songs are carefully chosen to provide the very best entry into the art of Aria-singing and dramatic performance. The pieces range from popular favourites to some lesser-known gems of the style providing an ideal starting point for those wishing to develop Operatic style and technique.
16.95 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
Similar items
2 sellers
Details
Details
Damian Cranmer: A Selection of Italian Arias 1600-1800: Low Voice: Vocal Album
Low voice, Piano
ABRSM Publishing
Volume II Low Voice-The second in the Associated Board's series of Operatic anth...
(+)
Volume II Low Voice-The second in the Associated Board's series of Operatic anthologies features a further selection of Arias and Recitatives from across the genre. Intended for accomplished singers the songs are carefully chosen to provide the very best entry into the art of Aria-singing and dramatic performance. The pieces range from popular favourites to some lesser-known gems of the style providing an ideal starting point for those wishing to develop Operatic style and technique.
16.95 GBP - Sold by Musicroom UK
Similar items
Details
Details
Vivaldi Album - Contralto (VIVALDI ANTONIO)
Alto voice, Piano
[Sheet music]
Ricordi
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une ...
(+)
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une collection d\'anthologies d\'airs d\'opéra, subdivisée par tessiture vocale, et tirée du corpus de la musique de théâtre d\'Antonio Vivaldi qui a survécu jusqu\'à nos jours. Ce répertoire comprend vingt-quatre drames musicaux, trois sérénades et un grand nombre d\'arias. Chaque volume est composé de douze pièces qui varient en termes de sensibilité et de caractère, illustrant une pluralité de styles et de situations dramatiques. Elles sont classées par ordre chronologique de manière à fournir un échantillon représentatif de l\'ensemble de la carrière de Vivaldi. Ce recueil pour contralto est le deuxième volume disponible dans la collection, la version pour soprano étant sortie il y a quelques semaines. D\'autres volumes pour d\'autres voix suivront bientôt. / Date parution : 2022-09-27/ Recueil / Voix d\'Alto et Piano
15.76 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
Similar items
Details
Details
Vivaldi Album - Tenore
Tenor voice, Piano
[Sheet music]
Ricordi
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. Vivaldi Album est une coll...
(+)
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. Vivaldi Album est une collection d'anthologies d'airs d'opéra divisées par registre vocal, tirées des ?uvres musicales théâtrales d'Antonio Vivaldi qui ont été préservées. Les sources proviennent de vingt-quatre drames musicaux, de trois sérénades et de nombreux airs individuels. Chaque volume est composé de douze morceaux qui varient en termes de sensibilité et de style, illustrant une large gamme de genres et de situations dramatiques. Elles sont classées par ordre chronologique, de manière à offrir un aperçu optimal de l'ensemble de la carrière de Vivaldi. Découvrez les nouveaux opus de la collection Vivaldi Album, comprenant désormais les voix de ténor et de basse. / Date parution : 2023-07-31/ Recueil / Tenor et Piano
15.76 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
Similar items
Details
Details
Recueil ? Airs d?opéra (VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Viola
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. Les opéras de Vivaldi sont riches en arias d'une extraordi...
(+)
Par VIVALDI ANTONIO. Les opéras de Vivaldi sont riches en arias d'une extraordinaire beauté. Envoutants, languissants, passionés, terrorisés, fâchés, les sentiments sont peints avec sensualité. Extraits de différents soprés de Vivaldi, les airs sont proposés en réduction chant-clavier, pour voix de soprano / Date parution : 2020-07-01/ Recueil / Alto
41.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
Similar items
Details
Details
Il Teuzzone, RV 736 (ANTONIO VIVALDI)
Voice and Orchestra
[Sheet music]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
(+)
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
182.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Il Teuzzone RV 736 (VIVALDI ANTONIO)
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...
(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
44.36 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Antonio Vivaldi: Il Teuzzone RV 736: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
(+)
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
159.30 GBP - Sold by Musicroom UK
Similar items
Details
Details
Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...
(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
33.99 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
Similar items
Details
Details
Recueil ? Airs d?opéra (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certa...
(+)
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. / Date parution : 2021-11-15/ Recueil / Basse
41.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
Similar items
Details
Details
Catone In Utica
Conducteur
[Score]
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Conducteur
88.57 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
73.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Catone In Utica
Livret Italien Anglais
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Livret Italien Anglais
29.48 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
36.86 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
Similar items
Details
Details
Vivaldi A. - Sovvente Il Sole, Andromeda Liberata - Chant-clavier
Les Editions Buissonnieres
Aria pour mezzo (composé à l'origine pour mezzo-castrato) Extrait du pasticci...
(+)
Aria pour mezzo (composé à l'origine pour mezzo-castrato) Extrait du pasticcio Andromeda liberata Format 22,5 x 32 cm, Couverture cartonnée. 20 pages : 1 conducteur clavier (piano), 1 conducteur chant, violon solo. Partition musicale (musical score) : Arrangement pour clavier (piano) Extrait d'Andromeda liberata, l'air Sovvente il sole offre une ligne mélodique magnifique, un dialogue émouvant entre le héros Persée et le violon solo. S'inspirant de la légende grecque d'Andromède, le pasticcio conte le sacrifice d'une princesse d'Ethiopie Andromède, offerte par son peuple au dieu Poséidon, afin d'étancher sa soif de vengeance et qui fut sauvée de justesse par le valeureux Persée. Andromeda Liberata serait un pasticcio, auquel auraient contribué Giovanii Porta, Tomaso Albinoni, et peut-être Niccola Porpora. Le manuscrit, daté de 1726, a été retrouvé en 2002 dans les archives du Conservatorio Benedetto Marcello, à Venise. Seul l'air Sovvente il sole, avec violon obligé, est attribué avec certitude à Antonio Vivaldi. Sovente il sole risplende in cielo, più bello e vago se oscura nube già l'offuscò. E il mar tranquillo quasi senza onda talor si scorge, se ria procella già lo turbò. Souvent le soleil resplendit dans le ciel, plus beau et agréable si un sombre nuage l'a d'abord assombri. Et la mer calme, presque sans vagues, on ne peut l'apercevoir que si une rude tempête l'a d'abord troublée. Cet aria a été enregistré par Philippe Jaroussky et l'ensemble Matheus sur le CD Heros - VIVALDI - opera arias (2006), ainsi que par Nathalie Stutzmann et l'ensemble Orfeo 55, sur le CD Prima dionna (2010).
22.50 EUR - Sold by Woodbrass
Pre-shipment lead time:
In Stock
Similar items
Details
Details
Vivaldi Album - Soprano (VIVALDI ANTONIO)
Soprano voice, Piano
[Sheet music]
Ricordi
Par VIVALDI ANTONIO. The ?Vivaldi Album? is a series of operatic aria anthologie...
(+)
Par VIVALDI ANTONIO. The ?Vivaldi Album? is a series of operatic aria anthologies subdivided by vocal register, drawn from Antonio Vivaldi?s surviving musical works for the theatre. Its sources include twenty-four musical dramas, three serenades and numerous individual arias. Each volume is made up of twelve pieces which vary in terms of affect and character, illustrating a wide range of styles and dramatic situations. They are arranged in chronological order, so as to provide an optimal cross-section of Vivaldi?s entire career. / Date parution : 2022-06-14/ Recueil / Soprano et Piano
15.76 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
Similar items
2 sellers
Details
Details
Antonio Vivaldi: La Gloria E Imeneo RV 687: SATB: Score
Choral SATB
SATB, Strings
[Sheet music]
Ricordi
Ed. critica di Alessandro Borin - ril. brochure-La Gloria E Imeneo RV 687 belo...
(+)
Ed. critica di Alessandro Borin - ril. brochure-La Gloria E Imeneo RV 687 belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy.This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place inthe ambassador’s garden on the evening of 12 September 1725.This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources and a diplomatic- interpretative edition of the poetic text inferred – since no libretto has come down to us – by the words underlaid to the notes in the manuscript of the serenata.
15.99 GBP - Sold by Musicroom UK
Similar items
2 sellers
Details
Details
Antonio Vivaldi: La Gloria E Imeneo RV 687: Voice: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Ricordi
Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé-...
(+)
Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score of La Gloria E Imeneo published in this catalogue. The opera belongs to a group of the so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy.This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice Jacques-Vincent Languet Count of Gergy on theoccasion of the wedding of Louis XV to the Polish princess Maria Leszczyska and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725.This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants between the autograph score and the secondary collate sources.
13.99 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
Similar items
Details
Details
The Classical Guitarist's Gig Book Volume 2
Guitar
Classical guitar
[Sheet music]
Mel Bay
Creative Transcriptions for Today's Guitarist. Par . This second volume of The C...
(+)
Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare
31.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
Similar items
Details
Details
Sonata
Violon, Violoncelle Et Basse Continue
Ricordi
The sonata RV 820 represents two 'firsts': it is the latest work to be added to ...
(+)
The sonata RV 820 represents two 'firsts': it is the latest work to be added to the Vivaldian canon, and it is also one of the oldest works by Vivaldi - perhaps the very oldest among those known. Having come to light among the numerous anonymous manuscripts preserved in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek in Dresden, it was attributed to him by Federico Maria Sardelli on the basis of several musical concordances with early works of known authenticity- in addition, a complex network of biographical and paleographical relationships has revealed how this sonata, copied in the hand of the very young Johann Georg Pisendel, belonged to an initial stock of compositions that Giuseppe Torelli brought with him from Italy after he was appointed Kapellmeister at Ansbach in 1698. In this context, Vivaldi's sonata finds itself in the company of two manuscripts that evidence early versions of two concertos that were later included in L'estro armonico ,, plus works by Torelli and his pupil Pietro Bettinozzi. From these facts we obtain a new picture that sheds light on on Vivaldi's period of apprenticeship and his debt to Torelli: from a stylistic viewpoint, RV 820 is an unusual type of trio sonata for violin and cello that remains structured in a late-seventeenth-century way, a work into which Vivaldi injects inventions that are completely new and individual. This is a rare jewel that reveals the work produced by its composer before he became himself. / Violon, Violoncelle Et Basse Continue
28.58 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Next page
1
31
61
...
271
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version