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Voice.
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Melody line, Piano (2)
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Recorder, Piano (2)
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Recueil de Chansons (2)
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voix soprano, voix alto (2)
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Cecil Armstrong Gibbs: Five Eyes In B Flat m: Voice
English
Piano, Voice
[Vocal Score]
Boosey and Hawkes
FIVE EYESHigh VoiceComposer: Cecil Armstrong Gibbsin B-Flat minor6 pages
6.50 GBP - Sold by Musicroom UK
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Cecil Armstrong Gibbs: Five Eyes op. 9/3: Voice
Piano, Voice
Boosey and Hawkes
FIVE EYESMedium VoiceComposer: Cecil Armstrong GibbsThis famous song uses the po...
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FIVE EYESMedium VoiceComposer: Cecil Armstrong GibbsThis famous song uses the poem by Walter de la Mare about three black cats one with one eye. Here it is presented in sheet music format in the key of G minor. 8 pages
10.99 GBP - Sold by Musicroom UK
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Celius Dougherty: Celius Dougherty - Folksongs and Chanties: Low Voice: Album
Medium voice, Piano
[Sheet music]
-
Intermediate
Schirmer
American composer Celius Dougherty (1902-1986) created lovely arrangements of fa...
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American composer Celius Dougherty (1902-1986) created lovely arrangements of favourite folksongs and sea chanties. With many selections never before published these editions offer exciting multicultural literature forvoice students and teachers.
13.99 GBP - Sold by Musicroom UK
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Celius Dougherty: Celius Dougherty - Folksongs and Chanties: High Voice: Mixed
High voice, Piano
-
Intermediate
Schirmer
American composer Celius Dougherty (1902-1986) created lovely arrangements of fa...
(+)
American composer Celius Dougherty (1902-1986) created lovely arrangements of favourite folksongs and sea chanties. With many selections never before published these editions offer exciting multicultural literature forvoice students and teachers.
20.99 GBP - Sold by Musicroom UK
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Danny Boy (Eily dear) In C major: Voice
English
Piano, Voice
[Vocal Score]
Boosey and Hawkes
from an Old Irish Air-DANNY BOYLow VoicePublisher: Boosey & HawkesComposer: Fred...
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from an Old Irish Air-DANNY BOYLow VoicePublisher: Boosey & HawkesComposer: Frederick Edward WeatherlyIn C6 pages
6.50 GBP - Sold by Musicroom UK
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Frank Bridge: 3 Songs: Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
-
Intermediate/advanced
Thames Publishing
Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the secon...
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Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the second volume in a 30-volume series by The Frank Bridge Trust in association with Thames Publishing celebrating the works of Frank Bridge. This publication features the songs Far far from each other Where is it that our soul doth go? and Music when soft voices die and includes the score for Viola separately making the collaboration of the three musicians easier. The songs can be and often are performed together as a cycle but also work as short individual pieces. The first performance of the three songs in December 1908 marked a rareoccurrence as Frank Bridge played the Piano part himself. Far far from each other is the most ambitious of the three pieces for all three musicians. The words are excerpts from Matthew Arnold’s ‘Empedocles on Etna and Other Poems Parting’.Where is it that our soul doth go? is the shortest of the three songs and the words are a translation of the last stanza of Heinrich Heine’s Clarisse translated by K. F. Kroeker.While the first two songs are original settings Bridge first wrote Music when soft voices die for High Voice Piano and Cello in 1903. The present version was transcribed in 1907. Music when soft voices die the short poem providing the words for this piece is one of the most influential and well-known of Shelley’s works.Watch Three Songs performed by Rebecca Ringle (Mezzo-Soprano) Luke Fleming (Viola) and Roger Steptoe (Piano):
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Henry Purcell: My Heart Is Fixed: Organ Accompaniment: Vocal Score
ORGA/SATB/MENSVOICES::Accompagnement Orgue/SATB/Voix Masculines
[Vocal Score]
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Intermediate/advanced
Novello & Co Ltd.
An anthem arranged for ATB voices SATB chorus and strings taken from Volume 14-...
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An anthem arranged for ATB voices SATB chorus and strings taken from Volume 14-Sacred Music Part II. Edited by Lionel Pike.
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Emily Crocker Rollo Dilworth: Choir Builders for Growing Voices: Voice: Vocal
Voice solo
[Sheet music + CD]
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Easy
Hal Leonard
18 Vocal Exercises For Warm-up And Workout-When do you start teaching proper voc...
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18 Vocal Exercises For Warm-up And Workout-When do you start teaching proper vocal technique to young voices? RIGHT NOW! Here are 18 fun and original exercises that will get your students' growing voices on the right track to producing a quality sound.Posture breathing flexibility range of voice and more are all addressed in these wonderful exercises for young voices. Sing along with the demonstration tracks that are included to download for quick learning or use the accompaniment-only tracks for ear training and assessment options.Get ready to workout to a better sounding choir! Available: Book/online audio. Suggested for grades 3-8.
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
Medium voice, Piano
[Partitur]
Barenreiter
Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of th...
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Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104
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MAHLER - DES KNABEN WUNDERHORN (THE YOUTH'S MAGIC HORN) - LOW VOICE ET PIANO
Low voice, Piano
Universal Edition
This edition is more oriented to practical performance than the New Complete Cri...
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This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
High voice, Piano
[Sheet music]
-
Advanced
Barenreiter
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schu...
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Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D
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James Burton: The Lost Words: Upper Voices and Piano/Organ: Vocal Score
High voice, Piano
Peters
for Upper Voices and Orchestra. The Lost Words by composer James Burton takes it...
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for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.
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Greg Jasperse: VoiceDance II: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Greg Jasperse has followed up his best-selling “VoiceDance” with thi...
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Greg Jasperse has followed up his best-selling “VoiceDance” with this equally exciting arrangement “VoiceDance II ” continuing the wordless vocal dance celebrating the human voice and the joy of singingtogether. Bright with bounce and musical joy this piece is perfect for any occasion. A must-have addition to your “VoiceDance” library.
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Singer's World Book 4 (low voice): Voice: Vocal Album
Low voice
[Sheet music]
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Intermediate
Trinity College London
Voice and piano (classical)-Singer's World series holds a selection of different...
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Voice and piano (classical)-Singer's World series holds a selection of different songs for a range of voices providing a progressive repertoire that builds with you own confidence and abilities. This is Book 4 for Low Voice which includes some songs which have been selected for use in the Trinity College Grade Examinations.
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Edward Elgar: Pleading for Medium Voice with Piano: Voice: Instrumental Work
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Pleading is a song for solo voice with Piano accompaniment written in 1908. It ...
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Pleading is a song for solo voice with Piano accompaniment written in 1908. It was composed for and dedicated to the composer's great friend Lady Maud Warrender. It was published as the composer's opus 41 in three arrangements: No. 1 is for medium voice and is set in the Key of G major. Versions for low and high voices are also available. The text is from a poem by Arthur L. Salmon.Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment which allowed his music to be fresh and unencumbered.
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Everlasting Voices (Medium Low): Medium Voice: Vocal Album
Low voice, Piano
Peters
Selection of Songs within Comfortable Range for older Singers-Compiled and edite...
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Selection of Songs within Comfortable Range for older Singers-Compiled and edited by Veronica Veysey Campbell & Liza Hobbs Increasing numbers of people are taking to singing in later life driven in part by increasing medical evidence of of the health benefits it brings. Singing aids physical and neurological well-being but above all it brings enjoyment not only to those who have a lifetime experience of singing (both in choirs and solo) but also for those to whom it comes as an entirely new activity. Everlasting Voices compiled specifically for the older singer contains: 24 songs with a modest vocal range in a wide range of styles; backgrouned notes about the songs and their composers; prononciation guides forsinging in Italian German Spanish and French; a guide to keping your voice healthy; performing advice and technical guidance.
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Everlasting Voices (Medium High): Medium Voice: Vocal Score
High voice, Piano
Peters
Selection of Songs within Comfortable Range for older Singers-Compiled and edite...
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Selection of Songs within Comfortable Range for older Singers-Compiled and edited by Veronica Veysey Campbell & Liza Hobbs Increasing numbers of people are taking to singing in later life driven in part by increasing medical evidence of of the health benefits it brings. Singing aids physical and neurological well-being but above all it brings enjoyment not only to those who have a lifetime experience of singing (both in choirs and solo) but also for those to whom it comes as an entirely new activity. Everlasting Voices compiled specifically for the older singer contains: 24 songs with a modest vocal range in a wide range of styles; backgrouned notes about the songs and their composers; prononciation guides forsinging in Italian German Spanish and French; a guide to keping your voice healthy; performing advice and technical guidance.
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Rollo Dilworth: Choir Builders for Growing Voices 2: Mixed Choir a Cappella:
Voice solo
Hal Leonard
24 More Vocal Exercises for Warm-Up and Workout-Choir Builders For Growing Voice...
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24 More Vocal Exercises for Warm-Up and Workout-Choir Builders For Growing Voices: 2 features 24 Vocal Exercises for Warm-up
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Tona de Brett: Discover Your Voice: Voice: Vocal Tutor
Voice solo
[Sheet music + CD]
Schott
Tona de Brett is an internationally renowned singing teacher and presents her te...
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Tona de Brett is an internationally renowned singing teacher and presents her teaching material in this fantastic book which she has worked through with stars of rock jazz and musicals who seek help with their voices.Tona de Brett deals with the various aspects of voice-production through a wealth of exercises and examples. These exercises ? which include warming up breathing technique intonation interpretation and articulation - are notated in full with chord symbols and may also be sung with live instrumental accompaniment. All the vocal exercises are provided on an accompanying CD so you can sing along with Tona de Brett.TheStudio Work section has been written by by Tom West and will help singers prepare for the recording studio.Former pupils of Tona de Brett include: Adam Ant; Matt Bianco; Tears for Fears; Thompson Twins; Brett Anderson (Suede); Vince Clark (Depeche Mode); Paul Hardcastle; Tanita Tikaram; Linda McCartney; Bananarama; Skin (Skunk Anansie); Rick Astley; Andy Summers (Police); Johnny Rotten (Sex Pistols); and Seal.
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Richard Rodney Bennett: A Song At Evening: Unison Voices: Vocal Work
Piano, Voice
[Sheet music]
Novello & Co Ltd.
For solo voice or unison voices (SA) and Piano. *This edition is not compatible ...
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For solo voice or unison voices (SA) and Piano. *This edition is not compatible with the ensemble version.
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Arthur Wills: Magnificat And Nunc Dimittis: Men's Voices: Vocal Score
[Vocal Score]
Novello & Co Ltd.
A setting of the Evening Canticles for men's voices with Organ accompaniment.
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George J. Bennett: Magnificat And Nunc Dimittis In D Minor: Men's Voices: Vocal
[Sheet music]
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Intermediate
Novello & Co Ltd.
This work for men's voices can be performed by either ATTB or ATBB choir.Duratio...
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This work for men's voices can be performed by either ATTB or ATBB choir.Duration: 6 minutes.
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Roger Kain: The Complete Vocal Workout: Voice: Vocal Tutor
Voice solo
Sanctuary
Adapted from a syllabus originally developed for the Brighton Institute Of Moder...
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Adapted from a syllabus originally developed for the Brighton Institute Of Modern Music The Complete Vocal Workout is a thorough guide to training the voice to perform under the duress of modern live and studio conditions. With a full spread of exercises for both male and female voices and with two accompanying demonstration CDs this book is the perfect guide for all those pop and rock star wannabes who wish to train without paying a fortune.
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Evis Sammoutis: Sculpting Air: Chamber Ensemble: Score
SOP/M/TEN/BASS/BAR::Soprano, Mezzo-Soprano, Tenor, Bass Voice, Baritone Voice
[Sheet music]
University Of York Music Press
Evis Sammoutis' Sculpting Air for five voices (Soprano Mezzo Tenor Baritone ...
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Evis Sammoutis' Sculpting Air for five voices (Soprano Mezzo Tenor Baritone Bass). Dedicated in admiration to Neue Vocalsolisten. Duration: 13'This work features text from the Odyssey (Book 12 173-184) in original and English translation; Ovid’s Metamorphoses (Book X Lines 243 297) in Latin and also in two translations by Brooks More (1922) and Arthur Golding (1567); and Shakespeare’s Othello (Act 5 Scene 2).
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Reynaldo Hahn: Si Mes Vers Avaient Des Ailes: Voice: Vocal Work
Français
Medium voice, Piano
Leduc, Alphonse
Having been considered as a 'fashionable' and 'cliché' composer of his day Hah...
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Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. If My Verses Had Wings! for Voice & Piano however is one of many compositions that shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. If My Verses Had Wings! is based on the poetry of Victor Hugo. Moreover this edition of Hahn's If My Verses Had Wings! contrains transcriptions in three different keys making it versatile to a range of voices. Hahn's If My Verses Had Wings! contains a variety of different features making for a pleasant and evocative work for singers and pianists.
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Isabelle Aboulker: Cendrillon: Voice
Piano, Voice
Leduc, Alphonse
Cendrillon is an opera-story created by Isabelle Aboulker in French and based o...
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Cendrillon is an opera-story created by Isabelle Aboulker in French and based on a story by Charles Perrault. Featuring the scores for Voice and Piano this piece requires different voices to sing the characters'' parts (including 3 sopraninos) and an actor for the story-telling. The Piano part can be played easily by a professional player. This piece was recorded for audio-books had representation for children in Paris theatre and is generally really enjoyed by the audience. Isabelle Aboulker is a French composer specially known for her opera her vocal works and for her adaptations of stories andfables.
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