The Relentless Warrior. This exciting work was conceived as a musical portrait from the viewpoint of a lone ancient warrior, determined and focused on achieving victory in battle. Providing a foundation throughout is a relentless rhythmic pulse and driving ostinato. The meter of 7/8 provides a dramatic sense of urgency as various textures and moods are developed similar to the ebb and flow of battle. The piece concludes with a victorious major chord with the rhythmic ostinato driving to the very end.

Par ROZMAN ANZE. Anže Rozman's Nuraghi Warriors Dance (Ples Bojevnikov Nuraghi) paints an image of ancient violence and drama - a frenzied ritual of war. Rozman extends the reach of the flute trio by using a piccolo, C flute, and alto flute to deepen and heighten driving rhythms and violent outbursts. Complex changing time signatures allow the rhythmic drive of the piece to flex and elongate, with mad hints of Stravinsky appearing and disappearing. Anže Rozman's Nuraghi Warriors Dance (Ples Bojevnikov Nuraghi) paints an image of ancient violence and drama - a frenzied ritual of war. Rozman extends the reach of the flute trio by using a piccolo, C flute, and alto flute to deepen and heighten driving rhythms and violent outbursts. Complex changing time signatures allow the rhythmic drive of the piece to flex and elongate, with mad hints of Stravinsky appearing and disappearing./ Répertoire / Flûte Traversière et Flûte Traversière Alto

Beowulf is an epic 5th century poem written in old Engish. A Geatish warrior called Beowulf helps neighbouring Danish King Hrothgar to rid his meadhall of a monster called Grendel.These pieces were published on the occasion of Spartan's 25th anniversary and are inspired by incidental music written in 1984 for a production performed by Islip Primary School Oxfordshire.

Søren Nils Eichberg's Piano Quartet 'Natsukusa-Ya' (2005) - for Violin Viola Cello and Piano. Commissioned by the Berbersee Festival.In memory of the Victims in Hiroshima 6 August 1945. The piece was inspired by a Haiku by Japanese poet Matsuo Basho (1644-1694): Summer grass alone Remains as faded trace of Ancient warrior’s dreams Parts are available: WH31307A  

Transcriptions in notes and tab for 15 favorites from these Irish rockers, including: 1. Thunder and Lightning 2. Chinatown 3. Cowboy Song 4. Sarah 5. Whiskey in the Jar 6. Bad Reputation 7. Are You Ready 8. The Boys Are Back In Town 9. Dancing in the Moonlight 10. Do Anything You Want To 11. Don't Believe A Word 12. Warrior 13. Jailbreak 14. Killer On The Loose 15. Waiting For An Alibi / Guitare tablatures / Hal Leonard

Parts and Playing Tips for the Entire Band-Rock Band Camp Volume 1: Classic Rock is designed for the first-time performer or weekend warrior who's learning how to play in a band.Rock Band Camp Volume 1: Classic Rock includes parts and playing tips for the entire band: two Guitars Bass Drums and Vocals.Rock Band Camp Volume 1: Classic Rock comes with two CDs that contain full-band tracks for each song as well as ?minus-one? tracks for each instrument for each song so players can practice on their own between band rehearsals. This songbook includes five songs: Bang a Gong (Get It On) (T. Rex) The Boys Are Back in Town (Thin Lizzy) ChinaGrove (Doobie Brothers) Free Fallin' (Tom Petty) and Jet Airliner (Steve Miller Band).

Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted

The Silence of the Warrior - Flame and Citron Chamber Suite 2.Orchestra.Flute/Alto FluteClarinet/Bass ClarinetOboePercussionViolinViolaCelloDouble BassPercussionVibraphoneSuspended Cymbal Preferably two1 Antique CrotalesWaterphoneBell Plate SuspendedViolin Bow