SKU: BR.OB-5215-30
,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)
ISBN 9790004331217. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).
SKU: ST.C522
ISBN 9790570815227.
Jérôme Duval lived in the late 18th and early 19th century. Despite his very French name, it would appear that he worked for some time in Germany, as his Opus 2, 3 and 4 were all published in Hamburg. Opus 2, which includes this Trio, Op. 2 No. 2 for two flutes and bassoon, can be assigned a tentative publications date of 1810. There are three Trios in Opus 2, Opus 3 consists of three Duos Concertants for flute and violin, and Opus 4 contains three Duos for two violins. The rest of Duval’s output includes three Quartets published in Brussels and a further Hamburg publication for voice and piano with the delightful title: Femmes sensibles écoutent le ramage - which means sensitive women listening to birdsong. The source for this edition of Trio Op. 2 No. 2 is the copy held in the British Library (shelf mark g.693.) The music was typeset by C.M.M. and F.H. Nex and replaces PP563. The set includes both score and three parts.ContentsAllegroAndantinoRondo - AllegrettoFormer Spartan Press Cat. No.: PP563.
SKU: BR.OB-5384-15
ISBN 9790004335505. 10 x 12.5 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: HL.50601155
UPC: 888680739416. 7.75x10.5 inches. Critical Edition and Reconstruction by F. M. Sardelli.
Among Vivaldi's many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted in autograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses.The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is very possibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as part of a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432 belonged to this groupof works, the last known collection of its kind in Vivaldi's oeuvre.Critical Edition and Reconstruction by F. M. Sardelli.
SKU: ST.C544
ISBN 9790570815449.
Student Violin part with either teacher (as violin duets) or with piano accompaniment (Vln & Pno).This bumper volume incorporates the three separate former publications from Spartan Press, the series called 'Concertinos in the Olden Style' (SP1121–3).Piano accompaniments by Heidi Rolfe.Nigel Goldberg writes:I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning, playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up, as if I were joining a very special club.That was a long time ago, yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learning duets - that distinctive sense of enjoyment at playing with an adult, the improvement of intonation and tone production, the liveliness of the lesson - I have composed three new concertinos, inspired by the duet form.Taking three great keys for the violin – G, D and A minor, I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely, I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books, Sounds of a Rainbow and, that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler, all those years ago.Former Spartan Press Cat. No.: SP1121.
SKU: BR.OB-5212-03
ISBN 9790004330883. 9 x 12 inches.
SKU: BR.OB-5384-26
ISBN 9790004335536. 10 x 12.5 inches.
SKU: HL.49033032
ISBN 9790001130554. UPC: 888680942229. 8.25x11.5x0.462 inches. English.
Fascinated by the idea that there could be an omniscient witch, Partch wrote these ten scenes for a singer and ensemble. The musicians and their movements are part of the plot in which people are freed from various problems by a witch. Most of the required instruments and the sound system used were developed by Partch itself.
SKU: P2.80102
Whilst programming a concert of tuba chamber music for the Hannover Tuba Class, works were found for almost every possible combination of instruments, except that there seemed to be none originally written for seven tubas. Spotting this obvious hole in the market, Divertimento was commissioned and first performed in Tubissimo V in June 2012 by the members of the class alongside Professor Jens Bjorn-Larsen, conducted by the composer. A very substantial, highly dramatic work, this piece really pushes the limits of what is musically and technically possible, challenging any preconceptions of audiences and tubists alike as to the genuine expressive potential of a group of tubas.
SKU: CF.YPS133F
ISBN 9780825896255. UPC: 798408096250. 9 x 12 inches.
Combining two wonderful tunes into one new Christmas classic, Larry Clark takes the famous Largo from Dvorak's Symphony No. 9, From the New World and links it together with the popular holiday classic Home for the Holidays. The result is a piece where these tunes sound like they were always meant to be together. A uniquely musical way to showcase your band at their holiday concert. There is also a choral setting of this arrangement that will add to the excitement!
SKU: BT.EMBZ8666
English-German-Hungarian.
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) ABRSM Cello Syllabus title, 2013-14, Grade 8.
SKU: CY.CC2938
ISBN 9790530057575.
Originally written for Cello, Ralph Sauer's brilliant arrangement of the Pergolesi Sinfonia (Sonata) for Trombone and Piano (or Harpsichord) has become a standard work in the solo repertoire. This new edition which replaces the previous one comes with some notable changes. Below is Mr. Sauer's description.This new edition of the Pergolesi Sinfonia in F is an update of the original version which was first published 40 years ago (!) and is now permanently out of print. Movements one, two, and three are essentially the same. I have corrected a few errors in the keyboard part and also revised some of the notationâ€â€notably, grace notes are now placed correctly. (The original publisher insisted that they should be placed after barlines, causing confusion as to whether they were to be played on the beat or before the beat.)In the last movement, there are now two places where the keyboard takes over the solo line. In addition to providing much needed rest for the trombonist, it gives a change of color and a chance for the keyboard player to be the soloist for a few measures.The original version of the last movement is also included as an appendix for those who would rather perform the original.Ralph Sauer
Los Angeles, 2017
SKU: BR.OB-5212-15
ISBN 9790004330906. 9 x 12 inches.
SKU: BR.PB-5251
ISBN 9790004210239. 9 x 12 inches.
SKU: M7.DOHR-94145
ISBN 9790202001455.
SKU: IS.CQ7379EM
ISBN 9790365073795.
SKU: HL.48009906
UPC: 073999834192. 9.0x12.0x0.036 inches.
SKU: BR.PB-5214
ISBN 9790004209455. 9 x 12 inches.
SKU: AP.36-A162248
ISBN 9798892700863. UPC: 659359562518. English.
Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
