and 10 Grand Etudes of Moderate Difficulty Op. 76. Par POPPER DAVID. These two new editions (BA 6978 BA 6979) of David Popper's cello studies are the first modern publications of these standard compositions. The Austrian born Popper composed these studies during his tenure at the Royal Conservatory in Budapest in the late 1890s and they were first published between 1901-05. The 40 etudes found in op. 73 focus on a wide range of techniques found in the major works in the cello literature. The 15 easy etudes are designed for the first years of lessons which lead to the 10 grand etudes which in turn lead to the op. 73 etudes. Martin Rummel's editions offer new bowings and fingerings to reflect modern playing. The 40 Etudes op. 73 also includes a German / English brochure containing technical tips and information by Rummel as well as references to the cello literature where the individual techniques are found. - First modern edition of these standard studies - With bowings and fingerings for today's cellists - Additional brochure to the 40 etudes with playing tips and references to where the techniques are found in the standard cello literature/ Etude / Violoncelle

A superb collection of easy-to-play arrangements for solo melody line instruments, complete with chord symbols in concert pitch. Includes 'Be'Bop'A-Lula', 'I Believe', 'Rocket Man' and 'Woman'. / Flûte Traversière

Les racines de la guitare classique sont trouvent dans les instruments à cordes au début de la Renaissance, et cette collection spéciale comporte 50 solos arrangés pour guitare solo avec tablature. L'ensemble des pièces comprend la musique de Thomas Campian, Francis Cutting, John Dowland, Orlando Gibbons, Michael Praetorius et autres, avec chaque arrangement présenté en notation standard et onglet. Un CD est également inclus, avec démonstrations soigneusement enregistrées qui vous aideront à capturer un aithentic style afin de refléter le caractère unique de musique de la Renaissance de jeu. / Guitare

Big Pop Instrumental Solos (Clarinet) contains 75 of the most popular songs of recent years. An excellent choice for students, amateurs, and professionals alike, it is great for performances at parties and receptions, or just for fun! Includes hits from Madonna, R.Kelly, Alanis Morissette, Elton John and many, many more./ Recueil / Clarinette

Par SOKOLOW FRED. Movie Songs for Solo Fingerstyle Ukulele contient 25 chansons célèbres déclinées de deux façons (à l'exception des deux morceaux instrumentaux) : sous forme d'arrangements solo Fingerstyle avec tablature et accords inclus, et sous forme de partitions avec paroles et accords pour gratter et chanter. Le recueil comprend également des informations divertissantes sur chaque morceau, ses interprètes et ses compositeurs. / Date parution : 2023-07-31/ Recueil / Ukulélé

This collection of Great Violin Solos contains sixty well known film themes, classical pieces, jazz and blues standards, showtunes and popular hits arranged for beginner to intermediate violinists. / Violon

Par . A collection of thirty guitar solos for the plectrum or flatpick guitarist drawn from the early American shape-note tradition. These songs reflect the rugged faith of America?s early settlers and range from joyous, rhythmic pieces to somber, contemplative melodies. The arrangements are of medium difficulty and present a broad palate of harmonic colors. Written in standard notation and tablature. Includes access to online audio, recorded by the author. / Date parution : 2022-04-09/ Recueil / Guitare

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

100 Hymns for Violin and Guitar is a collection of all-time favorite hymns arranged for violin solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year./ Recueil / Violon et Guitare

The ultimate resource for studying the work of Miles Davis! 50 note-for-note transcriptions of his recorded solos for: Airegin All Blues All Of You (from SILK STOCKINGS) Au Privave Bags' Groove Billie's Bounce (Bill's Bounce) Blue Haze Budo But Not For Me Bye Bye Blackbird Diane Dig Doxy E.S.P. Footprints Four Freddie Freeloader A Gal In Calico Green Haze I Waited For You I'll Remember April If I Were A Bell It Could Happen To You It's Only A Paper Moon Jeru K.C. Blues Love Me Or Leave Me Miles Miles Ahead My Funny Valentine Oleo On Green Dolphin Street The Serpent's Tooth Seven Steps To Heaven Sippin' At Bells So What Solar Some Day My Prince Will Come Stablemates Stella By Starlight Stuff Summertime The Surrey With The Fringe On Top The Theme Trane's Blues Tune Up Walkin' Well You Needn't (It's Over Now) Woodyn' You Yesterdays

The ultimate resource for studying the work of Miles Davis! 50 note-for-note transcriptions of his recorded solos that you can play on any Eb instrument. Includes: Airegin · All Blues · All of You · Au Privave · Bags' Groove · Billie's Bounce (Bill's Bounce) · Blue Haze · Budo · But Not for Me · Bye Bye Blackbird · Diane · Dig · Doxy · E.S.P. · Footprints · Four · Freddie Freeloader · A Gal in Calico · Green Haze · I Waited for You · I'll Remember April · If I Were a Bell · It Could Happen to You · It's Only a Paper Moon · Jeru · K.C. Blues · Love Me or Leave Me · Miles Ahead · Milestones · My Funny Valentine · Oleo · On Green Dolphin Street · The Serpent's Tooth · Seven Steps to Heaven · Sippin' at Bells · So What · Solar · Some Day My Prince Will Come · Stablemates · Stella by Starlight · Stuff · Summertime · The Surrey with the Fringe on Top · The Theme · Trane's Blues · Tune Up · Walkin' · Well You Needn't (It's over Now) · Woodyn' You · Yesterdays. / Instruments En Eb