Recorder

SKU: FZ.5844

Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Fac-Similes Enseignement. Score. Published by Anne Fuzeau Productions - France (FZ.5844).

ISBN 9790230658447. 22.00 x 31.00 cm inches.

These original publications of Loeillet, Fischer, Haendel and Croft are in facsimile on Fac-similes et Enseignement collection. Loeillet John : XII Solos six for a common flute and six for a german flute with a thorough bass. London, Walsh and Hare, c. 1729. Sonata IV : Largo, Poco Allegro, Adagio, Allegro, Presto. Fischer Johann : Musikalisch Divertissement bestehend in einigen Ouverturen und Suiten mit 2 Stimmen auff Violen/Haubois oder Fleutes douces zu gebrauchen. Dresden, J. Riedeln, 1699/1700. Suite en sol mineur, Ouverture, Air, Menuet, Menuet, Chique, Bourree, Menuet, Menuet. Handel Georg Friedrich : Sonates pour un traversiere, un violon ou hautbois con basso continuo. Amsterdam, Roger, 1727. Sonata XI : Larghetto, Allegro, Siciliana, Allegro. Croft William : Six sonates or solos three for a violin and three for the flute with a thorough bass. London, Walsh and Hare, 1700. Sonata I. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - British Library of London (England). - Herzog August Library of Wolfenbuttel (Germany). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Composed by William Byrd (1540-1623). Bestseller. Renaissance. Octavo. Galaxy Music Corporation #1.5218. Published by Galaxy Music Corporation

For Piano(Themes and Melodies from Famous Compositions). Arranged by Maxwell Eckstein. For Piano Solo. Classical. Solo part. 48 pages. Published by Carl Fischer.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1001987-140

Composed by John Williams. Arranged by Kazuhiro Morita, Naohiro Iwai, and Takashi Hoshide. New Sounds for Concert Band. TV-Film-Musical-Show. Score Only. Composed 2000. 72 pages. De Haske Publications #DHP 1001987-140. Published by De Haske Publications (BT.DHP-1001987-140).

9x12 inches.

John Williams’ Filmmusik zu den ersten drei Star-Wars-Filmen (Episoden IV bis VI) gehört zu den bestverkauften Soundtrackalben der Filmgeschichte. Mit Spannung wurde daher sechzehn Jahre später der Film Die dunkle Bedrohung (Episode I) und auch die Filmmusik, wieder von John Williams komponiert, erwartet. Die Fans wurden nicht enttäuscht: Musikalisch gereifter, lieferte Williams eine facettenreiche, überzeugende Filmmusik. Nicht nur für Star-Wars-Fans!

En 1977, George Lucas réalise La Guerre des Étoiles, premier volet de la célèbre trilogie qui a fondé une nouvelle mythologie et modifié le paysage cinématographique mondial. Pour célébrer le 20ème anniversaire de la sortie de cette épopée galactique, il se lance dans la réalisation de trois nouveaux épisodes dont le premier qui connaissent un succès mondial. Le compositeur américain John Williams signe les bandes originales et donne la saga toute son ampleur symphonique. La version pour Orchestre d’Harmonie a été réalisée par quatre grands compositeurs et arrangeurs japonais. La musique est héro que, épique, lyrique et spectaculaire.

Written by Mark Levine. For piano. Format: instructional book (spiral bound). With chord names, instructional text, introductory text and black and white photos. Instructional and Jazz. The most highly acclaimed jazz piano method ever published!. 305 pages. 9x11 inches. Published by Sher Music Company.

SATB choir - Intermediate

SKU: WD.080689643170

Book. Word Music #080689643170. Published by Word Music (WD.080689643170).

UPC: 080689643170.

Introducing THE BIG RED CHOIR BOOK VOLUME 2! Word Music & Church Resources announces the release of the most audaciously awesome new choir book you’ve ever seen! Volume 2 of “Big Red” is the biggest ever Big Red Choir Book, jam-packed with a musically diverse, and stylistically broad selection of choral arrangements to meet the needs of church choirs everywhere! Compiling 32 best-selling songs in 29 phenomenal arrangements, The Big Red Choir Book, Volume 2 just might be the most comprehensive, all-encompassing, budget-saving and convenient church choir resource of all time…the biggest ever! With a little bit of everything, this Biggest Ever Big Red Choir Book has it all…Praise & Worship, CCM Hits, Southern Gospel, Patriotic, Christmas, Easter, and more! This essential resource features arrangements by Cliff Duren, Daniel Semsen, Bradley Knight, Jay Rouse, Marty Hamby, Marty Parks, David Wise, Camp Kirkland, Tim Paul, and Luke Gambill. Full of hit songs made popular by Worship Leaders, Artists, and Songwriters such as Elevation Worship, David Crowder, Hillsong, Chris Tomlin, Matt Maher, Big Daddy Weave, Matt Redman, Zach Williams, Tauren Wells, Mandisa, Kristian Stanfill, Kari Jobe, The Gaithers, and Michael W. Smith, to name a few, The Big Red Choir Book, Volume 2, is an absolute must-have for every choir’s repertoire. Add this indispensable, inspirational, and resourceful new choral collection to your music library today!

SKU: GI.G-10833

Composed by Daniel Gregerman. Music Education. 150 pages. GIA Publications #10833. Published by GIA Publications (GI.G-10833).

ISBN 9781574635614.

From philosophy, auditions, and lesson planning to improvisation and literature selection, this diverse group of nationally recognized educators at all levels discuss these topics and more. Each director practically walks you through a rehearsal! Whether you are a seasoned vocal jazz director or someone looking to get started, the authors’ concepts on running an outstanding vocal jazz program has something for everyone. There are different vocal timbres that we expect to hear in different styles, and I believe that there are ways to produce a variety of sounds in a healthy way with sound technique. —Andrew Dahan     Niles North High School, Skokie, IL When starting a vocal jazz ensemble, I keep the literature on the easy side so concepts of style, tone, vibrato, balance, and blend can be focused on without pounding out notes. —Roger Emerson     Professional Composer and Arranger As with any language, one of the fastest ways to learn about different styles, genres, and other idiosyncrasies is to immerse ourselves in the language. —Daniel Gregerman     Glenbrook South High School, Glenview, IL I think of the audition process as a necessary means to help me ‘cast’ the ensemble. —Greg Jasperse     Western Michigan University My overall philosophy is that teaching jazz is extremely important. The creation of this music is unique to America, and it is imperative that we keep our youth informed. —Connaitre Miller     Howard University We don’t really ever ‘finish’ a piece or arrangement, do we? We work on the repertoire and the music arrives to an artistic place. —Kate Reid     University of Miami, Frost School of Music Jazz is a genre that has to be primarily learned from listening. Exposing students to a wide variety of jazz and contemporary styles is one of the most important things we need to do. —John Stafford II     Kansas City Kansas Community College My jazz singers are the best music readers in the department, and I never do any sight singing with the jazz choirs. That is all done in the traditional choirs. —Janice Vlachos     Fairview High School, Boulder, CO It takes a good amount of work to achieve a unified sound, however, within working on the minute details and repetition, it is those moments of victory during the rehearsals that make it all worth it. —Gaw Vang Williams     Sacramento State College Vocal jazz encourages personal expression through which improvisation has become a hallmark trait of the genre. —Natalie Wilson     Grass Valley Elementary School, Camas, WA.

(Featuring: In the Bleak Midwinter / Lullay My Liking / excerpts from Christmas Day ). By Gustav Holst (1874-1934). Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(s); Score. Belwin Intermediate Full Orchestra. Form: Medley. 20th Century; Christmas; Masterwork Arrangement; Romantic; Winter. Grade 3. 224 pages. Published by Alfred Music Publishing

(Arranged for Solo Harp and Harp Duet). By Pharrell. Arranged by Sylvia Woods. For Harp. Harp. Softcover. 8 pages. Published by Hal Leonard

Vocal and Piano

SKU: HL.14012307

Composed by Gustav Holst. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH0385001. Published by Chester Music (HL.14012307).

The collection of nine Vedic Hymns (Op. 24) for solo Voice with Piano accompaniment marked a turning point in Holst's compositions. They were inspired by Hindu scripture and Indian raga, and first published in1908. Vac (Speech) is the seventh movement, and is the first of the third group of hymns, where the theme shifts into the human sphere.

Gustav Holst (1874-1934) was an English composer and teacher.Having studied under Stanford and Parry, he became a close friend of Vaughan Williams - they would often critique each other's work - and influenced composers such as Tippet and Britten. He is best remembered for hisPlanets suite.

SATB Orchestra

SKU: HL.14015255

Composed by Gustav Holst. Music Sales America. Classical. Studyscore. 32 pages. Music Sales #NOV890200. Published by Music Sales (HL.14015255).

10.25x14.25x0.43 inches.

One of Holst's most under-appreciated works, Ode To Death (Op. 38) was written in 1919 in response to the First World War, and mourned his friends who had died in that conflict. Scored for SATB Chorus and Orchestra, it is a setting of the elegiac poem When Lilacs Last in the Dooryard Bloom'd by Walt Whitman.

Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry, he became a close friend of Vaughan Williams - they would often critique each other's work - and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

Clarinet and Piano

SKU: ST.C129

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C129. Published by Clifton Edition (ST.C129).

ISBN 9790570811298.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1218.

Choral (Studiotrax CD)

SKU: HL.35031555

Composed by Joseph M. Martin. Shawnee Sacred. Anthem, Christmas, Epiphany, General Worship, Sacred. CD. Duration 125 seconds. Published by Shawnee Press (HL.35031555).

UPC: 888680673888. 5.0x5.0x0.139 inches. J. Paul Williams/Joseph M. Martin. Ephesians 3:15, Isaiah 42:10, Luke 2:10-14, Psalm 96:11.

Dancing with Christmas joy, this stylish anthem from the best-selling cantata Winter's Grace is a shining addition to any holiday program or worship service. The middle section features the Somerset Carol, re-tooled with fresh words and a worship focus. Lots of unison writing makes for a crisp and clear choral experience, while a soaring soprano descant adds just the right amount of flourish, and the neo-classical orchestral treatment brings a colorful option to directors with instrumental resources. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.