31 Duets That Can Be Played By Any Combination Of Wind Instruments-If you have a friend that plays another instrument and you want to play a duet with them for fun or in a performance then this is the book for you! This collection contains 31 duets in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of two wind instruments. Duets are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else that plays a wind instrument making the combinations of instruments that can be used almost limitless. This collection is ideally suited for use in schools for students who areespecially eager to play music with their friends. The flexibility of these duets makes them a must-have for any wind player. Editions available for: Alto/Baritone Saxophone (CFWF95)Clarinet/Trumpet/T.C. Euphonium/Tenor Saxophone (CFWF94)Flute/Oboe (CFWF93)Trombone/B.C. Euphonium/Bassoon (CFWF96)Horn In F (CFWF97)Tuba (CFWF98)

This collection of Rummel's J.S. Bach 'adaptations' for the Piano presents twelve titles from the original twenty-five originally published by J & W Chester between 1922 and 1938, demonstrating a range of styles from the contemplative Liebster Jesu, Wir Sind Hier to the uninhibited Sturze zu Boden. A close friend of Debussy, Rummel belonged to a younger generation of leading composers, leading a trend away from previous Keyboard transcribers, established by Busoni, Liszt, Reger and others who concentrated on adapting Bach's Organ works rather than the Vocal music. <br>This vibrant collection is suitable for intermediate to advanced pianists but will be of interest to all who enjoy Bach's music for Keyboard. <br>Born in Berlin to a diversely creative family, Walter Rummel (1887 - 1953) was surrounded by art and music from an early age. He came from a pedigree of distinguished musicians, his family home a favoured meeting place for musicians and artists alike. His great grandfather, Christian Rummel (1787 - 1849) was director of the court orchestra at Wiesbaden for Duke Wilhelm of Nassau and his maternal grandfather, Samuel Morse (1791 - 1892), the American painter and inventor of the telegraph. / [J.S. Bach Adaptions: Piano Transcriptions By Walter Rummel] / Classique / Partition /

Trios compatibles pour Vents contient 21 trios dans une variété de styles allant du classique au folk, et inclut quelques nouvelles oeuvres originales ainsi. Chaque pièce est jouable par n'importe quel combinaison de trois instruments à vent. Trios sont un excellent moyen d'apprendre à jouer dans un cadre de musique de chambre, et cette collection unique donne aux joueurs la possibilité de le faire avec quelqu'un d'autre qui joue un instrument à vent, qui en fait une combinaison presque illimitée d'instruments.Trios compatibles pour Winds est particulièrement utile dans un milieu scolaire où les élèves sont impatients de jouer de la musique avec des amis. La flexibilité de ces trios en fait un must-have pour tout joueur de vent. Comprend des chansons comme 'La blanchisseuse irlandais,' Brahms 'Danse hongroise n o 5,' Larry Clark 'Harvest Moon', original et plus. / Saxophone Alto Ou Baryton

Nouveau transcriptions de cantates de Bach airs de niveau intermédiaire à violoncellistes de niveau avancé. Autres instruments clef de fa comme le basson, trombone, cor français, tuba, clarinette basse et peut-être trouver ce livre utile. / 2 Violoncelles / 64 pages / niveau : Intermédiaire / Avancé / Partition

A four movement suite. The Couperin family's influence extended over five generations and was as important to French music as the Bachs' was to German music. François 1668-1733 (known as 'le Grand') was like his father organist of St. Gervais and in 1693 became organist to the King at Versailles. He excelled as a composer of keyboard music and produced an instruction book L'Art de Toucher le Clavecin which is valuable for the light it throws on contemporary practice in harpsichord playing. J. S. Bach knew and admired François Couperin's music and the two did correspond. Alas the letters disappeared when (according to an article in Grove) they were used as lidsforjampots!

for Piano Solo. Par . What would composer such as Bach, Beethoven, Chopin, Debussy, or Rachmaninoff have done if they had arranged ?Dust in the Wind? for solo piano? Would Bach have penned a prelude or minuet? Would Chopin have crafted a nocturne or mazurka? What about Mozart, Tchaikovsky, or Bartok? Here are 16 songs arranged for solo piano, arranged as if they were covered by these composer giants. The focus is on classic accompaniment styles, devices, figurations and forms, the compositional hallmarks of centuries of great music. Includes: Ain't No Sunshine ? Blackbird ? Don't Stop Believin' ? Dust in the Wind ? God Only Knows ? Kiss from a Rose ? Time in a Bottle ? What's Love Got to Do with It ? You Can't Hurry Love ? and more. / Date parution : 2021-11-03/ Recueil / Piano

Cantata for the 1st Easter Day-Oboe III ad lib - not in wind setDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works inJohann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Cantata for the 1st Easter Day-Cor Anglais ad lib - not in wind setDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works inJohann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Set of Wind Parts-Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

Wind set Urtext edition-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre

Volume 1. Par . 71 Airs traditionnels irlandais ? jigs, reels, polkas, hornpipes et airs lents ? de même que des pièces de Carolan, pour la flûte, la flûte à bec ou le flûtiau de métal. Musicien expérimenté de la musique folk, Patrick Steinbach fournit ici une excellente introduction sur les styles et les ornements traditionnels ainsi que des commentaires sur chacune des 71 pièces. De plus, l'édition contient des enregistrements de toutes les pièces en téléchargement gratuit. / Date parution : 2022-02-15/ Recueil / Flûte Traversière ou Flûte à Bec