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You've Selected:
Wolfgang Amadeus Mozart
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Wolfgang Amadeus Mozart: Requiem K.626: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (I/1/2/2)
Barenreiter
Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süß...
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Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
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Wolfgang Amadeus Mozart: Requiem K.626: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
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Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süß...
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Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
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Wolfgang Amadeus Mozart: Requiem K.626: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (I/1/2/2)
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Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süß...
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Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
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Wolfgang Amadeus Mozart: Requiem K.626: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (I/1/2/2)
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Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süß...
(+)
Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
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Charlottes Musikalische Abenteuer Band 1
Divers
Schott
Charlotte, ailé un peu être, invite tous les enfants à passer une journée pl...
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Charlotte, ailé un peu être, invite tous les enfants à passer une journée pleine de musique avec elle. Chaque heure, elle rencontre un autre compositeur sur le beffroi et embarque sur différentes aventures où elle apprend également sur les genres musicaux (Orchestre symphonique, opéra, ballet) ou termes de théorie de la musique (indications de tempo, échelles, intervalles). En outre, le livre contient des anecdotes et des citations de la musiciens ainsi que des énigmes de musique intéressant attendent d'être résolu.Pour une journée entière, les jeunes lecteurs sont accompagnés par Charlotte joyeux qui est exalté par la musique ancienne et nouvelle. Qui est Charlotte va rencontrer le matin - et qui le soir ? Walther von der Vogelweide, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Robert Schumann, Piotr Ilitch Tchaïkovski, Claude Debussy ou même Charles Ives ? -Cet ouvrage richement illustré fournit des portraits de 15 compositeurs, du moyen âge à nos jours.Adjugé le Deutscher Musikeditionspreis 2008. / Divers
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Wolfgang Amadeus Mozart: Symphonies Vol.6: Orchestra: Score
Orchestra
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Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B...
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Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B-flat major K.319Symphony No.34 in C major K.338Symphony No.35 in D major ('Haffner-Symphony') K.385 Wolfgang Amadeus Mozart (1756–1791) - New Edition of the Complete Works edited by the International Mozarteum Foundation Salzburg in cooperation with the Mozart cities of Augsburg Salzburg and Vienna The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At thesame time it also serves as an aid to authentic performances. The principal Series I to IX containing Mozart's actual œuvre appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work such as his activities as a teacher or as an arranger of other composer's works.
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Attack Und Decay (SCHMIDINGER HELMUT)
Piano solo
[Sheet music]
Doblinger
Zum Sonatensatz In G Kv 312 Von Wolfgang Amadeus Mozart. Par SCHMIDINGER HELMUT....
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Zum Sonatensatz In G Kv 312 Von Wolfgang Amadeus Mozart. Par SCHMIDINGER HELMUT. Mein Zugang war ein „spielerischer“: ich spielte mehrmals am Tag Mozarts Sonatensatz am Klavier und beobachtete, welche Elemente und Tonfolgen im Gedächtnis haften blieben. Diesen inneren und sehr persönlichen Ausschwingvorgang (Decay) Mozart’scher Musik, der sich wie von selbst einstellt, wenn man die Musik – und zwar immer nur Phrasen davon, niemals ganze Werke – nicht mehr aus dem Kopf bringt, habe ich als Anstoß zur Komposition genommen. Und so wie sich im Laufe von Tagen ein „Nachklang“ ergeben hat, hat sich auch ein „Einschwingvorgang“ (Attack) herausgebildet. Beide Stück sind daher attacca mit Mozarts Sonatensatz verbunden und beziehen ihre Gestalt sehr direkt aus demkompositorischen Originalmaterial, ohne jedoch ins hörbar „zitathafte“ abzugleiten. (Helmut Schmidinger)/ Répertoire / Piano
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Schon Lacht Der Holde Fruehling K. 580
Voix Et Orchestre
Breitkopf & Härtel
Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais...
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Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais a étiqueté 'manquantes' depuis 1964. La 'Neue Mozart Ausgabe-' n'était donc plus en mesure de prendre en considération. Maintenant, cependant, le manuscrit a réapparu et a été utilisé comme une source authentique pour cette nouvelle édition (1997).préface'Eine Aria in die Oper, der von Balbier Seviglien. Für MADAME Hoffer. 2 Violini, viole, 2 Clarinetti, 2 Fagotti, 2 Corni e Bassi. Schon lacht Frühling der Holde.' Cette entrée dans le catalogue de Wolfgang Amadeus Mozart travail manuscrite se trouve sous la date du 17 Septembre 1789. Toutefois, étant donné que la performance prévue d'un accord allemand de Barbier de Paisiello a été apparemment abandonné, Mozart semble avoir mis de côté la pièce sans l'achever. Josepha Hofer (née Weber), le plus jeune soeur Constanze Mozart, était d'avoir chanté cet air, destiné à Rosina. En tant que membre de la Freihaustheater Schikaneder, elle a chanté la Reine de la Nuit à la première représentation de la Flûte enchantée.En plus de la partie vocale, le score fragmentaires ne contient que la ligne de basse ainsi que des répliques instrumentales pour une orchestration avenir. La version de l'éditeur orchestralement complété, délivré par le même éditeur, est basé sur le manuscrit autographe conservé à la Österreichische Nationalbibliothek à Vienne. Cette autographe a été redécouvert qu'en 1988. Nous avons poursuivi nos efforts pour fournir un son mozartien dans la réalisation instrumentale de la partition tout en préparant cet arrangement pour soprano, clarinette et piano. Depuis la première clarinette tisse à plusieurs reprises autour de la partie de soprano dans thr version orchestrale, il semblait parfaitement naturel producc l'arrangement actuel. En outre, il apportera inévitablement à l'esprit de Franz Schubert Der Hirt auf dem Felsen (même clé, section du milieu en sol mineur).Nous tenons à remercier la Österreichische Nationalbibliothek à Vienne pour mettre des copies de la source à notre disposition.Franz BeyerMunich, printemps 1997 / Voix Et Orchestre
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Guten Morgen, Liebes Weibchen! (MOZART WOLFGANG AMADEUS)
Divers
[Sheet music]
Barenreiter
Mozarts Briefe an Constanze. Par MOZART WOLFGANG AMADEUS. / Répertoire / Divers...
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Mozarts Briefe an Constanze. Par MOZART WOLFGANG AMADEUS. / Répertoire / Divers
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Wolfgang Amadeus Mozart: Piano Pieces From The 'Nannerl Music Book': Piano:
Piano solo
G. Henle
Piano Pieces from the Nannerl Music Book-Piano Pieces From The 'Nannerl Music Bo...
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Piano Pieces from the Nannerl Music Book-Piano Pieces From The 'Nannerl Music Book' contains 17 pieces composed by Wolfgang Amadeus Mozart when he was between five and eight years old.When W. A. Mozart's sister Maria AnnaMozart known as Nannerl started receiving Piano lessons her father gave her a music book in which he and others gradually wrote down little recital pieces.This book was soon passed on to her brother and noticing hisremarkable talent for composing the children's father wrote down some of his son's first works in the book.This Henle Urtext edition is taken from the complete volume of Mozart’s Piano Pieces (HN22) and contains a newpreface by the editor Ullrich Scheideler. The pieces in this volume are easy to play making them ideal for beginners.
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Wolfgang Amadeus Mozart: Concerto No.2 In D K314: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of th...
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Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.
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Wolfgang Amadeus Mozart: Lucio Silla K.135: Voice: Vocal Score
Opera
[Sheet music]
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Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Moz...
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Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate K.87 (74a) for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770 and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second Lucio Silla (K. 135) again commissioned for the 1771–72 Carneval season inMilan doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand the third son of Maria Theresia scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire
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Luc Gistel: Remember Mozart: Fanfare Band: Score
Marching band
Scherzando
En associant son talent de compositeur à sa grande créativité André Waignei...
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En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
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Luc Gistel: Remember Mozart: Concert Band: Score
Concert band
Scherzando
En associant son talent de compositeur à sa grande créativité André Waignei...
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En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
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Luc Gistel: Remember Mozart: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Scherzando
En associant son talent de compositeur à sa grande créativité André Waignei...
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En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
73.99 GBP - Sold by Musicroom UK
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Luc Gistel: Remember Mozart: Concert Band: Score & Parts
Concert band
[Score and Parts]
Scherzando
En associant son talent de compositeur à sa grande créativité André Waignei...
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En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
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Wolfgang Amadeus Mozart: The Music Books Of Mozart And His Sister For Piano:
Piano solo
Barenreiter
Until now the edition The Music Books of Mozart and His Sister has only been ava...
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Until now the edition The Music Books of Mozart and His Sister has only been available as part of the boxed set of Mozart’s oeuvre for piano (BA 5749) which has gone out of print. Now for the first time it can be purchased separately. Based on the New Mozart Edition this is the only publication to contain all the pieces sketches and fragments found in the notebooks. The Foreword by the great Mozart scholar Wolfgang Plath provides valuable information on the pieces themselves and on the question of their authorship; besides Mozart’s earliest juvenilia some of which formed the basis of later compositions the notebooks also contain works by LeopoldMozart and other composers. Facsimile illustrations from the autographs convey a lively picture of this collection of easy to moderately difficult keyboard pieces ideally suited for teaching purposes.- Scholarly-critical Urtext edition based on the New Mozart Edition- Only complete edition of the Mozart siblings’ notebooks- Ideal for teaching purposes: easy to moderately difficult- Numerous facsimile illustrations
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Mozart-Jahrbuch 1987/88
Voice solo
[Sheet music]
Barenreiter
Bericht über die Tagung 1987. / Recueil / Livre
90.40 EUR - Sold by LMI-partitions
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Briefe Und Aufzeichnungen (8 Bände Komplett Im Schuber) (MOZART WOLFGANG AMADEUS)
Divers
[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. / Répertoire / Divers
208.90 EUR - Sold by LMI-partitions
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Mozart - Briefe Und Aufzeichnungen, Band 1-7 (MOZART WOLFGANG AMADEUS)
Divers
[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. (voir aussi BVK 143-145)/ Répertoire / Divers
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Postkarten-Serie 5: Wolfgang Amadeus Mozart - Geistliche Musik (MOZART WOLFGANG AMADEUS)
Carte Postale
[Sheet music]
Carus Verlag
Wolfgang Amadeus Mozart - Geistliche Musik. Par MOZART WOLFGANG AMADEUS. Through...
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Wolfgang Amadeus Mozart - Geistliche Musik. Par MOZART WOLFGANG AMADEUS. Throughout his entire career Wolfgang Amadeus Mozart concerned himself with church music. To no musical genre did he contribute more works than to musica sacra. This Postcard Series includes twelve portraits, illustrations and facsimiles related to Mozart's sacred music./ Répertoire / Livre
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Briefe Und Aufzeichnungen, Band 7 (MOZART WOLFGANG AMADEUS)
Divers
[Sheet music]
Barenreiter
Gesamtausgabe: Register. Par MOZART WOLFGANG AMADEUS. / Répertoire / Divers
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Wolfgang Amadeus Mozart: Overture to The Magic Flute: String Orchestra: Score &
String Orchestra
Hal Leonard
One of Mozarts most famous operas and one of his last works Die Zauberflöte (&...
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One of Mozarts most famous operas and one of his last works Die Zauberflöte (“The Magic Flute”) continues to be performed worldwide each year. From its iconic majestic opening three chords Mozartsoverture is a wonderfulcombination of the sentiment and spirit of the opera that follows. This adaption for strings is classical programming at its very best.
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Wolfgang Amadeus Mozart: The Mozart Violin Concerti: Facsimile
Orchestra, Violin
Dover Publications
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were p...
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A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.
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Wolfgang Amadeus Mozart: Amazing Amadeus: Concert Band: Score
Concert band
Mitropa Music
Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?é...
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Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?écriture pourtant si accessible et claire reste quelquefois difficile à manoeuvrer. Amazing Amadeus rassemble 7 airs célèbres. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.
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Wolfgang Amadeus Mozart: Amazing Amadeus: Concert Band: Score & Parts
Concert band
[Score and Parts]
Mitropa Music
Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?é...
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Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?écriture pourtant si accessible et claire reste quelquefois difficile à manoeuvrer. Amazing Amadeus rassemble 7 airs célèbres. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
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The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
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The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
22.50 GBP - Sold by Musicroom UK
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