The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.

Arranged For Ukulele-While many are familiar with the music of Wolfgang Amadeus Mozart fewer are aware that his father Leopold Mozart was a famous composer in his own right.At the age of seven Wolfgang received a notebook fromhis father as a birthday gift. The 'Notebook for Wolfgang' includes contemporary dances and arias mostly by Leopold Mozart. These compositions provide a glimpse into the formative years of Wolfgang Amadeus Mozart.This book includes fifteen pieces from the notebook arranged for the Ukulele. The melody and bass parts are arranged so the original notation and polyphony are maintained. Each chapter includes pieces presented in standardnotation and tablature.

Par MOZART WOLFGANG AMADEUS. Le dernier opus de la collection 20 Easy Pieces for Piano de Ricordi est une sélection de 20 courtes pièces composées par Mozart. Ce recueil comprend certaines des ?uvres les plus connues de Mozart, ainsi que d'autres plus rarement jouées. Ensemble, elles constituent une introduction courte mais significative à l'art du génie de Salzbourg. Chaque pièce inclut des indications pour le travail des pédales et des doigtés. / Date parution : 2023-03-11/ Répertoire / Piano

None other than András Schiff is collaborating with Henle Publishers for the edition of Mozart?s Piano concertos. His Piano reductions are aimed at amateurs rather than professionals; his fingerings forMozart?s solo part have been exquisitely fine-tuned and are inspiring; and where Mozart?s original cadenzas are missing Schiff?s stylistically perfected ones have been included. In so doing we aspire to set anew precedent. First and foremost Mozart?s handwritten scores have been consulted being the most important sources. Moreover we know today that in addition to Mozart?s own manuscripts early copies in parts andprints also contain important information regarding the musical text. A co-production with Breitkopf & Härtel Mozart?s Piano concertos are not only available as attractive and affordable Piano reductions there are alsoan accompanying Urtext conductor?s score orchestral parts and a study score.

Vocal Score Large Print-The story of the composition of Mozart's Requiem has a strange fabulous quality that is entirely typical of the events of his life. Whether we are considering his amazing exploits and achievements as a youthful virtuoso and maestro or the depth of his financial misfortunes in Vienna in the late 1780s there is little that is mundane about the main biographical facts.It comes as no surprise then to find that these facts have often been coloured and embroidered to enhance their emotional effect and to create a legend about this most remarkable musician. The simple story of the genesis of the Requiem is in itself striking - that in the last weeks of his lifeMozart was working on a Mass for the Dead that this work was the result of an anonymous commission and that the commissioner's envoy in order to avoid giving an address paid Mozart several unannounced visits like a messenger from another world - this story can easily be filled out with portents and hints of the supernatural.Even the account by Franz Niemetscheki (first published in 1798 based on information given by Mozart's widow Constanze and later receiving 'official' approval by being incorporated into the Mozart biography by Constanze's second husband Georg von Nissen) writes of the commissioner's agent appearing 'like a ghost' and Friedrich Rochlitz's account goes much further in suggesting that the composer was possessed by a demoniac and feverish desire to complete the Requiem and conscious of approaching doom

Composed just three years before Mozart's premature death theSonata in C K.545 has become perhaps his most widely known composition for piano. The piece was probably written for one of Mozart's pupils though it was not published during his lifetime. It has since come to symbolise in miniature the dominant elements of the Mozart style: clarity melodic charm and exquisite balance. These characteristics epitomise the music of the Viennese classical period of the late 18th century.The three-movement work opens with an elegant Allegro followed by a tuneful Andante and concludes with a light-hearted Rondo finale.This version ofMozart's popular work has been edited by Randall Faber.

On the occasion of the marriage of her son Archduke Ferdinand of Austria to the Princess Maria Ricciarda Beatrice of Modena the Empress Maria Theresia commissioned the young Mozart to compose the work Serenata Teatrale “Ascanio in Alba”. The librettist the Viennese Abate Guiseppe Parini one of the most outstanding poets of the 18th century wrote a baroque-designed libretto which paid homage to and congratulated the royal couple.Mozart wrote the music in only a few weeks from the end of August until 23 September 1771. The first performance took place on 17 October 1771 in Milan to rousing success. Shortly thereafter LeopoldMozart wrote that his son's composition had so overpowered the main performance of Hasses opera “Il Ruggierio ” from the previous day that he could hardly describe it.- Urtext of the New Mozart Edition- Full score (BA4504-01) and vocal score (BA4504-90) available for sale- Performance material (BA4504-72) available for hire

Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378

Vol. I: 51 Pieces for Solo Flute Transcribed and Edited by Robert Stallman-The Magic Flutist - Volume 1 contains 54 pieces for solo Flute from the chamber works of W. A . Mozart.The music of Wolfgang Amadeus Mozart is universally cherished by listeners and performers transcending boundaries and generations. Drawing on the chamber repertoire world-renowned flutist Robert Stallman has created a unique compilation for solo Flute providing ?new? Mozart selections that invite flutists to enter more fully into Mozart?s expressive world.This adeptly prepared edition offers music for enjoyment inspiration study and performance while encouraging fluency in Mozart?s often elusivestyle.

Performed by Mario Hossen violin Accompaniment: Plovdiv Chamber Orchestra Conductor: Nayden Todorov Mozart's third violin concerto KV216 sometimes called the 'Strassburg' for a 'Strassburger' tune in its Rondo is scored for a rather simple chamber-sized orchestra. The Adagio of this concerto must be the most sublime movement in any of his violin concerti and one of the most beautiful and quintessentially Mozartian in his entire oeuvre. Perhaps the most memorable of his five violin concerti it is quintessential Mozart and an indispensable addition to any serious violinist's repertoire. Includes a high-quality printed music score with informative liner notes and a compactdisc containing a complete stereo version with soloist then a second version in full stereo of the orchestral accompaniment minus the soloist.