((Chorus of the Union)). By John Purifoy. For Choral (SATB Divisi). Choral. Published by Hal Leonard

(For String Orchestra, Percussion and Narrator). By Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Highland String Orchestra. Patriotic. Grade 2.5. 140 pages. Published by Alfred Music

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal Leonard

Choral Score. Composed by Michael Daugherty (1954-). BH Large Choral. Classical, Contemporary. Softcover. 84 pages. Boosey and Hawkes #M051097784. Published by Boosey and Hawkes

Concert Band Concert Band - Grade 2.5; Grade 3

SKU: FJ.B1539

Composed by Brian Balmages. Concert Band; MakeMusic Cloud. FJH Concert Band. Based on Abraham Lincoln's famous speech in 1858 about slavery, this contemplative work weaves original material with America to depict the tension in the House of Representatives. Often, the melody to America is altered melodically and harmonically as mo. Patriotic. Score and Part(s). Duration 5:00. The FJH Music Company Inc #98-B1539. Published by The FJH Music Company Inc (FJ.B1539).

UPC: 674398231119. English.

Based on Abraham Lincoln's famous speech in 1858 about slavery, this contemplative work weaves original material with America to depict the tension in the House of Representatives. Often, the melody to America is altered melodically and harmonically as moments of anger, rage and fear dissolve into quirky moments of patriotism. The end of the work is magical, as the words let freedom ring are sung by the ensemble to leave the audience speechless.

About FJH Concert Band

Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

Composed by Daniel McDavitt. Gentry Publications. Concert. Octavo. 12 pages. Gentry Publications #JG2544. Published by Gentry Publications

Grade 3

SKU: CL.LDP-7154-01

Composed by G. Spears. Concert Band. Extra full score. Composed 2015. Duration 5 minutes, 43 seconds. Daehn Publications #LDP-7154-01. Published by Daehn Publications (CL.LDP-7154-01).

A wonderful portrait of Abraham Lincoln and the Civil War. The words ‘Now he belongs to the ages,’ spoken at the death of Abraham Lincoln, is the basis for this musical tribute. Bold with beautiful wistful melodies, fragments of Battle Hymn of the Republic and Dixie, and dramatic percussion scoring make this an inspired and memorable achievement.

Opera Piano, solo Voices

SKU: PR.411411630

Opera in Two Acts. Composed by Ricky Ian Gordon. Piano Reduction Score. 438 pages. Duration 2 minutes, 30 seconds. Theodore Presser Company #411-41163. Published by Theodore Presser Company (PR.411411630).

ISBN 9781491137635. UPC: 680160691081. English. Intimate Apparel by Lynn Nottage.

Originally an award-winning play, Lynn Nottage’s INTIMATE APPAREL was inspired by her great-grandmother’s life in New York in the early 20th century. The Pulitzer-laureate also created the libretto for Ricky Ian Gordon’s grand-yet-intimate opera whose complete instrumentation is two pianos. The story follows the life of a young, single seamstress who has recently emigrated from Barbados, the fascinating cast of characters in her life, and her socially-unacceptable feelings of affection for a Jewish fabric salesman. The premiere production of this 2½-hour drama was televised nationally from Lincoln Center on PBS’s “Great Performances.”.
Intimate Apparel began with an old photograph that I found haphazardly wedged between the pages of a Family Circle magazine. I was helping my grandmother, who’d developed debilitating senile dementia, move from her longtime home in Crown Heights, Brooklyn. In the midst of a pile of weathered magazines I discovered a black and white passport photograph of my grandmother Waple and her younger sister Eurita sitting on their mother’s lap. It was the first time I’d ever seen an image of my great-grandmother Ethel, a striking woman with high West African cheekbones and a gentle intensity. She had been a seamstress from Barbados, who at the age of 18 arrived alone in New York City at the dawn of the Twentieth Century. The image invited a thousand questions, none that could be answered by the living, and it led me on a journey to piece together the history of my great-grandmother Ethel, a woman who was basically a stranger to me. The only clue that I had about Ethel, was a story that my grandmother had once told me about her mother corresponding with a man laboring on the Panama Canal, who would eventually become her husband. I was fascinated by this story, which served as the inspiration for INTIMATE APPAREL.As I began my research for INTIMATE APPAREL at the New York Public Library, I discovered that lives of Black working women in the early 1900s were woefully absent from the archive. So, I found myself perusing help wanted listings, boarding house and clothing advertisements, looking for any sign of women like my great-grandmother on the printed page. As I was doing so, I began to find the characters that would populate the world of INTIMATE APPAREL; Esther the lonely seamstress, Mrs. Dickson the proprietress of the boardinghouse for Black women, Mr. Marks the Jewish fabric salesman on the Lower Eastside, Mrs. Van Buren the wealthy white socialite on the Upper Eastside, Mayme the sex worker in the tenderloin, and George the laborer toiling on the Panama Canal. As I was conjuring the characters, I realized that I was interested in the unexpected intersections between class, race, and gender at the turn of the Twentieth Century, and what happens when people across cultural and economic divides are thrust into spaces of intimacy.INTIMATE APPAREL began its life as a popular play, but it was the brilliant composer Ricky Ian Gordon who invited me to consider adapting it into an opera. He saw something epic and expansive in the life of Esther that he felt demanded to be sung, and with his loving guidance I was able to write my first libretto. It took me several tries to figure out how to wrestle my play into a form that was new to me. As a playwright, I kept wanting to maintain absolute control of the narrative. But, it was Ricky’s words that freed me creatively to find my way into the libretto. He said, “You’re not trusting my music as a narrative tool; I can say “I love you” without any words, with just music. So, allow me to be your collaborator on the storytelling.” And once he said that, we found INTIMATE APPAREL the opera together.

Chamber Music tenor voice

SKU: PR.111403160

Composed by Nkeiru Okoye. 4 pages. Duration 5 minutes. Theodore Presser Company #111-40316. Published by Theodore Presser Company (PR.111403160).

ISBN 9781491135754. UPC: 680160687824. Walt Whitman.

An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice – a miniature monodrama, sung a cappella. Okoye’s music and dramatic pacing are in tune with Whitman’s words about the Civil War erupting soon after Lincoln’s inauguration. Whitman’s opening lines, “Arm’d year! Year of the struggle! No dainty rhymes or sentimental love verses for you,” describe both the real world and Whitman’s self-referential poetry, and they are the starting blocks for Okoye’s powerful setting. 1861 was originally composed for solo Tenor, and later transposed for solo Contralto (also published separately).